Wednesday, April 20, 2022

Tales From the Magician's Skull Blog Apr 1st-20th 2022 Round-Up




Tales From the Magician's Skull Blog
 Apr 1st-20th 2022 Round-Up

 

Apr 4: Adventures in Fiction: Stanley G. Weinbaum by Ngo Vinh-Hoi

Not many authors can be credited with changing the entire trajectory of a genre, yet Stanley Grauman Weinbaum managed to do so with his very first published science fiction story A Martian Odyssey. The story first appeared in the July 1934 issue of the science fiction pulp magazine Wonder Stories, which was a distant third in popularity to Astounding Stories and Amazing Stories. Forty years later, no less a figure than Isaac Asimov would declare that “hidden in this obscure magazine, A Martian Odyssey had the effect on the field of an exploding grenade. With this single-story, Weinbaum was instantly recognized as the world’s best living science-fiction writer, and at once almost every writer in the field tried to imitate him.”

 

Apr 5: Classic Covers: Adventure Magazine

At its height, Adventure Magazine had a circulation of over 300 thousand and was published three times a month, marking it as one of the most successful fiction pulps of all time (in 1935 Time Magazine dubbed Adventure ‘The No. 1 Pulp’). Adventure gave the audience just what the title suggested; pulse-pounding tales set in exotic locales, desperate journeys on land and sea, western gunfights, jungle explorations, and blade-whirling exploits throughout history. It even frequently intersected with real-world adventures offering true (ish!) accounts of modern day acts of exploration and daring. A host of classic adventure writers appeared in its pages, such as H. Rider Haggard, Rafael Sabbatini, Baroness Orczy, John Buchan, Talbot Mundy, Harold Lamb, and H. Bedford Jones.

 

 

Apr 8: A Look at Edgar Rice Burroughs’ I Am A Barbarian

If the nickname “Little Boots” doesn’t fill you with dread perhaps it will in the original Latin: Caligula. The byword for depraved tyranny, the quintessential Mad Monarch, Caligula’s brief reign as third Emperor of Rome has been the fascinating stuff of prurient legend and scandalous rumor for nearly two thousand years. A megalomaniac combining arbitrary cruelty with a wicked sense of humor – flinging coins to the poor after first heating them in a brazier, turning the Imperial Palace into a brothel to pimp the wives of senators, ordering his legions to attack the oceans and gather seashells as plunder, appointing his favorite horse to the Senate – this “viper for the people of Rome” is like a joke you’re ashamed to laugh at, or a car crash from which you can’t look away. Separating the truth of Caligula’s reign from the rumors and embellishments is the mostly impossible task of historians – but using it as a backdrop for titillating fiction is the job of storytellers, something Edgar Rice Burroughs’ I Am a Barbarian does with page-turning success.

 

 

 

Apr 12: Where to Start With Harold Lamb by Howard Andrew Jones

It wasn’t so long ago that the fiction of Harold Lamb was best known only as a footnote in the old Lancer Conan books, mentioned in passing as being important and influential but almost completely unavailable. All that could be found of his prose were some late novels and his biographies, and, fine as those biographies are, neither were foundational works of sword-and-sorcery. Today, though, most of Lamb’s fiction is in print once more, and fairly easy to lay hands on, just like the histories, many of which are retained to this day by libraries across the United States. So much is out there now it can actually be difficult to know where to start. You need no longer scratch your head in wonder, however – this essay will show you the way.

 

 

Apr 15: Classic Covers: Harold Lamb’s Histories

What do you get when you cross an expert adventure storyteller with a linguistically-gifted polymath? Some of the greatest popular histories ever written. While Harold Lamb’s fiction was familiar to readers of Adventure magazine, it was his gripping histories and biographies, starting with 1927’s Genghis Khan, that won him international acclaim, and made him an acknowledged expert in both Hollywood and the State Department.


 

 

Apr 19: Adventures in Fiction: Turning the Khlit Stories of Harold Lamb into RPG Adventures!  by Julian Bernick

Here in the Goodman Games world, we’ve been rediscovering the works of Harold Lamb. He wrote timeless adventure stories that influenced a bevy of Appendix N authors, most notably Robert Howard. The strength of Lamb’s tales are tight plotting, crisply drawn characters and rich historical detail. But as enjoyable as Lamb’s tales are, they lack some of the cardinal elements of Appendix N literature and DCC RPG adventures: supernatural magic, brooding extra-human entities from beyond space, and the never-ending struggle between Law and Chaos. Without these elements, what can we draw from these adventure stories to enrich our adventures for DCC RPG? For this essay, I’ll discuss the Khlit stories collected in Wolf of the SteppesThese tales are just a fraction of Lamb’s pulp stories, but still provide plenty of useful ideas for DCC adventures. 

Monday, April 18, 2022

Tanith Lee and Sword & Planet: Sword & Sorcery Group-read Topics May June 2022

 



The 2022 May June Groupread Topics have been selected and the discussion folders are set.
Please join us!


(A) Tanith Lee
https://www.goodreads.com/topic/show/...

(B)Sword and Planet
https://www.goodreads.com/topic/show/...

Banner Credits
Tanith Lee Night's Master, art by Melvyn Grant, 1981
Tanith Lee Empress of Dreams, DMR Book 2021, art by Lauren Gornik
The Tides of Kregen (Dray Prescot, #12) , art by Michael Whelan, 1976 (Dray Prescot) Alan Burt Akers

Night's Master (Tales from the Flat Earth #1) by Tanith Lee Empress of Dreams by Tanith Lee The Tides of Kregen (Dray Prescot, #12) (Krozair Cycle, #1) by Alan Burt Akers

Sunday, April 10, 2022

Sorcery Against Ceaser (and Scroll of Thoth byt Ricjard L. Tierney ; Review by S.E.

RICHARD L. TIERNEY’S SORCERY AGAINST CAESER; REVIEW AND TOUR GUIDE OF SIMON OF GITTA’S SICA & SORCERY!

 Original Post: Sunday, April 10, 2022  SELindberg on Black Gate


Sorcery Against Caesar: The Complete Simon of Gitta Short Stories
 (cover art by Steven Gilberts) Pickman’s Press, 2020, 405pages.

Greg Mele recently paid tribute to Richard L. Tierney at Black Gate. That memorial post covers the author’s life and bibliography very well, so check that out; Tierney co-authored books with David C. Smith will be echoed here. The Goodreads S&S group is hosting a two-month group read of his work presently (March-April 2022), which spurred me to read Scroll of Thoth; Simon Magus and the Great Old Ones.

That book lingered way too long on my shelf. It was packaged as horror influenced by history, with a mage protagonist; however, having read it now, I argue that it is more Fantasy than Horror or Historical Fiction. If assigning genre categories floats your boat, then Sword & Sorcery is more accurate.

As the post title indicates with “Sica and Sorcery,” Simon often fights with a Thracian long-dagger/short-sword called a sica, and evil sorcery abounds. With cover art by H. E. Fassel (below), Scroll of Thoth has all twelve Tierney-written, short stories tracking Simon of Gitta with comprehensive essays from Robert M Price for each; he covers both the actual history drawn from, as well as the Lovecraftian and Howardian (REH) mythos call-outs. The collection was published by Chaosium in 1997 and inspired (or augmented) their Call of Cthulhu role-playing game; in 2009, the Cthulhu Invictus campaign (6th ed) released, and that, in turn, spawned a 2015 collection of similar “Sica and Sorcery” (Tierney did not contribute, but Robert M. Price did).

With Sorcery Against Caesar: The Complete Simon of Gitta Short Stories (cover art above by Steven Gilberts, Pickman’s Press 2020), readers are treated to all 12 stories and essays in Scroll of Thoth (with an abridged version of the introduction), plus 4 more tales that are pastiche or co-authored tales (also with contextual essays). Pickman’s Press also released a novel-length Simon of Gitta adventure penned by Tierney called Drums of Chaos (originally published in 2008, available now with cover art by Zach McCain, published 2021), which would have been too big to include with the short stories. In short, both Sorcery Against Caesar and Drums of Chaos are available in print and electronic form. This review covers the short stories, but Drums of Chaos is included in the tour guide below.  According to the essays by Price, even more Simon of Gitta stories were planned but, unfortunately, are left in limbo.

Sorcery Against Caesar: The Complete Simon of Gitta Short Stories, official blurb:

A REBEL AGAINST ROME.

Simon of Gitta, an escaped slave turned magician, roves the Roman Empire battling dark magic and demons, all the while pursued by Caesar’s soldiers. Join Simon as he flees across the ancient world evading cultists and Legionaries, outwitting sorcerers and Centurions, and fighting gladiators and gods, even the deities of the Cthulhu Mythos. Yet all these foes cannot prepare him for his greatest challenge: the pursuit of his lost soul-mate Helen, a love so deep even death can’t stand in its way for long.

Who is Simon of Gitta?

For the non-history and non-religious folk, Simon is actually a biblical character. The Christian Bible’s Acts of the Apostle presents him as a Samaritan magus. Tierney presents Simon similarly, a mage hailing from Tyre (modern-day Lebanon), but has his heroic origins emerge from being an enslaved gladiator. Essentially, Tierney rebranded Simon as genuinely as Karl Edward Wagner did the biblical Cain (with his Kane tales); in fact, Tierney emphasized this by having the characters meet in the “The Blade of the Slayer” story.

Having excelled at fighting, Tierney’s Simon is skilled at the sica and hand-to-hand combat. The first tale “The Sword of Spartacus” has him escaping the pits and starting his studies as a mage. Frankly, he casts few spells himself.  He does ally with many other active mages (his mentors), and he applies his knowledge of the arts frequently (low-level actions like casting illusions and enhancing disguises, letting his companions do the heavy spellcasting). Even though a mage describes his character well, he is much more of a rogue gladiator/fighter. Simon’s companions are more sorcery-focused and include the mages Dositheus and Menophar, and even a raven named Carbo.

“…I studied the arts of the mages at Persepolis, but before that I was trained as a gladiator — sold into the profession by the Romans, who slew my parents in Samaria because they could not pay the taxes imposed on them by a corrupt regime. I escaped, after two years of fighting for my life — of spilling blood for the Roman mob —!”  The character Simon explains

Simon is completely fascinated with two goals: (1) seeking revenge against Rome, and (2) seeking out his love named Helen. The villains are usually Roman Emperors like Tiberius, Claudius, and Gaius (aka Caligula), or they are subordinates or Senators seeking more power. The antagonists are constantly summoning eldritch gods with grand rituals that are completely over the top, and wonderful (we are talking’ coliseums full of sacrifices’ and ‘mating rituals with Star Gods’!). As Simon ventures, he learns his True Spirit has existed beyond/before his current life and that he is always paired with the same female companion who also pervades time; this approach reminded me of Michael Moorcock’s Eternal Champion with a love interest. Even though each short story is stand-alone, these two themes persist across all.

Style

Sorcery Against Caesar really is a splendid mashup of history from Ancient Roman times, with lore from Judaism, Zoroastrianism, polytheistic Etruscan & Egyptian religions, and more… all equally weighted with Lovecraftian Mythos, Robert E, Howard’s Hyborian Age history, and even lore from David C. Smith’s Attluma cycle. For most readers, there will be instances in which determining which gods are based on historical deities or fictional ones will be difficult (for me it started right away with the summoning of Tuchulcha in the first story; that daemon is based on Etruscan myths, not a Lovecraftian Elder). Like Lovecraft, Tierney reinforces a pseudo-real mythos by referencing faux books like the Necronomicon with reverence; here we have the Sapientia Magorum written by Ostanes, the titular Scroll of Thoth, and the Tomb Texts of Ani.

For the Howard fans, you will enjoy entire stories that build on Conan’s first story “The Phoenix on the Sword.” Both the Ring of Set mentioned therein as well as the Phoenix on the Sword get full stories; also for the Kull of Atlantis fans, delight in the “The Dragons of Mons Fractus” tale that features Pontius Pilate exhibiting Vlad the Impaler vibes along with Valusian serpent people. “The Scroll of Thoth” reinforces the Pain Lords from the Red Sonja Books (co-authored by Tierney and David C. Smith).

Even though there is a ton of sorcery, most of it is redirected toward evil Emperors, Simon usually is not the sorcerer. He is a fighter who hangs out with friendly sorcerers while taking down the evil ones. The fight scenes and action reminded me of Howard’s action-packed Sword & Sorcery. Anyway, don’t expect dry history or old-style, meandering pre-pulp gothic horror. Expect (a) bloody melee, (b) fantastical sorcery, and (c) links to Howardian and other fictional mythos. Excerpts below the Tour Guide reinforce these.

Roman-inspired adventure by Chaosium and related Call of Cthulhu content

 


Table of Contents (and Chronological Tour Guide of Simon’s Tales)

* content in Sorcery Against Ceaser (i.e., not in Scroll of Thoth). All stories by Richard L. Tierney unless noted.

  1. “Sword of the Avatar” Introduction (by Robert M. Price); the unabridged version is in The Scroll of Thoth.
  2. “The Sword of Spartacus” first published in Swords Against Darkness #3 (Zebra Books, 1978).
  3. “The Fire of Mazda” first published in Orion’s Child #1 (May-June 1984).
  4. “The Seed of the Star-God” first published in Crypt of Cthulhu #24 (Lammas 1984).
  5. “The Blade of the Slayer first published in Pulse-Pounding Adventure Stories #1 (December 1986).
  6. * “The Throne of Achamoth” by Richard L. Tierney & Robert M. Price, first published in Weirdbook #21 (Autumn 1985).

Drums of Chaos is a separate novel-length, Simon of Gitta adventure by Tierney (originally published in 2008, available now via Pickman’s Press 2021, 415pages) that occurs chronologically after “The Throne of Achamoth.” Here’s the blurb (cover below):

CAN A HANDFUL OF HEROES STOP AN APOCALYPSE CENTURIES IN THE MAKING?

Escaped gladiator-slave Simon of Gitta returns to Judea — during the ministry of Jesus of Nazareth — on a mission to avenge the deaths of his parents, seeking revenge in blood against the Roman officials who committed the murders and sold Simon into slavery.  But as Simon travels the Holy Lands with his mentor Dositheus and their students Menander and llione, they gradually become entangled in a complex occult plot designed to call down a monstrous alien entity to herald a new aeon on Earth. The mysterious time traveler John Taggart (from Tierney’s The Winds of Zarr) also becomes involved with Simon as their separate quests converge toward a common goal of saving all life on Earth from extinction.

But can a handful of travelers really thwart a covert scheme backed by the power of the Roman Empire? As the apocalyptic supernatural events slowly unfold, Simon and his allies are in a race against time to prevent the devastation of the world. Using mystery cults and early Christian Gnosticism as his vehicle, with meticulously researched Roman history and Biblical scholarship, this is author Richard Tierney’s magnum opus: an epic Lovecraftian alternate history dark fantasy novel that features Tierney’s most famous characters, Simon of Gitta and John Taggart. This novel will appeal to fans of historical fantasy and sword & sorcery fiction in the vein of Robert E. Howard, and the elements of cosmic horror and the Cthulhu Mythos will satisfy many fans of H.P. Lovecraft.

  1. * “The Emerald Tablet” by Robert M. Price; first published in Strange Sorcery #24, Rainfall Books (August 2017).
  2. “The Soul of Kephri” first published in Space & Time #66 (Summer 1984).
  3. “The Ring of Set” first published in Swords Against Darkness #1 (Zebra Books, 1977).
  4. “The Worm of Urakhu” first published in Weirdbook #23 (December 1988).
  5. “The Curse of the Crocodile” first published in Crypt of Cthulhu #47 (Roodmas 1987).
  6. “The Treasure of Horemkhu” first published in Pulse-Pounding Adventure Stories #2 (December 1987).
  7. * “The Secret of Nephren-Ka” by Robert Price, published first in The Mighty Warriors (Ulthar Press, 2018).
  8. “The Scroll of Thoth” first published in Swords Against Darkness #2 (Zebra Books, 1977).
  9. “The Dragons of Mons Fractus” first published in Weirdbook #19 (Spring 1984).
  10. * “The Wedding of Sheila-Na-Gog” by Richard L. Tierney & Glenn Rahman, first published in Crypt of Cthulhu #29 (Candlemas 1985).
  11.  “The Pillars of Melkarth Vengeance Quest” first published in Space & Time #78 (Summer 1990).
  12. * “Vengeance Quest” poem, originally published in The Cimmerian #7 (October 2004).

More Simon of Gitta from Tierney?

Robert M. Price writes in the essay for “The Pillars of Melkarth” this context hinting at an unpublished, but already written, novel, and several other tales that likely were never finished:

Readers may notice a large time lapse between the events of “The Pillars of Melkarth” (spring equinox, A.D. 50) and those of the previous story set in A.D. 42. This is because those years were taken up with the events of the novels Path of the Dragon (forthcoming from Pickman’s Press) in A.D. 42 and The Gardens of Lucullus (Sidecar Preservation Society, 2001) in A.D. 48. Other stories were planned during this time period as well. Richard Tierney intended some German adventures in A.D. 46 – 47, as well as entertaining another collaboration with Glenn Rahman on a pair of novels set on the western Roman frontier, one centered on the Claudian invasion of Britain, the other involving the Picts in Scotland. Sadly, none of these stories were ever written — yet.

Drums of Chaos (cover art by Zach McCain) Pickman’s Press, 2021

 


Excerpts. Expect:

A) Lots of “Sick” Sica Melee

Simon roared and struck out; his fist cracked sharply against the face of the nearest guard, who flopped to the cobbles without a cry. Quick as a panther he crouched and whirled, barely in time to avoid a murderous blow from a second guard’s staff; his sharp-bladed sica, already in hand, shore through the guard’s neck as Simon completed his whirl, and the man went down with a dying gurgle.

and…

The door was only large enough for two abreast and Simon met the first two with steel, expertly parrying, slashing, stabbing. One collapsed mortally wounded from a sword-thrust in the guts; the other leaped back, suddenly fearful, but was pushed forward again by the surging mob — to die instantly on the point of the sica. Simon howled with mad rage, swinging and thrusting; a bludgeon glanced heavily off his left shoulder and a knife-point nicked his flank, but three more of his enemies went down with blood gushing. A pike ripped his tunic and gashed the side of his ribcage; he roared and smote in return, cleaving a snarling face with his sword. Fierce exultation suddenly filled him; if he must die, this was how he preferred it, fighting and slaying Romans to the very end —

 

B) Unraveling Emperor Plans to Meddle with Cosmic Sorcery

“I think I know what you learned. Tiberius’ purge of his enemies is no secret, and Carbo recently brought me another message from Senator Junius, who has been recalled from exile in Lesbos to house arrest in Rome. The senator told me about Prodikos and his daughters, and I have learned much more here in Ephesos.”

Simon stopped eating. “What have you learned of Prodikos?”

“Much, Simon, but mainly that in this city renowned for its sorcerers, he is the most powerful and feared of them all.”

A serving-girl entered with an amphora of wine, and Dositheus ceased speaking. When she had gone Simon filled his goblet. “Go on,” he said.

“Prodikos had several children by various slave women, but all were sons save Helen and Ilione. These sons he long ago sold into slavery, but his daughters he kept — for an evil purpose, as it turns out. Simon, it is no mere incestuous lust that drives Prodikos. He means to force Ilione to join with him in a monstrous ritual that shall release forces this world has not seen since it emerged from the last great darkness of the All-Night.”…

… “The rite of the Impregnation and the Slaying — an act of sympathetic magic that shall cause the seed of the Star-god to unite with the Great Mother, thereby generating a horrendous spawn that will overwhelm this world.”

Simon gripped his goblet tensely. His scalp tingled as he recalled reading of just such a black ritual in the Sapientia Magorum of the ancient Persian magus Ostanes. “Gods of Hades! How could the girl’s own father even think of such perverse madness —?”

Dositheus drew a deep breath. ‘‘He may no longer be her true father, Simon. Have you not read of Sakkuth, King of Night, and his evil Master?”

Simon felt the tingling extend down his spine. Sakkuth the King, servitor of Kaiwan the Star-god — both evil beings cursed by the ancient prophets yet still furtively worshipped by sorcerers in his own native Samaria…

“The wizards of Acheron and Stygia and even older civilization cycles knew them by other names,” Dositheus went on. “To the nations of primal Attluma they were Kossuth and Assatur. It is said that every thousand years Sakkuth attempts to destroy civilization, and that he succeeds unless powerful magic is used to stop him. It was he who plunged the world into the All-Night after the Atlantean and Hyborian cataclysms. And to initiate such times, his master Kaiwan, who dwells amid the stars near the Eye of Taurus, sends to earth his seed to unite with the Great Mother, thereby enabling her to spawn the Thousand Abominations that will overwhelm the world.”

 

C) An Abundance of R.E. Howard Hyborian Age References

Instantly the sword hilt in his hands shrilled with a supernatural energy, and a blade of golden light sprang forth — a blade that must, Simon somehow knew, be equal in length to the sword blade when it was first wielded ages ago by the Aquilonian King!

“The Phoenix!” gasped Nephere, falling to his knees. “The soul of civilization — the hope of mankind…”

The great bird — if bird it was — had wheeled about and was now settling down, flapping its wide and glittering pinions, coming to rest atop the ancient pyramidal stone behind the flaming altar. It perched there and folded its wings, gazing down upon the flames where — so Nephere had said — its parent had just been cremated.

Simon could only stare in awe. He suddenly realized that he had never known true beauty before. He had seen vast mountain landscapes that had taken his breath away, and many fire-emblazoned sunsets, and had known a number of beautiful women — even one that had shared with him and the fallen gods his own soul-nature. But never, until now, had he felt the presence of the very Soul of Beauty.

Yet, despite the mood that was upon him, despite the lingering chords of celestial music in his heart, he could still see actual, objective features of the being. It was about the size and shape of a large eagle, and this fact had doubtless formed the basis of the legends that had surrounded it. But it was no bird, Simon knew — nor any creature of earth or its environs. Those scales or feathers, gleaming like a thousand luminous gems, only slightly resembled the scales or feathers of earthly creatures; that gently curved bill, glowing like translucent pearl, only resembled something between the beaks of ibis and eagle; the golden spray of filaments about its head and throat only resembled the inferior crowns and gorgets of earthly kings and queens. And the great eyes, round and limpid and swirling with obscure colors, bright with transcendent life and supermundane intelligence — these resembled nothing he had ever seen…

 

 

Richard L. Tierney

Richard L. Tierney (1936 – 2022) was a poet, author, and editor of adventure fiction, mainly in the realm of dark fantasy. Since his mid-teens, he had been both a fan and scholar of H.P. Lovecraft, Robert E. Howard, Clark Ashton Smith, and other great names from the pulp fiction era. In 2010, he was nominated for the Science Fiction Poetry Association’s Grandmaster Award. In 1961, Tierney earned a degree in Entomology (Iowa State College) and served for many years with the U.S. Forest Service in several of the western states and Alaska. A haunter of archaeological ruins by instinct, he had traveled widely, especially in Mexico, Central, and South America. Many of the ideas and images that he employed in his stories were inspired by his extensive travels. His major works include Collected Poems (1981, Arkham House), The House of the Toad (1993, Fedogan and Bremer), Sorcery Against Caesar: The Complete Simon of Gitta Short Stories (Pickman’s Press, 2020), The Drums of Chaos (2008, Mythos Books, 2021 Pickman’s Press), and Savage Menace and Other Poems of Horror (2010, reprint 2021, P’rea Press).

 

Monday, April 4, 2022

DMR Books & Doug Draa PresentsTerra Incognita, S.E. Lindberg tale included

 


DMR Press Release for Terra Incognita April 2022

Follow the link for the full announcement.  Here are highlights:

In May DMR Books will release the anthology Terra Incognita: Lost Worlds of Fantasy and Adventure. This project was masterminded by Doug Draa, editor of Weirdbook Magazine. Doug assembled an all-star team of writers, including David C. Smith (author of Oron, The Sorcerer’s Shadow, and the Red Sonja series), Howard Andrew Jones (editor of Tales from the Magician’s Skull and author of the critically-acclaimed The Desert of Souls), Adrian Cole (author of numerous series, including The Voidal, The Dream Lords, and War on Rome), and John C. Hocking (author of Conan and the Emerald Lotus.)

Terra Incognita will appear in May in trade paperback and digital formats. The cover art was created by Lauren Gornik, whose work has appeared on other DMR titles such as Tanith Lee’s The Empress of Dreams, Manly Wade Wellman’s Cahena, and Harry Piper’s The Great Die Slow.

Table of Contents:

  • “Shadow of the Serpent” (a tale of Akram, hero of The Sorcerer’s Shadow) by David C. Smith
  • “The Place of Unutterable Names” by Adrian Cole
  • “One Hive. Two Queens.” by S.E. Lindberg
  • “The Siege of Eire” by J. Thomas Howard
  • “Warriors of Mogai” by Milton Davis 
  • “Necropolis Gemstone” by John C. Hocking
  • “From the Darkness Beneath” by Howard Andrew Jones

For more updates on Terra Incognita, join the official Facebook group.

Terra Incognita
: unknown territory: an unexplored country or field of knowledge
-Merriam Webster

You are holding a ticket in your hands.
A ticket for a voyage of thrills, wonder, and discovery as seven of today's top fantasists, each one a master of Heroic Fantasy, transport you to lands beyond your imagination. Lands of fantasy and adventure. And the only passport needed is your imagination.

Howard Andrew Jones sets sail into adventure with a group of sea-going merchants and their passengers. Many of them are not whom they seem to be and only reveal their true selves once a sunken kingdom from the bottom sea launches an attack against the travelers.
Adrian Cole transports a group of explorers to a Lovecraftian nether world of no return. Or is there, if one is courageous enough?
Milton Davis introduces us to a young man, barely past boyhood, who has to brave great dangers on his own to seek the help of ancient allies who may no longer exist.
John C. Hocking regales with the plight of a young archivist who is forced at swordpoint to travel into a parallel world full of horrors from a time long forgotten.
David C. Smith's courageous rebels under the leadership of an undying warrior must form an alliance with an ancient race to overthrow murderous usurpers, along with their necromantic masters, who are hell-bent on destroying their kingdom in an insane attempt to conquer the world.
S.E Lindberg gives us a distant world where two alien sisters, who were created in the image of man, wage a war against each other to determine the future of their world.
J. Thomas Howard reveals the harsh realities of ancient Eire, Sam Hain, and the war between the Fomorians and Tuatha Dé Danann.

Friday, April 1, 2022

Tales From the Magician's Skull March 2022 Round-Up 2

 


Tales From the Magician's Skull Blog  Mar 2022 Round-Up-2


 Post Links & Blurbs, Championed by Bill Ward

 

Apr 1:  Look at Henry Treece’s The Great Captains by Fletcher Vredenburgh

When Treece turned to fiction, an endeavor that would eventually put an end to his poetry writing, he found his voice in historical fiction, in particular in legendary events and characters, and in providing a realistic basis for them. Among his most notable works is the Celtic Tetralogy. Chronologically, the first, The Golden Strangers (1956) is about the conquest of Neolithic Britain by bronze-wielding invaders. The Dark Island (1952) and Red Queen, White Queen (1958) recount the doomed resistance by British leaders Caractacus and Boudicca, respectively, to Roman rule. In The Great Captains (1956), Artos and Medrodus, descendants of the invaders from The Golden Strangers, fight a doomed battle against a new race of intruders. Together the four books recreate ancient Britain, its forests haunted by spirits, portents looming in every strange occurrence. In his novels he presents events that perhaps lie at the center of the mythic heart of Britain. Alongside Paul Kingsnorth’s Buckmaster Trilogy, it’s one of the great poetic works about Britain’s history, its land, and its people

 

Mar 29:  Ballantine Adult Fantasy: William Morris

One of the most significant figures in the cultural life of Victorian England, William Morris (1834-1896) was everything from a poet, translator, and writer of medievalist fantasy, to a political activist, printer, champion of building preservation, and a renowned innovator in textile manufacturing and interior design. When Lin Carter oversaw the Ballantine Adult Fantasy line (1969-74), he brought many of Morris’ out-of-print fantasies back into print in affordable paperback editions.

 

 

Mar 25: Fueling the Fire of Fantasy Fiction: Gaming’s Influence on Today’s Writers by Brian Murphy

After taking a bit of a controversial stance last week with my piece on the possible detrimental effects of gaming on sword-and-sorcery, I will now take the opportunity to rebut … myself, and offer the opposing side a chance. And discuss the net positives that role-playing and, in particular, Dungeons and Dragons has had on fantasy fiction. As I mentioned in my prior piece, gaming can, and in many instances has, inspired gamers to take up a pen and launch successful careers as fantasy authors. Before they were writers, the likes of China Mieville (author of Perdido Street Station), Cory Doctorow (Down and Out in the Magic Kingdom), and Joe Abercrombie (First Law trilogy, The Heroes) were slinging dice at the game table. George R.R. Martin is another notable author who sings the praises of role-playing, though he had started writing in 1971, prior to the invention of D&D.

 

 

Mar 22: Classic Covers: Dragonlance

It might be fair to say that the Dragonlance series — initially a trilogy of novels written by Margaret Weis and Tracy Hickman in tandem with a group of D&D modules from TSR — is The Lord of the Rings of media tie in fiction: massively best-selling, appealing to a broader fanbase than conventional wisdom dictated, and prompting an entire industry of imitators. In Dragonlance one can see the beginnings of not only an explosion in shared worlds based on popular media, but also the genesis of Young Adult fiction as a force punching well above its weight class in publishing.

 

Mar 18: Dungeons & Dragons: Friend or Foe of Sword-and-Sorcery?   by Brian Murphy

I’m a long-time D&D fan and ex-gamer who may again pick up the dice bag. D&D is an awesome game, has given me countless hours of unadulterated joy, and I will unequivocally state that the world is a better place for it. But, I don’t think it has necessarily been a uniformly positive influence for subsequent generations of writers. Specifically, it may have played a role in the downfall of sword-and-sorcery.  Note: The following bit of speculation is not an indictment of what goes on at the table during D&D games, which at their best are cauldrons of creativity. But rather, the impact D&D may have had on sword-and-sorcery and subsequent fantasy fiction.

 


Mar 15: Where to Start With Fritz Leiber’s Fafhrd and the Gray Mouser

Aside from Conan the Cimmerian, there can be no more iconic image in all of sword-and-sorcery fiction than the dynamic duo of “the Twain.” Fafhrd, towering Northern barbarian, and Mouser, weaselly little thief, form a wonderfully visually complementary whole, and that’s even before you get to their actual personalities. Bawdy and reckless, bantering and adventurous, these two lovable rogues have traveled the length and breadth of a nowhere place called Nehwon, with many of their most memorable escapades taking place in the city of Lankhmar.