Monday, September 30, 2024

Book Blurb for B J Swann - Good vibes from reviews



I am currently reading Scott Crawford's Besting the Beast and Other Fantasy Tales which is a collection of grim fairy tales. 

Enjoying that, I recalled the uber-grim Crimson Crown tale by B J Swann [reviewed on Black Gate Fringe Grimdark: Crimson Crown by BJ Swann [2021], so I went to check out his collection [Aeon of Chaos which contains Crimson Crown] and was honored to see my review incorporated into the description.


Praise for B.J. Swann's The Crimson Crown

"The Crimson Crown is Intense, Emotive, Dark Fantasy; Equally Enjoyable and Discomforting." - S.E. Lindberg, author of Lords of Dyscrasia and Helen's Daimones





Saturday, September 28, 2024

Grimnir personally insults S.E. Lindberg! Or perhaps just the Fat One is slandered


Cheers to Scott Oden (and his live-in companion, Grimnir)! I've reviewed his books over the years (see below) but those were all electronic versions. Having the chance to get signed copies from him (apparently known as the "fat one" by Griminir), I pleaded for Grimnir to contribute.... and the orcish bastard delivered.  I am proud to have been personally trolled by the brute. 


Scott Oden wished me "All the best!" but Grimnir expounded on that:

- "Nar! All the Best What? Wine? Women? The fat one [Oden]  makes no sense!"
- "Bah, You Wretched Kneeler! This is the good one! This will put hairs on your arse!"
- "Faugh! The fat one [Oden] said you wanted an insult!? Ha! Only an idiot would give good coin for this tripe!"




    My reviews of Scott Oden's Grimnir Series:





    Sunday, September 22, 2024

    Gen Con 2024 Table of Contents

    Here's a list of my Gen Con 2024 post-coverage (all are links):


    Chilling with brother Scott (who champions Free Market Kids board games and more) at St. Elmo's Steakhouse.


    Swords Together - Gen Con 2024 - Reflections of Sword & Sorcery with a focus on Howard Andrew Jones

    Click here for my Gen Con 2024 coverage table of contents.  


    This post collects a bunch of Sword & Sorcery bonding at Gen Con 2024. The event was legendary and haunting, and this post collects some of my thoughts & experiences so I do not forget them.  


    TOP: Howard Andrew Jones, Matt John, Jason Ray Carney, Gilles Plantin, Sean CW Korrsgaard, SE Lindberg BOTTOM: Seeking peace away from the chaos, we found a Mexican bar and was assaulted by a mariachi band!

    Archiving the King’s Blade Champion: An Interview with John C. Hocking

     Archiving the King’s Blade Champion: An Interview with John C. Hocking

    Originally posted Feb 4, 2022 on Goodman-Games website

    Written by S.E. Lindberg


    Archiving the King’s Blade Champion: An Interview with John C. Hocking  by Seth Lindberg

    John C. Hocking is a nigh-obsessed reader and writer of lurid pulp fiction, the author of Conan and the Emerald Lotus, “Black Starlight” serial, and their time-lost companion, Conan and the Living Plague, as well as an obedient thrall of Tales From the Magician’s Skull. Recently Black Gate reviewed John C. Hocking’s Conan Pastiche; then they cornered him to learn more about his pastiche and weird fiction muses in an interview. That post is a companion with this interview and we hope you’ll brave the Black Gate and check it out.

    Here we focus on Hocking’s original Archivist and King’s Blade series — now to the interview!


    You’ve had six [now seven! — ed.] Benhus tales (The King’s Blade series) that appeared in each of the Tales From the Magician Skull magazines. The first one appeared in 2019, and is called “The Crystal Sickle’s Harvest: From the World of the Archivist.”. Tell us more about the Archivist series and how it informs the King’s Blade.

    John C. Hocking: The Archivist stories take place in the same world, the same city, as those about Benhus. They just occur 12 or 15 years later. The Archivist sprang from my desire to keep writing sword and sorcery but step away from using a mythic warrior character like Conan.

    Hocking’s King’s Blade Series in Tales From the Magician’s Skull by issue number:

    • I. “The Crystal Sickle’s Harvest”
    • II. “Trial by Scarab”
    • III. Tyrant’s Bane”
    • IV. “Guardian of the Broken Gem”
    • V. “In the Corridors of the Crow” *read the preview*
    • VI. “Calicask’s Woman”
    • VII. “The Gift of a Poison Necklace” *read the preview*

    The Archivist series these seem difficult to track down. Any comment about readers with OCD/completionism that desire to read these?

    JCH: Right now, there are 8 stories about the Archivist and his friend Lucella:

    1. ‘A Night in the Archives’ appeared in the Flashing Swords ezine Vol1-#2. available online
    2. ‘Web of Pale Venom’ appeared in Flashing Swords #3 and was recently reprinted in Goodman Games ‘Cubicles of the Skull’. available online
    3. ‘The Lost Path Between the Worlds’ appeared in the Flashing Swords ezine #4 . available online
    4. ‘A River Through Darkness & Light’ appeared in Black Gate #15 (last print issue of BG).
    5. ‘Vestments of Pestilence’ was featured, and available for reading on Black Gate.
    6. ‘Pawns in a House of Ghosts’ appeared in Skelos #3.
    7. ‘With a Poet’s Eyes’ appeared in Weirdbook #38.
    8. “From a Prison of Blackened Bone’ is awaiting publication by Weirdbook.

    I imagine I’ll eventually try to assemble a collection of all the Archivist yarns. I’d like to add a few more entries before then, though. I outlined a novel about the character but can’t say if I’ll ever write it.

    Can you compare/contrast the Archivist with Lucella & Benhus?

    JCH: The Archivist is an unlikely hero, a more cerebral and self-absorbed character than most you’d see in Sword & Sorcery. His ability to fill a heroic role in the dangerous environment of a S&S tale is boosted by his connection to the lady soldier, Lucella. Although the Archivist is unselfconsciously brave when the occasion calls for it and can throw a mean dagger, Lucella is the real fighter of the two. Odd as it may sound, Lucella’s attitude toward violence, and how fighting affects her, are as realistic as anything in my work, as I patterned it after the only people I’ve known who really, truly loved a serious fight. The Archivist is wry and often pre-occupied, but a thoroughly decent fellow with a strong sense of justice. Lucella is more pragmatic but tends to follow his lead. I find the relationship between the Archivist and Lucella more satisfying than much of my work. The two basically combine to form one functional hero.

    The Benhus character is an attempt to create a Sword & Sorcery character in the mold of hardboiled crime fiction. He lacks the experience, knowledge, skill set and sense of justice that the Archivist and Lucella bring to the table. Benhus is very young, but tough, determined and possessed of few scruples, especially when it comes to self-preservation. His occasionally callous behavior can be alienating to readers not expecting it. The fact that the guy is in so far over his head, is so isolated from any substantial assistance or understanding, that he is surrounded by people vastly more powerful and better informed than he is, that he must watch his every step to avoid losing his position or his life—I hope all this leads readers to identify with the guy, even if they might find him a less than delightful dinner companion.

    Juxtaposing the Archivist and Lucella with Benhus was great fun. For anyone who might care to know, the Archivist encounters an older and more seasoned Benhus in ‘Pawns in a House of Ghosts’.

    Let’s focus on Benhus now. In the TFTMS 2021 Kickstarter updates & interviews, you revealed that his name was a tribute to Ben Haas. He was a writer who wrote westerns under several pseudonyms [(1926 – 1977) aka John Benteen, Thorne Douglas, Richard Meade)]. Please expand on Ben Haas, and how Benhus may embody some aspect of his writing/characters?

    JCH: I admire the work of Benjamin Leopold Haas as one of the most polished and seemingly effortless pulp writers of the 1970’s. He spun formula men’s adventure fiction into gold over and over and over again. If I’ve tried to adopt anything from his writing style it would be a ceaseless forward movement and a steady, zero-padding approach to storytelling. But one of the things I admire most about his work is the one I will never even be able to approach—his remarkable coupling of prolificity and solid, satisfying storytelling.



    Each of the TFTMS issues come with illustrations. Can you comment on these depictions?

    • I. Jennel Jaquays: I wrote a whole essay for the first Tales from the Magician’s Skull Kickstarter about how happy I was to have Jaquays illustrate one of my stories. That is one elegant image.
    • II. Russ Nicholson: This one explodes off the page. One of the most spectacular single page monster images I’ve seen, and I was delighted to have it attached to my story.
    • III. Matthew Ray: I loved the tight depiction of the three main characters (four if you include their undead foe). That’s a particularly good King Numar Flavius right there.
    • IV. Samuel Dillon: Lushly detailed, almost pointillist, illustration captures a good likeness of Benhus.
    • V. Doug Kovacs: This one startled me because it’s such a serious attempt to illustrate a specific scene from the story and do so with as much accurate detail as possible. The artist even gets Zehra’s tattered hand restraints.
    • VI. Jennel Jaquays: Lucky me—a second Jaquays illustration. I worked hard to make the creatures in the Wall of Demons as nasty as I could. The artist made them nastier than I imagined. That white eel/serpent horror is ingeniously disgusting.

    And each story, true to TFTMS form, comes with DCC stats (thanks to Terry Olson). What are your thoughts on gamifying your world? Have you had the pleasure of reenacting a story?

    • I. Crystal Sickle Wraith (creature) & Nobleman’s Comfort (wand)
    • II. Great mud scarab…knockout powder, message vial= (magic item)
    • III. Blind sight (spell), nobleman’s comfort (more wand abilities), Silver risen (a spell?), Tyrantsbane dagger (weapon)
    • IV. Nobleman’s Comfort (wand, even more abilities) and Scimitar Nemesis (creature weapon)
    • V. Carapaced Mauler (creature)
    • VI. Gray Umbra Guardian (creature)

    JCH: I haven’t been in a real RPG in 20 years, so I’m not really qualified to comment intelligently on the stats. But I’m delighted with the idea that fragments of the stories appearing in The Skull might find their way into gamers’ adventures. I wish the Skull had a space where anyone who saw any of our statted creations showing up in a game could tell us how it went.

    Generally, S&S spawned in the short story form, and characters did not necessarily develop (i.e., as much as they may in a novel). The Benhus short stories are stand-alone episodes, but there is definite progression of character (especially with the titular “king” of the King’s Blade branding, issues #3 and #5 ramped up the relationship). Do you have a long-term vision for a collection/novel?

    JCH: Yes and no. I want to keep telling an unspooling, chronological series of stories about Benhus. I have plenty of ideas for what happens to the character and how it affects him and those around him. In his near future I’ve plotted a story that could probably be presented as a novel but will more likely be broken into shorter narratives that I’ll submit piecemeal to Tales From the Magician’s Skull. Writing a novel is such a difficult, sustained and uncertain effort that I’m more comfortable wrestling with short fiction these days.


    Be sure to check out the companion interview on Black Gate to learn more about Hocking’s Conan pastiche and weird fiction influences. And for the the latest story in the King’s Blade series, be sure to pre-order a copy of (the soon to be released) Tales From the Magician’s Skull Issue 7!

    Saturday, September 21, 2024

    Monday, September 16, 2024

    Gen Con 2024 Moderating 10 Panels



     Moderated 7 Panels on "new books and new releases":


    New Book! New Games! New Release Panels with S.E.

    Join our panel of authors as writer and host S.E. Lindberg asks each about the inspirations and challenges behind their new books, games, and works. This fun experience back from last year by request! 

    (Session E)   Friday12:00 PM EDT E.D.E. Bell, Gregory A. Wilson, Jesse J. Holland

    (Session C)   Thursday2:00 PM EDT   Howard Andrew Jones, J. B. Garner, Matt Forbeck

    (Session F)  Friday1:00 PM EDT Anthony W. Eichenlaub, Bryan Young, Jennifer Brozek 

    (Session A) Thurs 12:00 PM EDT Annye Driscoll (Maker Fishmeal), Briana Lawrence, Gini Koch 

    (Session D)  Thursday3:00 PM EDT  Karen Menzel, Dedren Snead, Sarah Hans

    (Session G)  Friday2:00 PM EDT Cat Rambo, Erin M. Evans, Kwame Mbalia

    (Session B)  Thursday 1:00 PM EDT   J.D. Blackrose, Lyndsie Manusos, Chris A. Jackson





    3x Panels on Genre Fiction

    The three below were focused on Sword & Sorcery, Pulp Fiction, and Horror
    Those have videos and audio shared on another post.

    Writing the Beautiful Nasty     Saturday 3:00 PM EDT

    [this feeds into my BlackGate/com interview series on "Beauty in Weird/Horror Fiction"]. Join our panel of experts as they explore writing scary or repulsive matters in attractive and beautiful ways within the complex realms of horror. Featuring: S.E. Lindberg, Akis Linardos, C. S. E. Cooney, Jason Ray Carney, Jeri "Red" Shepherd 

    Sword & Sorcery for Contemporary Audiences   Friday10:00 AM EDT

    Join our panel of writers as they discuss Sword & Sorcery for a modern world: what does it look like, what could it look like, and what's out there to devour.  Featuring: S.E. Lindberg, Dedren Snead, Howard Andrew Jones, Jason Ray Carney, Sarah Sharp

    Pulp Fiction for Contemporary Audiences   Friday 11:00 AM EDT

    Join our panel of writers as they discuss pulp fiction for a modern world: what does it look like, what could it look like, and what's out there to devour. Featuring: S.E. Lindberg, Gini Koch, Howard Andrew Jones, Jason Ray Carney, Richard Lee Byers 






    Friday, September 13, 2024

    Gen Con 2024 - Writers Symposium Behind the Scenes Photos

    Click here for my Gen Con 2024 coverage table of contents.  

    Opening Ceremony

    Chris Bell had very kind words regarding my previous Chair roles and passing the torch to him.  He rocks as a leader.

    Tuesday, September 10, 2024

    Gen Con 2024 - Deep Madness

    Being a huge Deep Madness fan and reviewer of Diemension Games' writer Byron Leavitt's work (link to many previous posts)... and having interviewed him and had him on panels at Gen Con and contributed to the Madness Reborn expansion (thanks to Phil Blake and Oscar Bok and others), I had to catch up with Byron and Sarah at their booth.


    Tuesday, September 3, 2024

    Gen Con Panels 2024 - Sword and Sorcery, Pulp, & Horror (aka Beautiful Nasty stuff)

    Click here for my Gen Con 2024 coverage table of contents.  

    Thanks to Sean CW Korsgaard, (editor/author/S&S-aficionado) who filmed a bunch of Gen Con 2024 panels, you can listen in on two of the panels I moderated.

    Monday, September 2, 2024

    Janet E. Morris - Memorial Tribute

     

    Perseid Press recently announced the passing of author, editor, and publisher Janet E. Morris (JEM) in August 2024. A group of us who have known and written for her and published by her, decided to honor her memory and her legacy with this group memorial. 

    Janet E Morris Memorial Tribute - Black Gate Article (link)

    This ad-hoc remembrance has organically turned into a virtual shrine. This post initially has ~17 contributions, but collecting testimonials can be chaotic and more comments may be added. Janet and Chris Morris made a remarkable creative couple, and our deepest condolences extend to Chris.

    S.E. Lindberg's Reflections

    I will miss JEM’s love for elevating other storytellers’ craft and her uncanny ability to seamlessly blend myth,  fantasy, & history in her writing.

    • REVIEWS: We first met ~2013 as I moderated the Goodread’s Sword & Sorcery Group and she challenged a statement I made that Lovecraftian-Cosmic-Horror differed from elements of classical myths. She schooled me, her insights of ancient myths proved more expansive than my views. I was early into reviewing, so I read/reviewed (link) her Beyond Sanctuary book (Sacred Band series) and, beyond enjoying the story and feeling like I was living within the Baroque style cover, I was struck by not being able to discern between history, myth, and fantasy.

    • INTERVIEWS: This prompted me to go beyond reviewing books and start an interview series on “Art & Beauty in Fantasy Fiction” with Janet being the first up to bat (link) (I plan to repost that on Black Gate soon). She pushed people’s expectations of sexuality and the role of women in fantasy fiction since 1976, and having her perspective was eye-opening. That interview was Jan 2014, and the decade since I’ve interviewed 27 others (including Carol Berg, C.S. Friedman, Darrell Schweitzer, Anna Smith Spark, C. Dean Andersson…). Black Gate started broadcasting this series ~2018.

    • WRITING: As I was beginning to independently publish, she invited me to contribute to Perseid Press, and I’ve been honored to have over seven stories published across the Heroes in Hell and Heroika series (listing on Perseid Press site).

    • ROLE MODEL: as much as I am honored to have known JEM, learned from her and developed by role in the writing community, my experience is not unique. Testimonials from dozens of aspiring and veteran authors are being posted. Her legacy is admirable, and she serves as a beautiful role model.

    • A TOAST: Cheers, dear JEM. Thank you for sharing your passion and igniting mine. “Life to you and everlasting glory!”

    Sunday, August 25, 2024

    Writers Symposium Image Prompt Contest Winners

    Click here for my Gen Con 2024 coverage table of contents.  

    Just posted the winners for the Gen Con Writers' Symposium Image Prompt Contest
    https://genconwriters.org/prompt-contest/


    Last year we tried out an image prompt contest, and it was a blast. The addition of art in our hallway plus the engagement of authors was overwhelming–in the best way! Check out the 2023 contest in the Archive.

    For 2024 we lured in two more artists with ties to the Writers Symposium, Ava Kelly (author) and Alex Steffen, the artist who created the cover for the 2024 Anthology.

    Like last year, each piece of art was put on a poster with a QR code to enable submission of (a) micro fiction (300 words or less) inspired by the art or (b) a “caption” to explain it. Winners of the contest were promised to have their entries posted on this website and a copy of the artist-signed poster (winners elected via a selection process that involved the artists’ input and feedback from some of the organizational committee.)

    Everyone who submitted is a winner, since the goal was merely to promote a creative atmosphere. We highlight the poster-award winners and runners-up in separate announcement posts (below links). Yet everyone who submitted can claim bragging rights since the PDF below has the list of all the submissions–i.e., you all have your caption posted on this website!

    Thank you to the artists and the creatives who replied!


    Saturday, July 27, 2024

    Samuel Dillon - Original Orphan Maker Art



    In 2022, I was thrilled to have my short story appear in Dyscrasia Fiction in Skull #9.  It was granted two illustrations, one by Samuel Dillon and the map by Aaron Kreader. 

    Shown above, is me holding the original, framed pointillism by Samuel Dillon; soon to be hanging beside the cover prints of the Dyscrasia Fiction covers.

    I am exploring more custom art by Samuel for a collection of tales, the working title "Grave's Daughters."



    Tuesday, July 16, 2024

    To Walk on Worlds - review of Matthew John's S&S Collection


    To Walk on Worlds Rogues in the House Podcast, 2024, 188pages); Cover art by Mike Hoffman


    Black Gate highlighted Rogues in the House (RitH) podcast in 2022, and in a few years, that crew rapidly expanded with Sword & Sorcery publications that include: A Book of  Blades (2022)  and A Book of Blades Vol. II (2023), and a collection of John R. Fultz's stories in The Revelations of Zang (2024)  This post reviews the newest collection of stories from RitH's own Matthew John released this June: To Walk on Worlds is available now in eBook and paperback. Matthew John is fascinated with adventure fiction and moonlights as a writer and game designer for Monolith in addition to his podcast responsibilities.  This post reviews To Walk on Worlds with excerpts.

    If Gandalf was an a**hole, then we'd call him a "Meddler" instead of an "Istar"

    The back cover indicates Lachmannon may be the protagonist of focus, and this Northman of Kaelta displays clear, Conan-like vibes while featuring in many of the stories as the key barbarian. He rocks, but the everpresent, and more unique character (anti-hero?) across the book is Maxus the Meddler. A "meddler" is a sorcerer, and Maxus gains the god-like power to move (and exploit and dominate) multiple realms; the titular phrase 'To Talk on Worlds' emphasizes that readers will experience Maxus's exploration and machinations.  Interior illustrations by Sandy Carruthers feature Maxus most, and he appears physically like Gandalf. So Maxus is phenotypically a wizard, but he is otherwise a bonafide a** hole. In the rare instances Maxus requires assistance from other beings, he does not form a fellowship. He may lure in rogue champions, like Lachmannon, to aid him but he would never consider them a partner. Maxus the Meddler is a splendid character, and it is super fun to witness him gain power and exploit other characters.

    The table of contents (below) reveals eleven stories, seven of which were published in popular S&S venues.  They read even better together, with four additional stories helping flesh out the land containing the capital city of Pathra, Keal, Vescivius, Spatha, and the Burning Isle. Oddly, perhaps on purpose, every story has an abundance of grinning characters.  Matthew Johns's writing style is very accessible, moving at the fast pace one would expect from pulpy fiction.

    Check out the excerpts that convey (1) weird foes, (2) desperate melee, and (3) vile sorcery!

    Tuesday, June 25, 2024

    Hocking Understand this S&S kind of Stuff - City of the Dead released

     Most of this content was simulcast on Black Gate June 25, 2024: 

    CONAN: CITY OF THE DEAD, JOHN C. HOCKING’S LIVING PLAGUE IS ALIVE INSIDE

     
    CONAN City of the Dead, by John C. Hocking (2024, Titan Books. 507p)[/caption]

    It’s June of 2024, and Titan Books has just delivered John C. Hocking’s City of the Dead which contains both Conan and the Emerald Lotus (1995, TOR) and its follow-up Conan and the Living Plaguea book lost in the limbo of publishing craziness for ~two decades! Hocking also wrote a bridging novella set in between these two novels called “Black Starlight” (serialized across Conan comics in 2019, and provided assembled as an eBook in 2023 as Conan: Black Starlight: The Heroic Legends Series). Since Titan Books & Heroic Signatures had the rights to publish and print “Black Starlight” separately, it seems like a lost opportunity to have it absent from  City of the Dead, but fans are just glad to finally see the Living Plague in print, it is tough to whine about that.

    Conan fans will be purchasing City of the Dead in a frenzy since they are familiar with Hocking’s style and its heroic journey

    Want to know what the fuss is all about? This post is all about John C. Hocking’s Conan pastiche. It consolidates my reviews from Emerald Lotus and Black Starlight and highlights from my interview-with-Hocking and pre-review of Living Plague (that post contained informational, but distanced comments, about the book since the manuscript was still not available to all… at the time, I was blessed with one of the sacred Perilous World copies by Hocking to read). Read this and you'll have all the excerpts and context needed to lure you into the City of the Dead.

    Lord of a Shattered Land and The Doom of Odin: Howard Andrew Jones and Scott Oden deliver high-octane, anti-Roman Adventure


    I just finished two Euro-Mediterranean-inspired fantasy novels, and, by chance, both feature dragons on their beautiful covers. This post showcases both. Scott Oden's The Doom of Oden wraps up a trilogy (Grimnir Series) and Howard Andrew Jones' Lord of a Shattered Land begins a five-book series (Hanuvar Chronicles). Each offer anti-Roman myths/legends, Oden's Grimnir overtly calls out Rome (and then introduces loads of Nordic fantasy) and HAJ's Hanuvar's primary antagonist is the Dervan Empire (obviously inspired by the Roman Empire). In the spirit of Robert E. Howard's Conan, who roamed the Euro-Mediterranan continue of Hyboria, these both continue a tradition with a unique flair. These series are not to be missed!

    Both are veteran authors with respect for history and historical fiction (HAJ is known for his Harold Lamb series editing and Oden for his bibliography that includes The White Lion, The Lion of Cairo, Men of Bronze, and Memnon). Here they write sagas about veteran protagonists. Don't expect coming-of-age stories or epic fantasy, five-character parties either. These provide the classic Sword & Sorcery approach: the protagonists may have sidekicks, but they operate primarily on their own, and they are already equipped with experience/skills/power from page-one. So the pace is fast and focused.

    Both Lord of a Shattered Land and The Doom of Odin blend history with fantasy but each provides significant doses of myth/sorcery, so these are not alternate history novels. Each protagonist is motivated by their respective family too: HAJ's Hanuvar is human, and since he is a displaced general managing to survive as his society is destroyed by Derva (Rome), he operates like a secret agent going rogue behind enemy lines to rescue other stragglers and family members. Oden's Grimnir is inhuman, more of a manifestation of Beowulf's Grendel's kin, and whereas the first two books had Grimnir apart from his estranged family, this last installment showcases loads of family drama (i.e., think family reunion on the scale of Ragnarok, aka, the end of the world, with Rome hosting part of the picnic).

    This post provides brief reviews, book blurbs, and excerpts. Read on and battle Rome and ancient Gods!

    Hanuvar Series (link)

    Hanuvar is a fictionalized general (an incarnation of Hannibal of Carthage) who tangles with the Roman-like Dervani who have invaded his homeland. Expect espionage thriller sorties, gladiator battles, and sorcery-saturated climaxes in each chapter to balance all the melee. Lord of a Shattered Land (Aug 2023) kicks off a 5 book series from Baen, followed by  City of Marble and Blood (Oct 2023), and Shadow of the Smoking Mountain (Oct 2024), (#4 and #5 to be revealed later). 

    Hanuvar is Conan possessed by James Bond!

    Lord of a Shattered Land Cover Blurb

    When their walls were breached at last, the people of Volanus fought block by block, house by house, until most fell with sword in hand. Less than a thousand survivors were led away in chains.

    The city’s treasuries were looted, its temples defiled, and then, to sate their emperor’s thirst for vengeance, the mages of the Dervan Empire cursed Volanus and sowed its fields with salt. They committed only one error: the greatest Volani general yet lived.

    Against the might of a vast empire, Hanuvar had only an aging sword arm, a lifetime of wisdom… and the greatest military mind in the world, set upon a single goal. No matter where they’d been sent, from the festering capital to the furthest outpost of the Dervan Empire, Hanuvar would find his people. Every last one of them. And he would set them free.

    Worst of all, a magical attack had left Hanuvar with a lingering curse that might change him forever, or lead him to an early grave…

    Lord of a Shattered features fourteen episodes chronicling Hanuvar's undercover investigations and travels. The settings and delivery are reminiscent of Richard L Tierney's Simon of Gitta (Black Gate review) who was posed as an enemy of sorcerous Rome (the character Simon was loosely modeled after the biblical magus, and was motivated by vengeance.)  Hanuvar is driven more to save his people than to cause further harm, but bloodshed follows him everywhere. HAJ's delivery is splendidly smooth, whether he is describing body horror or humorous situations--at times evoking Leiber's Lanhmar ambiance. You likely have seen some of his stories, since seven of the fourteen episodes/chapters were published in similar form by reappearing here with slight editing to close out a story arc:

    1. “The Way of Serpents,” first published in the Goodman Games Gen Con 2016 Program Guide and then reprinted in Issue "zero" of Tales From the Magician’s Skull, 2018.
    2. “Crypt of Stars,” printed in Tales From the Magician’s Skull, Issue 1, 2018.
    3. “The Second Death of Hanuvar,” printed in Tales From the Magician’s Skull, Issue 3, 2019.
    4. “A Stone’s Throw,” printed in Heroic Fiction Quarterly #40, 2019.
    5. “Course of Blood,” printed in the anthology Galactic Stew.
    6. “From the Darkness Beneath” in Terra Incognita
    7. “Shroud of Feathers” appeared in issue 6 of Tales From the Magician’s Skull.

    Excerpt: Vivid, clever, James-Bond-Like Melee

    "His opponents were spread out, and while the circumstance was far from ideal, it might not get better. Hanuvar dashed from the brush and slammed the antlered man’s head with his spear haft. This knocked his foe’s deer-hood askew and set him reeling drunkenly. Hanuvar closed and struck him across the throat with the heel of his hand.

    Antler-head sank to his knees, gasping for breath.

    Hanuvar grasped his cheeks, pushed the severed finger through his teeth, and clamped the man’s jaw shut. “Swallow,” he ordered into his ear, the spear blade against his neck.

    The man’s throat moved, he pushed at Hanuvar’s arm with shaking fingers . . . then swallowed as the spear blade pricked him."

    Excerpt: Weird, Sorcerous, X-Files-Like Predicaments

    "Arcella lay there, at least what was left of her. Her dress had been rent down the front, and her skinless, hairless body lay wet and glistening, the lidless eyes rendered enormous. Unlike the other bodies, her internal organs still lay in their places. The reek was overwhelming.

    Even Hanuvar was stunned by the scene, for he could think of no ordinary means by which the woman could have screamed and then been rendered skinless in the scant moment since they had raced to find her."

    The City of Marble and Blood (already out) continues Hanuvar's grand adventures!


    Grimnir Series (link)

    Ymir’s balls! Oden's trilogy comes to an end. This was initiated with A Gathering of Ravens (reviewed by Flecther Vredenburgh on Black Gate) to be followed by Twilight of the Gods. Read those first to become a cheerleader of Grimnir. The milieu is reminiscent of Poul Anderson’s Viking Age The Broken Sword, being full of Dane’s and Celtic faeries and Norse myths. Oden's style is more readable than that classic, but is still saturated with just the right amount of call-outs to geographies and history to blur the lines between fantasy and history. This is no historical fantasy, but the foundation of history is so well played the fantasy feels “real.” Equally balanced are the sorceries of Celtic witches, Norse deities, and Christian beliefs. All supernatural “sides” of faith conflict here. All are presented as real, though some are being superseded.  So who is the orc protagonist employed by Scott Oden to redeem the Orc culture? He is Grimnir...Grendel’s brother, as named by some. The lady Étaín, a servant of the Christian God, the Nailed One, and unlikely companion of him describes him:

    “He is called Grimnir… the last of his kind, one of the kaunar—known to your people as fomóraig, to mine as orcnéas, and to the Northmen as skrælingar. In the time I’ve known him, he has been ever a fomenter of trouble, a murderer, and as cruel a bastard… I can vouch neither for his honesty nor his morals, as he is bereft of both. And while he did kidnap me, threaten me with death, mock my faith, and expose me to the hates of a forgotten world, he also saved my life …” from A Gathering of Ravens

    Grimnir is a monstrous, brutal bastard!

    His name suits him since he might as well be carrying a flagstaff with the contemporary “Grimdark subgenre” splayed upon it. Yet his predicament and motivations are as compelling as any vigilante hero. How best to end the series other than (a) meeting Grimnir's estranged family [i.e., the paternal Bálegyr] while (b) ushering in Ragnarok? This last installment takes us to mindbending travel between ancient Rome and Nastrond/Yggdrasil (i.e. Nordic Otherworlds that Oden can explain better than me). Granted Rome is only part of the landscape here; readers should expect more time in the Nordic realms.

    The Doom of Odin: A Novel (Grimnir Series Book 3)  Blurb:

    To the Danes, he is skraelingr; to the English, he is orcnéas; to the Irish, he is fomoraig. He is Corpse-maker and Life-quencher, the Bringer of Night, the Son of the Wolf and Brother of the Serpent. He is Grimnir, and he is the last of his kind—the last in a long line of monsters who have plagued humanity since the Elder Days.

    Drawn from his lair by a thirst for vengeance against the Dane who slew his brother, Grimnir emerges into a world that’s changed. A new faith has arisen. The Old Ways are dying, and their followers retreating into the shadows; even still, Grimnir’s vengeance cannot be denied.

    Taking a young Christian hostage to be his guide, Grimnir embarks on a journey that takes him from the hinterlands of Denmark, where the wisdom of the ancient dwarves has given way to madness, to the war-torn heart of southern England, where the spirits of the land make violence on one another. And thence to the green shores of Ireland and the Viking stronghold of Dubhlinn, where his enemy awaits.

    But, unless Grimnir can set aside his hatreds, his dream of retribution will come to nothing. For Dubhlinn is set to be the site of a reckoning—the Old Ways versus the New—and Grimnir, the last of his kind left to plague mankind, must choose: stand with the Christian King of Ireland and see his vengeance done or stand against him and see it slip away?

    Grimdark Battles Infused with Norse Mythology

    Excerpt 1: 

    Grimnir hacked slivers from the skrælingr’s club; over his shoulder, he saw the shuffling kaunr—that straight-legged bastard with a beard like tarry weeds—moving into his blind side. Snarling, Grimnir deflected another blow from the skrælingr’s knotty club, then drove the hilt of his long-seax into the idiot’s teeth. Once. Twice. Blood spurted from the wreckage of his nose and mouth. A third blow snapped the skrælingr’s head back. The club slipped from his nerveless fingers. A fourth crushing blow sent him crumpling to the ground with a broken neck.

    Excerpt 2:

    Grimnir never let him finish...With a serpentine hiss, the son of Bálegyr snapped his arm forward, driving the blade of his spear into the point of the kaunr’s bearded chin. His drawn breath, meant for the boastful recitation of his deeds, turned into a death-rattle as the spearhead plowed through bone and teeth; it cut through the muscle of his tongue and the soft flesh of his palate, splitting his face from jaw to brow. Blood spewed from the spear-cleft ruin.