The ABOUT and FAQ tab answers a lot about S.E. Lindberg, but check out his commentary on other websites: Guest Posts, Articles, Interviews-of-SE:
Thanks to Joe Bonadonna for the opportunity to be grilled by Dorgo’s Dozen questions. Phew, this will be intense! One cannot lie to a detective as keen as Dorgo, especially when his dowsing rod can sense minor indiscretions — I just hope he can differentiate between fantasy and reality. So please read on, as I attempt to pass the interrogation. Also appearing on Joe Bonadonna's blog.Just weeks ago, I had the pleasure of meeting Brenda Carre at the World Fantasy Convention in Columbus, Ohio as we shared seats on the “Writers – Artist Panel.” This continues our writer-artist discussion focusing on cover design.
Mar-2016 Heroika 2: Witness the Birth of Alchemical Warfare! GUEST POST on Sacred Bander, HOST Janet E. Morris
Perseid Publishing 's Heroika 1: Dragon Eaters has a sequel in the works, but it will go beyond "Dragons." Stay tuned for updates from the authors as they explain the history that inspires adventure fiction. This link reveals the evolution of the Emerald Tablet. I'm proud to be part of Janet and Christopher Crosby Morris's crew on this.
Feb 2016 - Alchemy-Infused, Weird Fiction - GUEST POST on Draconis, HOST Katrina Sisowath –: Katrina Sisowath, scholar and author of mythology, hosts my article on "Beauty and Alchemy in Weird Fiction" on the Draconis website. She is on the front lines writing for Ancient Orgin.Net and her own mythological/historical based fantasy. This is a huge guest post on the below topics:
· Creative Muses Motivate Alchemists
· Creative Muses Also Haunt Writers
· Dyscrasia Fiction and Its Dark Muses
· Perseid Press’s Heroika: Dragon Eaters
Jan 016 Fiction & Art Inspired By the Mappae Clavicula GUEST POST , HOST Jennifer Loiske: Sincere thanks to my host Jennifer Loiske who extended an invitation to discuss my muses & recent contribution to Perseid Press’s Heroika: Dragon Eaters. Please follow the link learn about the history of alchemy and how it inspired my contribution to Heroika.
“…for most of history, intellectual pioneers (alchemists) were all three: scientist, spiritualist, and artist. The allure of alchemy has persisted for many centuries, from its ancient-history roots in Egyptian medicine, through Arabic developments, into medieval Europe and the Italian Renaissance; its medieval flavor has inspired most magic-systems in contemporary fantasy…Scientists had to be artists to document their work; conversely artists were also scientists, sourcing their own materials and working them from the earth, such that their material gathering affected their style. One of the first "technology" books that evolved from compilations of secretive recipes and pseudo-legitimate alchemy was the Mappae Clavicula.”…
Jan 2016 – Comprehensive Author Interview -HOST Fiona McVie.Fiona asks a good a dozen great questions…here are a few snippets.
Fiona: Is there a message in your novel that you want readers to grasp? SEL: Not a message, but a feeling. I’d like to convey a sense of terror and awe.
Fiona: What was the hardest part of writing your book? SEL: Making sense of fantasy world. Attempting to tackle a novel from the beginning was too overwhelming. I tried several times, but it was too difficult to simultaneously create a story while creating complex magic system and world. In order to tell a coherent story, I had to write a short story first (it ended up being Chapter 2 in Lords of Dyscrasia, “Portrait of a Seer”). Then “baby steps” commenced (Chapter 3, etc). Lords of Dyscrasia ended up being a set of seven tales, each chapter being a short story—it has a single story arc, that being of Lord Lysis. It begins with him denouncing his ancestral faith and ends with his final transformation into an undead warrior. With the world building complete, I was able to tackle a second novel with greater focus on characterization and more traditional format: Spawn of Dyscrasia.
Apr & Nov 2015 April Grim Dark History GUEST POST: Last April, I wrote a guest post on the Grimdark genre's roots (1930-and-1980). I was just notified that the post was translated and reposted this month! Like dark fantasy? Check out a perspective highlighting Clark Ashton Smith and Fighting Fantasy. Original Guest Post Link n English, thanks to an invitation by Francesco La Manno, and Now in Italian, thanks to Alessandro Iascy:
As “Grimdark” matures and gathers traction, readers seem interested in defining its scope. Many blog posts already cover the topic of “What is Grimdark,” including posts from champion Mark Lawrence (author of Prince of Thorns): Mark Lawrence Post May 2013 - What is Grimdark?; and Mark Lawrence Post Feb 2015 - "Is Grimdark dead?" (With guests: R Scott Bakker, Karen Miller, Joe Abercrombie, Teresa Frohock, Kameron Hurley, Richard Morgan). This post will not try to disambiguated the boundary between overlapping/similar genres, but it will highlight a few books/topics that aficionado’s and newcomers should enjoy:
1) 1930’s Grimdark/Sword & Sorcery: the oft-overlooked Clark Ashton Smith
2) 1980’s Grimdark/Sword & Sorcery: the origins of Grimdark stem from Game’s Workshop’s Fighting Fantasy series
Jun 2015 Terry Ervin’s UpAroundTheCorner blog: Terry W. Ervin II is an Ohio-based author (like myself) who writes fantasy and science fiction. He recently hosted four of the 17 authors (a.k.a. dragon hunters) from Heroika: Dragon Eaters. Please join the discussion and learn more about the art of killing serpents! Here is a blurb:
Tips on how to write; Lindberg: Go mental! Balancing a fun career with the duties of a father too, there is scarce dedicated time for writing. I’ve fallen into structured day dreaming, rehearsing scenes via each characters’ perspective. Being kept away from the writing-desk forces multiple iterations, but the frustration is rewarding when scenes are enhanced. This role playing can be done anywhere, anytime; a smartphone or notepad is needed to capture key dialogue and interactions to flesh out later.
2015-Feb Author Interview HOST A.L. Butcher’s Library of Erana Blog “~ A place of words, wordsmiths and word devourers, a haven of magic, myth and mayhem.” Many questions are answered, including…
What is your Muse? As a practicing chemist and hobbyist illustrator, I’m driven to explore the weird experience of artists & scientists attempting to capture the divine. I identify with early scientists before chemistry splintered from alchemy, when Art and Science disciplines had common purpose. Take, for example, early anatomy (Medieval and Renaissance period): surgeons searched for the elements of the soul as they dissected bodies; data was largely visual, and had to be recorded by an illustrator. The technology behind paint and dyeing was developing alongside advances in medicine. Back then, the same instrumentation in apothecaries produced medicines as well as paints/inks, so the distinction between artist & scientist was obscure. Despite all the advances over centuries, much of the alchemical focus remains at large. Personally, it drive me nuts knowing that energy and mass are conserved quantities (that can be measured, tracked, and manipulated), yet the “soul” still evades detection or practical measure. As long as intangible things exist beyond our reach of understanding, we’ll need artists to interpret (study?) them.