Showing posts with label Reviews - by S.E.. Show all posts
Showing posts with label Reviews - by S.E.. Show all posts

Sunday, November 10, 2024

Besting the Beast and Other Fantasy Tales: Scott Forbes Crawford’s Weirdly Accessible Adventure

2024, Oct 27, Simulcast on Black Gate: Besting the Beast and Other Fantasy Tales: Scott Forbes Crawford’s Weirdly Accessible Adventure

Besting the Beast by Scott Forbes Crawford
(2024, Kindle); Cover art by Ben Greaves

Besting the Beast is Grimm-like tales for Grimdark readers

Fantasy readers often seek escapism and encounters with the unknown, but those adventures can become too weird to be accessible. Shorter forms help. Incorporating some grounding in history or reality helps too. One of the most accessible styles is the fairy tale, and Scott Forbes Crawford delivers five remarkable fun, and easy-to-read, adventures bridging the short story and fairy tale form in Besting the Beast (Aug 2024). All are rooted in Asian history/myth and feature relatable human protagonists to lead the way.

The cover art by Ben Greaves is appropriately derived from “Recovering the Stolen Jewel from the Palace of the Dragon King” (1853) by Utagawa Kuniyoshi (1798-1861). Don't let the friendly style fool you. The beasts herein are pleasantly weird and gory. Excerpts from all the stories are below so you can get a flavor of the horrific creatures and antagonists you'll experience. Sword & Sorcery and Grimdark fiction fans will enjoy these (indeed, Besting the Beast is Grimm-like fairy tales for Grimdark readers).


The contents of Besting the Beast have all been published before (in SNAFU: Holy War, Bards and Sages, Sword and Sorcery Magazine, and more). Also, expect more of these characters in future publications since Crawford has a few acceptances brewing for other Sword & Sorcery venues. My favorites are "The Carving of a Warrior" and "Half-baked Hero" since I am fascinated with weird art and human sculptures. I am thrilled that the character Janza from "Half-Baked Hero" has more stories penned in her honor.

Crawford's blending of weird adventure and global history/myths is expressed in his other books like  Silk Road Centurion (which had an excerpt inside Besting the Beast) featuring a 53 B.C. Roman soldier Manius Titinius who is held captive by a warband of nomadic Xiongnu, and The Phoenix and the Firebird that explores a realm of magic and monsters inspired by Chinese and Slavic folklore (The Han-Xiongnu War: 133 BC–89 AD). What inspires Crawford? Well, he's been traveling the world during his life, including stints in Japan and China.

Don’t let the friendly, fairy tale style fool you. Crawford's beasts are pleasantly weird and gory

Besting the Beast: Table of Contents & Excerpts

The Carving of a Warrior (first published in Bards and Sages, 2020)

A young woman named Resh desires to be an artist when she grows up but must cross a monster-infested forest to sculpt a new destiny.

More leaves crunched. Nearer now. Before Resh’s eyes grew a hulking, barely comprehensible form. Humanoid – vaguely – its bulbous torso was a purple shade and it lumbered nearer on limbs of black chitin. Four tentacles swelled from its chest in place of arms. Two organic tubes, the hue of intestine, stemmed from its back and bent over its shoulders, belching a stream of the lavender gas. No features contoured its face; utterly flat, the head served only to host a single mammoth eye, white but for some speckles of red, like blood-spattered milk...In a hollow of her mind, Resh sensed the Imps were nothing more than phantasms born of the gas. This demon, though, was all too real as it stood before her father and wreathed him in gas. The creature’s tentacles embraced his head and chest. He dropped the spear without a fight, his empty hands savagely clawing air until they froze and he flopped beside the useless weapon, his head pulped, a rotten melon.

Heart of a Samurai, (first published in Pulp Modern 2019)

In the tradition of Japanese ghostly tales, a proud warrior, Kokoro Kenzo, learns the limits of his purity, courtesy of the cat Scrapper

...he spied a furry lump outside the first hut – what was that? He moved closer: a large, floppy-eared dog, torn into ragged, gory thirds. There, at the next hut – three more, and there, beside the well, seven bodies of cats, sworn enemies, who had in death become brothers and sisters. Loosening his katana in its scabbard, Kokoro quickened his step – and then he froze. A stack rose ahead of him, like of firewood. A stack so tidy and geometrical and perplexing, Kokoro took a moment to recognize it was made of men. Children, grandmothers, sun-browned farmers. What had happened to their chests?

A Thief’s Work (first published in The Society of Misft Stories, 2020)

A novelette of intrigue and conspiracy in a city enslaved to the magical drug Sorcel (zombie-like drug addicts are called Droolers). Can a burglar recruited into the resistance free her people?

... a gauntlet closed around her throat and lifted her. Choking, she stared at the blank eyes of the Drooler, her mind flailing for some action to take. The edges of her vision darkened. Another moment and the dark would swallow her. But an idea sparked. The Drooler hadn’t fully locked her right arm. Slowly, she reached for his wrist and with fingers made cunning by years picking pockets, she untied the lacings which fastened the gauntlet to his forearm. Her vision clouded and she felt consciousness dwindling away, but finally she undid the last lacing. The gauntlet fell and she tumbled free, rolling as the Drooler tried sweeping her up. Shaking off a woozy head, she leaped into the mill wheel, folding herself in the cramped hollow between the wheel’s blades as it swooshed her down and away.

Besting the Beast (first published in SNAFU: Holy War, 2021)

The titular tale covers the aftermath of a demonic invasion; a bandit orphan Kai is one of the few survivors of a grand melee with winged demons. He seeks revenge for his lord and family in a confrontation with the mother of evil gods.

On an impossibly long, spindly arm, a hand shot from the water, snatched a Jomon trooper from the front rank and yanked him screaming into the pool. A red cloud mottled the surface. Another arm whizzed out. Another. Long fingers raked in Guardians. Now the water swirled and frothed. A head broke the surface and swooped up on a lengthy, sinuous neck.

The whole of the chamber released a collective, ecstatic sigh. Kai reeled at what hovered above the water – a woman’s head, in some demented fashion, with strings of blue-black hair. Eyes like moons filmed in the hue of blood, a jumble of sharp teeth set in an outsized mouth. What form of body lurked beneath the surface?

Half-baked Hero (first published in Sword and Sorcery Magazine, 2019)

When the female bodyguard Janza encounters an outlandish client, she faces a choice between her past and future, vengeance and honor.

Kong parted his robe.

Waist up was immense flab, the flesh of his belly coarse, grainy, gloppy. Incongruously, his legs rippled with muscle. Kong began massaging his stomach and chanting ancient words. Cruel, bestial words Janza had never heard, yet somehow, her blood recognized them, recognized and feared them. Janza could only lie there, frozen and terrified, until the sorcerous, blood-thieving assassin had his final say.

Yet with every bead of sweat wetting Kong’s brow, more disgusted heat blasted through her body. Rage warmed her. By inches her limbs began melting free.

Kong rubbed his paunch furiously . . . and he dug his fingers in and tore away bloodless wads of paunch. These he piled on the floor.

Silk Road Centurion - Novel Excerpt (Published by Camphor Press., 2023)

The book chronicles a 53 B.C. Roman soldier making a life on the ancient Chinese frontier. However, Manius Titinius falls captive to a warband of Xiongnu, nomadic horsemen who rule the seas of grass between the Gobi Desert and the Mountains of Heaven.

Hooves pounded nearer. They were almost on top of Manius. He snatched the two pila javelins he kept on his horse, just as the enemy rounded the bend. The lead rider now was a squat man wrapped in furs, not that giant. Judging his speed, Manius drew back a pilum, coiling his muscles like a tensed spring before whipping forward and launching. The javelin arced true, striking the horseman to the dirt.

Manius readied his throw against the next man. No, only a beardless boy, unarmed. From his speeding horse he looked up at Manius and their eyes locked, the boy’s seeming to register in that split second his life had been spared. Around the bend came the giant. Manius sent his last javelin soaring up and as it arced, he knew it had its victim’s scent. The barbarian seemed to freeze, gazing stupidly at the onrushing projectile, at his end foretold. ... Mouthing a curse, Manius clawed out his gladius, dashed at his surprised foe and thrust for his ribs. In one fluid motion the giant drew his sword. There was a clang and a silvery flash as the barbarian’s curving steel batted away the short, straight Roman sword. Manius was open now to a follow-on strike and braced to receive the killing blow...



About the Author

Scott Forbes Crawford is the author of the historical novel Silk Road Centurion, the history book The Han-Xiongnu War 133 BC – 89 AD, and co-author, with his wife Alexis Kossiakoff, of the Middle-Grade historical fantasy novel The Phoenix and the Firebird. His short stories and articles have appeared in a range of magazines and anthologies. After spending many years in Beijing and Taipei, Crawford now lives in Japan with his wife and daughter. You can learn more about Scott Forbes Crawford at the author's website, his Facebook page, or his newsletter site.


S.E. Lindberg is a Managing Editor at Black Gate, regularly reviewing books and interviewing authors on the topic of “Beauty & Art in Weird-Fantasy Fiction.” He is also the lead moderator of the Goodreads Sword & Sorcery Group and an intern for Tales from the Magician’s Skull magazine. As for crafting stories, he has contributed eight entries across Perseid Press’s Heroes in Hell and Heroika series, and has an entry in Weirdbook Annual #3: Zombies. He independently publishes novels under the banner Dyscrasia Fiction; short stories of Dyscrasia Fiction have appeared in WhetstoneSwords & Sorcery online magazine, Rogues In the House Podcast’s A Book of Blades Vol I and Vol II, DMR’s Terra Incognita, and the 9th issue of Tales From the Magician’s Skull.

 

Tuesday, July 16, 2024

To Walk on Worlds - review of Matthew John's S&S Collection


To Walk on Worlds Rogues in the House Podcast, 2024, 188pages); Cover art by Mike Hoffman


Black Gate highlighted Rogues in the House (RitH) podcast in 2022, and in a few years, that crew rapidly expanded with Sword & Sorcery publications that include: A Book of  Blades (2022)  and A Book of Blades Vol. II (2023), and a collection of John R. Fultz's stories in The Revelations of Zang (2024)  This post reviews the newest collection of stories from RitH's own Matthew John released this June: To Walk on Worlds is available now in eBook and paperback. Matthew John is fascinated with adventure fiction and moonlights as a writer and game designer for Monolith in addition to his podcast responsibilities.  This post reviews To Walk on Worlds with excerpts.

If Gandalf was an a**hole, then we'd call him a "Meddler" instead of an "Istar"

The back cover indicates Lachmannon may be the protagonist of focus, and this Northman of Kaelta displays clear, Conan-like vibes while featuring in many of the stories as the key barbarian. He rocks, but the everpresent, and more unique character (anti-hero?) across the book is Maxus the Meddler. A "meddler" is a sorcerer, and Maxus gains the god-like power to move (and exploit and dominate) multiple realms; the titular phrase 'To Talk on Worlds' emphasizes that readers will experience Maxus's exploration and machinations.  Interior illustrations by Sandy Carruthers feature Maxus most, and he appears physically like Gandalf. So Maxus is phenotypically a wizard, but he is otherwise a bonafide a** hole. In the rare instances Maxus requires assistance from other beings, he does not form a fellowship. He may lure in rogue champions, like Lachmannon, to aid him but he would never consider them a partner. Maxus the Meddler is a splendid character, and it is super fun to witness him gain power and exploit other characters.

The table of contents (below) reveals eleven stories, seven of which were published in popular S&S venues.  They read even better together, with four additional stories helping flesh out the land containing the capital city of Pathra, Keal, Vescivius, Spatha, and the Burning Isle. Oddly, perhaps on purpose, every story has an abundance of grinning characters.  Matthew Johns's writing style is very accessible, moving at the fast pace one would expect from pulpy fiction.

Check out the excerpts that convey (1) weird foes, (2) desperate melee, and (3) vile sorcery!

Tuesday, June 25, 2024

Hocking Understand this S&S kind of Stuff - City of the Dead released

 Most of this content was simulcast on Black Gate June 25, 2024: 

CONAN: CITY OF THE DEAD, JOHN C. HOCKING’S LIVING PLAGUE IS ALIVE INSIDE

 
CONAN City of the Dead, by John C. Hocking (2024, Titan Books. 507p)[/caption]

It’s June of 2024, and Titan Books has just delivered John C. Hocking’s City of the Dead which contains both Conan and the Emerald Lotus (1995, TOR) and its follow-up Conan and the Living Plaguea book lost in the limbo of publishing craziness for ~two decades! Hocking also wrote a bridging novella set in between these two novels called “Black Starlight” (serialized across Conan comics in 2019, and provided assembled as an eBook in 2023 as Conan: Black Starlight: The Heroic Legends Series). Since Titan Books & Heroic Signatures had the rights to publish and print “Black Starlight” separately, it seems like a lost opportunity to have it absent from  City of the Dead, but fans are just glad to finally see the Living Plague in print, it is tough to whine about that.

Conan fans will be purchasing City of the Dead in a frenzy since they are familiar with Hocking’s style and its heroic journey

Want to know what the fuss is all about? This post is all about John C. Hocking’s Conan pastiche. It consolidates my reviews from Emerald Lotus and Black Starlight and highlights from my interview-with-Hocking and pre-review of Living Plague (that post contained informational, but distanced comments, about the book since the manuscript was still not available to all… at the time, I was blessed with one of the sacred Perilous World copies by Hocking to read). Read this and you'll have all the excerpts and context needed to lure you into the City of the Dead.

Lord of a Shattered Land and The Doom of Odin: Howard Andrew Jones and Scott Oden deliver high-octane, anti-Roman Adventure


I just finished two Euro-Mediterranean-inspired fantasy novels, and, by chance, both feature dragons on their beautiful covers. This post showcases both. Scott Oden's The Doom of Oden wraps up a trilogy (Grimnir Series) and Howard Andrew Jones' Lord of a Shattered Land begins a five-book series (Hanuvar Chronicles). Each offer anti-Roman myths/legends, Oden's Grimnir overtly calls out Rome (and then introduces loads of Nordic fantasy) and HAJ's Hanuvar's primary antagonist is the Dervan Empire (obviously inspired by the Roman Empire). In the spirit of Robert E. Howard's Conan, who roamed the Euro-Mediterranan continue of Hyboria, these both continue a tradition with a unique flair. These series are not to be missed!

Both are veteran authors with respect for history and historical fiction (HAJ is known for his Harold Lamb series editing and Oden for his bibliography that includes The White Lion, The Lion of Cairo, Men of Bronze, and Memnon). Here they write sagas about veteran protagonists. Don't expect coming-of-age stories or epic fantasy, five-character parties either. These provide the classic Sword & Sorcery approach: the protagonists may have sidekicks, but they operate primarily on their own, and they are already equipped with experience/skills/power from page-one. So the pace is fast and focused.

Both Lord of a Shattered Land and The Doom of Odin blend history with fantasy but each provides significant doses of myth/sorcery, so these are not alternate history novels. Each protagonist is motivated by their respective family too: HAJ's Hanuvar is human, and since he is a displaced general managing to survive as his society is destroyed by Derva (Rome), he operates like a secret agent going rogue behind enemy lines to rescue other stragglers and family members. Oden's Grimnir is inhuman, more of a manifestation of Beowulf's Grendel's kin, and whereas the first two books had Grimnir apart from his estranged family, this last installment showcases loads of family drama (i.e., think family reunion on the scale of Ragnarok, aka, the end of the world, with Rome hosting part of the picnic).

This post provides brief reviews, book blurbs, and excerpts. Read on and battle Rome and ancient Gods!

Hanuvar Series (link)

Hanuvar is a fictionalized general (an incarnation of Hannibal of Carthage) who tangles with the Roman-like Dervani who have invaded his homeland. Expect espionage thriller sorties, gladiator battles, and sorcery-saturated climaxes in each chapter to balance all the melee. Lord of a Shattered Land (Aug 2023) kicks off a 5 book series from Baen, followed by  City of Marble and Blood (Oct 2023), and Shadow of the Smoking Mountain (Oct 2024), (#4 and #5 to be revealed later). 

Hanuvar is Conan possessed by James Bond!

Lord of a Shattered Land Cover Blurb

When their walls were breached at last, the people of Volanus fought block by block, house by house, until most fell with sword in hand. Less than a thousand survivors were led away in chains.

The city’s treasuries were looted, its temples defiled, and then, to sate their emperor’s thirst for vengeance, the mages of the Dervan Empire cursed Volanus and sowed its fields with salt. They committed only one error: the greatest Volani general yet lived.

Against the might of a vast empire, Hanuvar had only an aging sword arm, a lifetime of wisdom… and the greatest military mind in the world, set upon a single goal. No matter where they’d been sent, from the festering capital to the furthest outpost of the Dervan Empire, Hanuvar would find his people. Every last one of them. And he would set them free.

Worst of all, a magical attack had left Hanuvar with a lingering curse that might change him forever, or lead him to an early grave…

Lord of a Shattered features fourteen episodes chronicling Hanuvar's undercover investigations and travels. The settings and delivery are reminiscent of Richard L Tierney's Simon of Gitta (Black Gate review) who was posed as an enemy of sorcerous Rome (the character Simon was loosely modeled after the biblical magus, and was motivated by vengeance.)  Hanuvar is driven more to save his people than to cause further harm, but bloodshed follows him everywhere. HAJ's delivery is splendidly smooth, whether he is describing body horror or humorous situations--at times evoking Leiber's Lanhmar ambiance. You likely have seen some of his stories, since seven of the fourteen episodes/chapters were published in similar form by reappearing here with slight editing to close out a story arc:

  1. “The Way of Serpents,” first published in the Goodman Games Gen Con 2016 Program Guide and then reprinted in Issue "zero" of Tales From the Magician’s Skull, 2018.
  2. “Crypt of Stars,” printed in Tales From the Magician’s Skull, Issue 1, 2018.
  3. “The Second Death of Hanuvar,” printed in Tales From the Magician’s Skull, Issue 3, 2019.
  4. “A Stone’s Throw,” printed in Heroic Fiction Quarterly #40, 2019.
  5. “Course of Blood,” printed in the anthology Galactic Stew.
  6. “From the Darkness Beneath” in Terra Incognita
  7. “Shroud of Feathers” appeared in issue 6 of Tales From the Magician’s Skull.

Excerpt: Vivid, clever, James-Bond-Like Melee

"His opponents were spread out, and while the circumstance was far from ideal, it might not get better. Hanuvar dashed from the brush and slammed the antlered man’s head with his spear haft. This knocked his foe’s deer-hood askew and set him reeling drunkenly. Hanuvar closed and struck him across the throat with the heel of his hand.

Antler-head sank to his knees, gasping for breath.

Hanuvar grasped his cheeks, pushed the severed finger through his teeth, and clamped the man’s jaw shut. “Swallow,” he ordered into his ear, the spear blade against his neck.

The man’s throat moved, he pushed at Hanuvar’s arm with shaking fingers . . . then swallowed as the spear blade pricked him."

Excerpt: Weird, Sorcerous, X-Files-Like Predicaments

"Arcella lay there, at least what was left of her. Her dress had been rent down the front, and her skinless, hairless body lay wet and glistening, the lidless eyes rendered enormous. Unlike the other bodies, her internal organs still lay in their places. The reek was overwhelming.

Even Hanuvar was stunned by the scene, for he could think of no ordinary means by which the woman could have screamed and then been rendered skinless in the scant moment since they had raced to find her."

The City of Marble and Blood (already out) continues Hanuvar's grand adventures!


Grimnir Series (link)

Ymir’s balls! Oden's trilogy comes to an end. This was initiated with A Gathering of Ravens (reviewed by Flecther Vredenburgh on Black Gate) to be followed by Twilight of the Gods. Read those first to become a cheerleader of Grimnir. The milieu is reminiscent of Poul Anderson’s Viking Age The Broken Sword, being full of Dane’s and Celtic faeries and Norse myths. Oden's style is more readable than that classic, but is still saturated with just the right amount of call-outs to geographies and history to blur the lines between fantasy and history. This is no historical fantasy, but the foundation of history is so well played the fantasy feels “real.” Equally balanced are the sorceries of Celtic witches, Norse deities, and Christian beliefs. All supernatural “sides” of faith conflict here. All are presented as real, though some are being superseded.  So who is the orc protagonist employed by Scott Oden to redeem the Orc culture? He is Grimnir...Grendel’s brother, as named by some. The lady Étaín, a servant of the Christian God, the Nailed One, and unlikely companion of him describes him:

“He is called Grimnir… the last of his kind, one of the kaunar—known to your people as fomóraig, to mine as orcnéas, and to the Northmen as skrælingar. In the time I’ve known him, he has been ever a fomenter of trouble, a murderer, and as cruel a bastard… I can vouch neither for his honesty nor his morals, as he is bereft of both. And while he did kidnap me, threaten me with death, mock my faith, and expose me to the hates of a forgotten world, he also saved my life …” from A Gathering of Ravens

Grimnir is a monstrous, brutal bastard!

His name suits him since he might as well be carrying a flagstaff with the contemporary “Grimdark subgenre” splayed upon it. Yet his predicament and motivations are as compelling as any vigilante hero. How best to end the series other than (a) meeting Grimnir's estranged family [i.e., the paternal Bálegyr] while (b) ushering in Ragnarok? This last installment takes us to mindbending travel between ancient Rome and Nastrond/Yggdrasil (i.e. Nordic Otherworlds that Oden can explain better than me). Granted Rome is only part of the landscape here; readers should expect more time in the Nordic realms.

The Doom of Odin: A Novel (Grimnir Series Book 3)  Blurb:

To the Danes, he is skraelingr; to the English, he is orcnéas; to the Irish, he is fomoraig. He is Corpse-maker and Life-quencher, the Bringer of Night, the Son of the Wolf and Brother of the Serpent. He is Grimnir, and he is the last of his kind—the last in a long line of monsters who have plagued humanity since the Elder Days.

Drawn from his lair by a thirst for vengeance against the Dane who slew his brother, Grimnir emerges into a world that’s changed. A new faith has arisen. The Old Ways are dying, and their followers retreating into the shadows; even still, Grimnir’s vengeance cannot be denied.

Taking a young Christian hostage to be his guide, Grimnir embarks on a journey that takes him from the hinterlands of Denmark, where the wisdom of the ancient dwarves has given way to madness, to the war-torn heart of southern England, where the spirits of the land make violence on one another. And thence to the green shores of Ireland and the Viking stronghold of Dubhlinn, where his enemy awaits.

But, unless Grimnir can set aside his hatreds, his dream of retribution will come to nothing. For Dubhlinn is set to be the site of a reckoning—the Old Ways versus the New—and Grimnir, the last of his kind left to plague mankind, must choose: stand with the Christian King of Ireland and see his vengeance done or stand against him and see it slip away?

Grimdark Battles Infused with Norse Mythology

Excerpt 1: 

Grimnir hacked slivers from the skrælingr’s club; over his shoulder, he saw the shuffling kaunr—that straight-legged bastard with a beard like tarry weeds—moving into his blind side. Snarling, Grimnir deflected another blow from the skrælingr’s knotty club, then drove the hilt of his long-seax into the idiot’s teeth. Once. Twice. Blood spurted from the wreckage of his nose and mouth. A third blow snapped the skrælingr’s head back. The club slipped from his nerveless fingers. A fourth crushing blow sent him crumpling to the ground with a broken neck.

Excerpt 2:

Grimnir never let him finish...With a serpentine hiss, the son of Bálegyr snapped his arm forward, driving the blade of his spear into the point of the kaunr’s bearded chin. His drawn breath, meant for the boastful recitation of his deeds, turned into a death-rattle as the spearhead plowed through bone and teeth; it cut through the muscle of his tongue and the soft flesh of his palate, splitting his face from jaw to brow. Blood spewed from the spear-cleft ruin.


 

Monday, November 20, 2023

Good Vibes from Demons: Re-release and Commentary



Rogue Blades Presents Demons: A Clash of Steel Anthology ISBN-13: 9798863079608 (print) ASIN: B0045Y1LMS (Kindle); Cover Artist: Johnney Perkins. Interior Graphics: M.D. Jackson

  • Jason M Waltz (Publisher of RBE/RBF) had dedicated the re-release to Robert Mancebo, author for several Rogue Blade Entertainment anthologies, who sadly passed away in 2023.
  • For this "Good vibes from Reviews" tag, note the response from Robert Mancebo's daughter in the Black Gate commentary. Breathtaking. Reviews and announcements rarely are emotive. Writing and reading is often a solitary hobby, but as Rachel points out, books bring us together in ways often not told.




Here is my mini-review and re-release notice:

In 2010, Black Gate announced Rogue Blades Entertainment Conjures DEMONS. This October 2023, the third edition has been issued and with it a revamped Kindle version! The original Kindle edition lacked a functioning, linked Table of Contents, but that’s all brought up to modern standards. It is dedicated to Robert Mancebo, author for several Rogue Blade Entertainment anthologies, who sadly passed away in 2023.

Jason M Waltz is well known amongst adventure fiction readers, especially the Swords & Sorcery crowd. With his Rogue Blades Entertainment Books and associated Foundation, he’s brought us the epic Return of the Sword (BG review) and then Rage of the Behemoth, and Demons.  He’s edited/published a variety of other anthologies with themes of Weird Noir, Pirates, and Sword & Planet with Lost Empire of Sol (BG review), and splendid nonfiction like Writing Fantasy Heroes (BG review) and recently Robert E. Howard Changed My Life (BG review). He recently ran a successful Kickstarter for another anthology as spotlighted on BG: “Neither Beg Nor Yield – A Sword & Sorcery Anthology with Attitude.” As you await Neither Beg Nor Yield, you’ll want to revisit Demons.

Demons: A Clash of Steel Anthology – Blurb

When the gates of Hell open, who stands between Man and the Abyss? From mankind’s infancy, people have huddled in the dark, drawing signs in the air, muttering quiet prayers, quivering with dread at what roams in the night. Demons. Creatures of the Darkness. Evil spirits riding dark winds. And mankind trembled. Yet a few stood, drew steel imbued with magic to hue spirit as well as flesh, and walked out into the night to meet the foes of mortal men. Join the struggle in these 28 masterful tales of adventure and mayhem as heroes, forged as ‎strong as the steel they wield, defy foes from the realms of nightmare.‎

Mini-Review

In Demons: A Clash of Steel Anthology, Rogue Blades Entertainment (RBE) delivers what it claims: a sampling of demon stories and adventure. Your chance of finding appealing stories is decent with 28 entries. Chock full of demons, champions, possession, witches, etc.. Kudos to RBE for keeping these tales alive from a 2006 publication (Carnifex Press). The purpose of an anthology is to provide an array of options, allow new readers to explore the genre, allow self-described “veteran readers” to identify new authors, and enable reading in small doses (i.e. great for traveling or parents with small children constantly interrupting their activities). “Demons” delivers this.

For anthologies, we expect to experiment with doses of new material/authors. For me, three stories that emphasized personal demons (or personal challenges) were outstanding. They stuck with me and are worth rereading; my favorites are in bold below in the Table of Contents listing. But you may have your own favorites! Check them out:

Demons: Table of Contents

  • “Foreword” by Armand Rosamilia
  • “The Man with the Webbed Throat” by Steve Moody
  • “Imprisoned” by Carl Walmsley
  • “Toxic” by Steven L. Shrewsbury
  • “Azieran: Bound by Virtue” by Christopher Heath
  • “Bodyguard of the Dead” by C.L. Werner
  • “Kron Darkbow” by Ty Johnston
  • “The Vengeance of Tibor” by Ron Shiflet
  • “The Beast of Lyoness” by Christopher Stires
  • “Fifteen Breaths” by Phil Emery
  • “The Pact” by Jonathan Green
  • “Blood Ties” by Trista Robichaud
  • “Zeerembuk” by Steve Goble
  • “The Fearsome Hunger” by Rob Mancebo
  • “The Furnace” by Sandro G. Franco
  • “The First League Out from Land” by Brian Dolton
  • “The Sacrifice” by Jason Irrgang
  • “Son of the Rock” by Laura J. Underwood
  • “Into Shards” by Murray J.D. Leeder 
  • “Through the Dark” by Darla J. Bowen
  • “Joenna’s Ax” by Elaine Isaak
  • “The Lesser: A Swords of the Daemor Tale” by Patrick Thomas
  • “When the Darkness Grows” by Frederick Tor
  • “Demon Heart” by Bryan Lindenberger
  • “Azieran: Racked upon the Altar of Eeyuu” by Christopher Heath
  • “Born Warriors” by TW Williams
  • “Mistaken Identity” by Robert J. Santa
  • “Box of Bones” by Jonathan Moeller
  • “By Hellish Means” by Bill Ward

 

Tuesday, November 7, 2023

OLD MOON QUARTERLY ISSUE V REVIEW PLUS A KICKSTARTER FOR VII AND VIII

OLD MOON QUARTERLY ISSUE V REVIEW PLUS A KICKSTARTER FOR VII AND VIII

Simulcast on Black Gate magazine Nov 6th, 2023.



Old Moon Quarterly is a magazine of dark fantasy and weird sword-and-sorcery. In the tradition of Clark Ashton Smith, Tanith Lee and Karl Edward Wagner, it contains stories of strange vistas, eldritch beings, and the bloody dispute thereof by both swordsmen and swordswomen. Old Moon Quarterly emerged in 2022 led by Editor-in-Chief Julian Barona, flanked by Assistant Editors Caitlyn Emily Wilcox and Graham Thomas Wilcox. This May 2023, Black Gate reviewed Issue #3 (with an overview of #1 and #2).  True to what the editors promise, the magazine consistently delivers strong doses of weird Sword & Sorcery.

This post reviews Old Moon Quarterly Issue V; shared below is the table of contents with summaries of each story and excerpts (these were selected to avoid spoilers while conveying the feel of each).  As with previous issues, expect stories that push the boundaries of uniqueness, blending poetic writing with horror and adventure. If you read tropes they’ll lean toward the twisted or bizarre.

But first a quick call out to the ongoing Kickstarter for Issues VII & VIII;  This campaign runs now through Nov 31st, 2023 and, if successful, would fund two more issues paying contributors professional rates!


Here is a key blurb from and about the Old Moon Quarterly crew.

Old Moon Quarterly is an award-winning print and digital magazine of sword-and-sorcery and dark fantasy fiction, featuring over 20,000 words of original fiction as well as poetry and original nonfiction. We’ve a love for the classics of the genre and a desire to push for some new, strange takes on our old favorites. And of course, the magazine is made with a particular love and affinity for the eldritch aesthetics and weird storytelling of BerserkBloodborne and Dark Souls.

We’ve published five issues so far, with a sixth issue on the way. Since our inception in June 2022, we’ve increased our pay for authors from 5c a word to 8c a word, making us the only sword-and-sorcery focused fantasy magazine that pays what the SFWA considers a “professional” rate. We firmly believe that dark fantasy and sword-and-sorcery authors deserve a venue where they can receive fair pay for stories that are often very difficult to place in other venues. We started Old Moon Quarterly to give authors that venue.

With the funding from this Kickstarter, we’ll be able to maintain that payrate for issues 7 and 8, which will release in 2024. And not only will we be able to maintain that payrate, we’ll be able to increase the amount of fiction in each issue from 20,000 to 30,000+; we’ll be able to include (for the first time) interior artwork in a classic black-and-white style!

Old Moon Quarterly Issue V: Stories and Poems

1) “Together Under the Wing” by Jonathan Olfert

The perspective and scale of this story are simply huge: the protagonists are mammoths, and they pale in size versus their giant antagonist!  Epic duels drive this revenge tale. Walks-like-a-Rockslide seeks revenge for the death of his mother (Grass-Wisper) by the hands of the ancient Giant King.

The matriarch Grass-Whisper had lived in a grove in the hills, now stomped flat by vast human-like footprints. Her carved tusks lay in cracked-off chunks; they and the blood were all that remained—that, and the huge flint used to skin her before eating. A flint five times the size of the quartz blades bound to his tusks… (p11)

2) Champions Against the Maggot King by K.H. Vaughn

Get ready for some Warhammer/Grimdark-Tolkien fare. The soldier Grath narrates this tale. He details an epic battle against the Maggot King. The titular, heroic champions lead an army of >60 thousand that ride in landships made from living stone, armed with canons, and fueled by elemental sorcery. The champions include the Dwarf Ko Mon who has a lengthy morning-star-like prosthetic, the sword-wielding elf-who-never-smiles lIhar, and their demoness leader Sergeant, the female Sorrow Mai.

A wave of wild men break against the ship. They are pathetic. Pale and soft, but secure in their sense of power, waving their genitals at us as they come. They howl in impotent rage as they die, mowed down by arrows and lances. The ship rolls over them and churns their corpses into dirt. No one will find their bones or mourn their deaths. Where does the Maggot King find them? There must be thousands of them in the dim light of subterranean caves, thinking nothing but their eventual victory.  (p49)

3) “The King’s Two Bodies” poem by Joe Koch

I enjoyed this so much, I read it three times to soak in the words. It is beautiful, but too cryptic to understand on its initial pass.  Two souls with liquid properties are contained within one body. One may exit the vessel via a ritual of exiting the body and filling a cup.

4) “The Origin of Boghounds” by Amelia Gorman

Samphire is a female bounty hunter searching out a snake-oil salesman at the edges of Sichel, the stained city that radiates a New Orleans swamp vibe. She’s not the only bounty hunter seeking a payout. Several other hunters stumble into her and boghounds as they track down their prey while unearthing mysteries and monsters.

Samphire blows out her candle and sips into the dark corner between the headboard and wall. She disappears into the dark sod and crouches down in a knot in the tiny crawlspace, barely fitting with her giant pack of unguents and vinegars. [A boghound] hops silently off the straw, pads over to her and crawls under the bed, looking up at her with those affectionate golden eyes like two stars in the dirty dark. As the dark obscured their faces, Samphire catches voices she’s butted against time and again.  (p56)

5) “Well Met at the Gates of Hell” by David K. Henrickson

An amoral warrior arrives in Hell and is met at the entrance by three antagonists (two humanoids, one not) seeking to duel.  Lots of banter makes this more of a light-hearted read.

In that moment, the newcomer skims the plate he has finally freed from his armor toward the giant’s eyes and throws himself in a roll.

Automatically, the giant flinches away from the spinning metal. ‘Faithless!” he cries out, aiming a blow at the tumbling figure as it dives past.

The newcomer is already inside and below the other’s guard. His blade flashes out in a backhand swing, shearing through the giant’s thigh just above the greave.  (p73)

6)  “A Warning Agaynste Woldes” poem by Zachary Bos

As the title suggests, this poem has an Old Shakespeare tone. It is cryptic like the previous poem. It conveys that nature, and its forests, are a type of temple or church. Be wary of entering the forest, since it is full of fear, faith, and spirits.

7) “The Skull of Ghosts” by Charles Gramlich

Confession: I’m a huge Gramlich fan and frequently seek out his Krieg stories (I interviewed him for Black Gate in 2019, and we discussed his Krieg character). Here the sorcerer-warrior receives a haunting call from “Amma”, so he seeks out his old acquaintance (of the same name) in a plagued city. An evil sorcerer is seeking bodies to possess, and as Krieg starts to put an end to the madness, he learns he’s jumped into a trap.

Krieg slipped to one side, caught the swordman’s hand and twisted. A raw shriek burst from the man’s lips; bones ground audibly together as his blade turned inevitably upward to point at his face.

The assailant’s hood fell back, revealing swarthy skin marked by plague skulls. A topknot of greasy reddish hair invited a hold. Krieg grabbed it, slammed the man’s face forward onto the sword. Once, twice, thrice. Wiping his hand on the man’s cloak, the black-eyed warrior let the body fall like a burden he’d grown tired of… (p87)

 

8) “The Headsman’s Melancholy” by Joseph Andre Thomas

This could easily be a Twilight Zone episode written by Edgar Allen Poe. Executioner Jack meets a robber multiple times on the chopping block. Written as a series of journal entries. The ending is emotive, and a bit abstract, as Jack seeks peace by stopping his profession, leaving town, or pursuing other options. Loved this.

The man screeched laughter as he eviscerated himself, His blood poured down my face, into my mouth. It seeped between my teeth and beneath my tongue.

I screamed.

His smile was no longer cocky, but overjoyed. He reached into his chest cavity and grabbed hold of something, pulled it out. His heart, I realized, still attached to whatever tubes and capillaries govern the viscera. He hung it out above me with one hand… (p129)

 

Monday, May 29, 2023

Old Moon Quarterly Vol III - Review by SE



 Old Moon Quarterly Vol III — Winter (119p, March, 2023). Cover by Daniel Vega.

 

Old Moon Quarterly is a magazine of weird sword-and-sorcery fantasy. In the tradition of Clark Ashton Smith, Tanith Lee and Karl Edward Wagner, it contains stories of strange vistas, eldritch beings, and the bloody dispute thereof by swordsmen and swordswomen both.

Old Moon Quarterly emerged in 2022. This reviews the four stories inside the Winter 2023 issue (Vol III), which delivers solid doses of the weird adventure it promises. The Editor-in-Chief is Julian Barona, flanked by Assistant Editors Caitlyn Emily Wilcox and Graham Thomas Wilcox (who recently debuted here on Black Gate with his review of John Langan's Corpsemouth and Other Autobiographies, so I gleefully checked this out).  Excerpts best convey the style and elements of what to expect, so you'll get those here!

Vol III Contents:

  • "Evil Honey" by James Enge.
  • "Knife, Lace, Prayer" by T.R. Siebert.
  • "Singing the Long Retreat" by R.K. Duncan.
  • "The Feast of Saint Ottmer" by Graham Thomas Wilcox.
  • A review of Final Cuts: New Tales of Hollywood Horror and Other Spectacles, edited by Ellen Datlow.

Sunday, April 2, 2023

The Citadel of Forgotten Myths - review by S

 


The Citadel of Forgotten Myths by Michael Moorcock
SE rating: 4 of 5 stars

This extension to the Elric saga is okay.

New to Elric? Don't start here. Start with the Elric of Melniboné (1972).

There are three books within The Citadel of Forgotten Myths, the first two being short stories that appeared elsewhere; revised versions of these are the best parts of this. In all parts, Moonglum travels with Elric to the World Above, a parallel realm where Melnibonean ancestry persists.

Part 1: based on Swords & Dark Magic: The New Sword and Sorcery 2010's "Red Pearls: An Elric Story"

Part 2: based on Weird Tales 349 - 85th Anniversary Issue #349 2008's "Black Petals" (Elric novella)

These both have action, wild bits of over-the-top fantastical magic, and a decent dose of expanded lore. We get to learn more about the Phoorn (dragon relatives of Meniboné too). These are five stars....


Part 3: And...the disappointing Third Part...by itself a 3-star (at best):

The third Book admittedly has a nice outline/scope with Arioch not responding when summoned, Xiombarg stirring up major trouble with Dyvim Marluc (introduced in the first stories); a cool bee-hive driven city called Karlaak that mirrors Elric's original city plays a major role.

But the delivery is terrible.

It is mostly exposition (all telling, little-to-no showing). It reads like an outline full of info dumps.

There are more exclamation marks than periods (I didn't count them, but that statement is close to being accurate). It is truly bizarre to read! Really it is! Almost comical! Eh gad!

Also, there is some forced romance? noble-blood incest? It comes across as just silly. Elric has some nice flashbacks regarding his first love Cymoril and his second (Zarozinia, who is still alive during this adventure into other worlds). Here, Elric feels like it is still "ok" to court a young, female Melnibonean noblewoman despite his genuine love for his other wives. I guess Zarozinia is cool with an open relationship, and Cymoril has long since passed. Anyway, the relationship falls flat/weird, and is not even developed well. I was reminded of Moorcock's weird, misogynistic entry for Ghor, Kin Slayer: The Saga of Genseric's Fifth Born Son.

Oh, then there is Orlando Funk. That is not a typo. Minus the "o" we have Orland_ Funk, who is one of Moorcock's heroes from his Runestaff series; this is the same dude. Moorcock loves weird cross overs.... but here Mr. Orlando comes across (at least to me, who was not aware of the character before) as a time-traveling, Floridian (i.e., from Orlando) who might as well have been wearing bell-bottom jeans. Every time I read his name, I had Bruno Mars' "uptown Funk" song trigger in my head. Orlando's presence added more silliness than it did mind-blowing plot twists.





Blurb:
Elric along with his companion Moonglum return, in this prequel set within the early days of Elric’s wanderings, in order to investigate the history of Melniboné and its dragons, known as the Phroon, in this exciting new addition to the Elric Saga from World Fantasy Lifetime Achievement Award winner Michael Moorcock.

Elric is the estranged emperor of the Melnibonéan empire, struggling with his nature while desperately striving to move forward with his dying empire alongside the constant thirst of his soul-sucking sword, Stormbringer. Elric is on the hunt for the great Citadel of Forgotten Myths while traveling through the remnants of his empire with his tragic best friend Moonglum, as Elric seeks the answers to the nature of the phroon of The Young Kingdoms. Taking place between the first and second book in the Elric Saga, The Citadel of Forgotten Myths is perfect for longtime fans and those new to this epic fantasy series.


View all my reviews

Tuesday, October 11, 2022

Servants of War by Correia and Diamond - Review by SE

Review originally posted on Black Gate:

NEW TREASURES: SERVANTS OF WAR BY LARRY CORREIA AND STEVE DIAMOND

Cover blurbs used by Baen!



Servants of War by Larry Correia and Steve Diamond (Baen Books, 2022. 424pages).

 Cover art by Alan Pollack




Veteran fantasy readers may yawn if they hear about an epic fantasy about a farm boy in a remote village rising to power, and the first few pages of Servants of War dangles that trope before readers. And then horror rushes in like a tidal wave, and before Chapter 1 can end, the worn trope is burning with hellfire billowing alchemical smoke, a Grimdark spirit rises out of the book to slap the reader in the face, crank the head back, and pour gasoline-action down a thirsty throat.

Welcome to Servants of War.


The combination of military-fantasy veteran Larry Correria with horror-guru Steve Diamond promises “military fantasy with horror” and you’ll get trenches full of that. Baen released this masterpiece that opens The Age of Ravens series in hardcover and audiobook in March 2022; the paperback is due February 2023. Without spoiling, this post covers a summary, excerpts, and a small hint as to the forthcoming sequel.

OFFICIAL SUMMARY:

NEW MILITARY FANTASY FROM THE CREATOR OF MONSTER HUNTER INTERNATIONAL LARRY CORREIA AND MASTER OF HORROR STEVE DIAMOND

The war between Almacia and the Empire of Kolakolvia is in its hundredth year. Casualties grow on both sides as the conflict leaves no corner of the world untouched.

Illarion Glaskov’s quiet life on the fringes of the empire is thrown into chaos when an impossible tragedy strikes his village. When he is conscripted into the Tsarist military, he is sent to serve in The Wall — an elite regiment that pilots suits of armor made from the husks of dead golems.
But the great war is not the only — or even the worst — danger facing Illarion, as he is caught in a millennia-old conflict between two goddesses. He must survive the ravages of trench warfare, horrific monsters from another world, and the treacherous internal politics of the country he serves.


MILIEU & STYLE

The setting resembles an alternative earth on the Eurasia continent. A never-ending war continues between the Almacian state (West) and the Kolakolvia (East); cities and named battle zones resonate with pseudo-Eastern European flare: Rolmani, Praja, Transellia. Both sides disrespect (or forsake) the old ways and religions which are explicitly and overtly present, albeit repressed. Golems, ghouls, and blood storms haunt both armies. The clearest sacrilege is the repurposing of golem bodies to make Objects, the name for the mechanized war-suits Kolakolvia employs (how else can one defile another species than to tap its magical potential while playing in their corpses?). In short, there are three conflicting entities: the East, the West, and the Others. Each is manipulated by a Sister goddess. The variety of conflicts keeps this interesting, expect: human vs human; state vs state; human vs. state; and heroes vs supernatural.

If a dystopian, war-ravaged alternative earth feels too familiar, don’t worry. You’ll be salivating for a trip to an even darker realm, and you’ll get that too. That jolt reminded me of the beauty of the Silent Hill games in which players experience a terrifying ghost-town for a while until an air siren blares, paint peels off walls, Hell arrives, and players yearn to find a way back to the relative safety of the ghost-town.

Stylistically, this felt like a mashup of Warhammer’s gritty sci-fi battles, with Silent Hill’s weird world-building and exploration-of-Hells, with the demon-confronting Solomon Kane leading the sorties. Somehow the warfare was never portrayed as a giant chess board; instead, the combat was intimate, frontline adventure. Localized views of battle felt like episodes of Sword & Sorcery focused on the hero(ine). I kept thinking, this is what I’d expect if Mary Shelly teamed up with Robert E. Howard to rewrite Frankenstein for BattleTech fans.

WHO ARE THE SERVANTS OF WAR?

One didn’t think about war and politics when you had a mill to run, cows to tend, and crops to plant. The greatest question in Ilyushka every year had been how deep would the ground freeze? – Illarion character’s thoughts

Humans are just the puppets of the Three Sisters, but they comprise the titular servants of war. You’ll be rooting for them in a heartbeat. There are many characters, but the primary ones are below. Their paths intertwine, of course, as some become comrades and others enemies.

• Illarion Glazkov – a farm boy who evolves into an awesome soldier; he’s trailed by ravens as he seeks atonement
• Scout Specialist Natalya Baston (once in the 17th Sniper Division) – she’s an outstanding rogue motivated to free her family
• Arnost Chankov – a ghoul-tattooed, low-ranking officer over Illarion
• Oprichnik Kristoph Vals – Secret Service Agent under Chancellor and Tsar of Kolakolvia – no one can trust this guy, and all fear crossing him
• Amos Lowe – a mysterious prisoner seeking to remain anonymous and lost

EXCERPTS Reveal What to Expect

Mechanized Melee:
…More soldiers rushed out of the fog, swarming his legs. The hatch rattled as soldiers tried to pry it open. If they got that open he’d end up a red, oozing skeleton like the last pilot he’d seen.
Only Illarion’s Object did not react in the lumbering, clumsy fashion they’d come to expect. He brought the empty cannon barrel down on the head of one, crushing his skull and snapping his spine. Inside the coffin of rapidly dwindling air, Illarion twisted the controls. 12 spun and kicked. Frail bodies were crushed underfoot. Instinctively, he crouched as low as the braces around his legs allowed, then launched his body up. He’d never seen anyone jump in the suits before, and didn’t know if it was at all possible, be he had to try something.

12 was briefly airborne. The ground shook when he landed, and most of the soldiers were thrown free. He stomped down, popping skulls and driving bodies deep into the mud. A punch from his gun arm caved in a chest. A sweep of his halberd cut three bodies into six pieces. The last man hanging onto the latches was hurled free, but unfortunately for him, he left one of his gloves behind. He hit the ground, flesh already smoking, and quickly tried to bury his hand in the mud to save it. Illarion would’ve killed him, but that would’ve taken another second or two worth of air….


Horrors of War, Confronting Weird Creatures:
The doors were being torn to splinters. Kristoph watched, fascinated and appalled, as a monstrous head snapped through a window and bit off a trencher’s face off. A scorpion tail, but big around as his arm, zipped through a window lightning quick and stabbed another soldier in the chest. He fell near Kristoph’s feet. Kicking and twitching.

Kristoph looked up to see the monster trying to squeeze through the gap nearest him, despite two other soldiers spearing it with their bayonets. Somehow, its body was still slick and pale, as if the blood snow slid right off. Jaws snapped at him. Spittle hit him. Kristoph aimed his pistol and shot through the gap, and another immediately took its place.

As he looked down to reload, the man who had been stung was grasping at Kristoph’s boots. It was hard to understand him, with all the foam coming out of his mouth, but Kristoph suspected he was begging for a quick and merciful death. Anything to be spared the torture of this poison. It was so piteous that even Kristoph was tempted to aid him, but he might need the ammo, so he kicked the dying man’s hand away….


NEED MORE OF The Age of Ravens?


Noir Fatale, an anthology edited by Larry Correia and Kacey Ezell (Baen, 2019), has a prequel to Servants of War called “The Privileges of Violence” by Steve Diamond. It’s a grim homage to the Maltese Falcon featuring at least three of the same characters. Highly recommended.

Servants of War focused on the machinations of two of the three Sisters. Subsequent books promise to highlight the remaining goddess as all the servants of war resolve their tension with the Tsar of Kolakolvia and the Sisters. Book 2 in The Age of Ravens is forthcoming and has a tentative title of Instruments of Violence.