DS: If I am to make a guess in the case of Poe (who, being dead, was not as entirely revealing as you might want in my interview with him), the beauty of horror does indeed have to do with sadness and loss. It is a reflection on the inevitable passing away of all things. Poe was the guy who said that the most poetical subject in the world is the death of a beautiful woman, and I don’t think he was into necrophilia. You can see this in his life. He knew his wife was dying. Various other beloved figures in his life kept dying on him. He knew that his own stay on this mortal coil was always tenuous.
Have I ever written myself into a story? Not really. I can see how, if I had not somehow managed to face the world, I could have ended up like the character in “Jason, Come Home,” but he is a very sad and unfulfilled fellow, is he not? There is a little of me in the comic artist in “Pennies from Hell,” but this is caricature. Also, that other guy draws better than I do. I do pick up pennies off the street, but not for purposes of occult divination. After a certain age you do it because you STILL CAN. Also, I am superstitious. I believe it is bad luck to leave money lying around when I could have it.
|Art by Darrell Schweitzer [Sidebar: Wilbur Whateley is a character in Lovecraft’s 1923 The Dunwich Horror]|
The Pocono ridge lines in the stories are inspired by long drives to Niagara Falls. I used to be a regular at Eeriecon, and I drove up that way alone many times after my wife stopped doing. You do notice on such trips how the familiar and safe world is only along the roadway, and eldritch rites or hideous murders could be taking place a half a mile away into the forest and no one might ever know. That whole landscape has inspired the Chorazin series of stories, of which “The Girl in the Attic,” and also my YA novel The Dragon House. Chorazin is located in the “flyover” part of north, central Pennsylvania, which is pretty blank on the map. Go to the Poconos, turn left, and go beyond any of the towns or resorts, and there is … what? Any large state in America holds such mystery. It is quite different from Europe, particularly Britain, where if there is a clump of more than two or three trees, it probably has a name, a hereditary forester, and a record in the Domesday Book. We have a lot of empty land.
The landscape of Arizona and the area around the Grand Canyon inspired my “Howling in the Dark.” So, yes, I do respond to landscapes. In the southwest there is vastness of both landscape and sky, and the realization that everything around you is also mutable. An Arizona landscape may be dry, but it is shaped almost entirely by water. You can also look out over the Grand Canyon and realize that among those hundreds of spires you can see are places where, very likely, no human being has ever been, so if Lovecraft’s Great Race of Yith is still hiding on one of them, as long as they don’t shoot off fireworks or play their boom boxes too loudly, we might never know.