Fugazzotto's Skin - Review by SE

Skin by Peter Fugazzotto
SE rating: 5 of 5 stars

Was in the mood for a short horror story (well maybe a short novella) and had already enjoyed Peter Fugazzotto's The Witch of the Sands. So when Skin released with an Andreas Vesalius cover--I knew I had to track it down (Vesalius was a 16th French Anatomist famous for posing his dissected subjects in his Fabrica).

Fugazzotto explains in an afterword that he intended to write a "Thing with swords," the call-out being to the 1982 movie (novelized by Alan Dean Foster: The Thing). He succeeded. This short story is well polished Sword & Sorcery novel, fully in the Grimdark flavor with tons of grittiness filling in a military milieu. The book blurb is pretty accurate, so I'll just copy it here to summarize.

Book Blurb: "SKIN: Horror in a snow-bound medieval fortress.

Former soldier Hemming spends his days drinking and avoiding his companions at the isolated border keep where he has been posted. But his world is turned upside down when a naked, bloody woman shows up outside the walls of the keep. Soon a monster is hiding among them, and it’s up to Hemming to figure out which one of them is the monster before it kills them all.

Skin by author Peter Fugazzotto blends fantasy with horror in a way you’ve never seen before. If you enjoy horror movies like The Thing and the medieval world of the Game of Thrones, then you’ll love this novella as you race along on a terrifying journey of fear and paranoia in a medieval world right up to the shocking ending.

Buy this book today to begin a terrifying journey of horror set in a medieval world."






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Ports of Shadows - review by SE

Port of Shadows by Glen Cook
SE rating: 3 of 5 stars

Port of Shadows is Fake News: This Black Company installment from Glen Cook (chronologically #1.5, but published >#10) will be enjoyed by long-term fans much more than newer folk reading the books in order. I came from reading only the first book and recommend skipping it (I am still intrigued to read Shadows Linger eventually). As part of group read in the Goodread's Sword & Sorcery group, series fans suggest reading the original trilogy first (Chronicles of the Black Company) and reaffirm that the other books are more engaging.

1- The Black Company (1984)

1.5- Port of Shadows (2018)

2- Shadows Linger (1984)

3- The White Rose (1985)

Some spoilers follow as I explain why Port of Shadows is alluring Fake News:
To quote the main narrator Croaker (physician and official historian of the group): "I had no idea what this ferocious campaign was all about. Well, yes, there were Rebels and Resurrectionists in need of butchering out here. Hints from the wife and kids suggested a possible connection to the Port of Shadows business, but … I could not help suspecting that something more was afoot.

The most reliable information about the late empire is not reliable at all. It, too, is consensus guesswork woven from untrustworthy fragmentary records and hand-me-down oral histories."

Alfred Hitchcock once said, "The MacGuffin is the thing that the spies are after but the audience don't care"; the titular "Port of Shadows" is not quite a MacGuffin--but it's pretty close: the mysterious "Port" is the focus of the Black Company's quest/conflict, but ample threads/arcs regarding the danger stemming from it are consistently left unexplained or shown to be not dangerous.

Ostensible conflict (excerpt): "…if the Lady had spoken truly, Tides Elba was a threat to the whole world. She could become the port through which the hideous shadow known as the Dominator could make his return. No doubt she was sought by and beloved of every Resurrectionist cultist hoping to raise the old evil from his grave. No doubt she was the prophesied messiah of darkness."

We are told (not shown) that the Port is an exposed pathway for the evil Dominator to be resurrected--yet as a reader I was never engaged. For one, the Dominator's evilness is not demonstrated, nor do the flashbacks really feature him or his behavior; secondly, the "Port" and all its possible incarnations are not really dangerous (we are told, not shown, many times that the possible Ports are causing mayhem, but the Black Company and our narrator Croaker never seem to be in any danger); and lastly, any such resurrection (i.e., use of the Port) never seems close. Nothing ever seems to be at stake.

A lack luster tale told in a confusing fashion: The tale is told via a weave of historic (long time ago) and present-day chapters. The initial 1/3rd is great, but the mysterious "Just follow my command and do a mysterious task without explanation" [given by the Lady or the Black Co Captain to Croaker] starts to fall flat thereafter. Suspicious activity from the magician One-Eye and the Taken Limper introduced in the beginning are ultimately just snippets for old time fans to relish. Although entertaining, any tension from having untrustworthy companions is not capitalized on.

Fake News: We learn lots of what is going via journalistic accounts (not direct witnessing) as characters touch base with Croaker. This makes sense since he is the Annalist, but also keeps the reader distant. The alternating shifts in time also change point of view (first person with Croaker and third person). Within one yarn, there is time travel (forward and back) in which people are transported via time.

Everyone is unreliable, either because they are mischievous, possessed/"not acting like themselves," are clones, impostors, twins, or alternative incarnations of themselves (Mischievous rain had at least three version of herself; Laissa at least two, Ankou shapeshifts, etc.). The confusion does not seem to be unfurled intentionally (i.e., in a Phillip Dick story). Instead we are given a huge swath of characters, all unreliable, most only appearing for a short time, most with multiple instances of themselves… and none of them know what is going on (see below excerpts).

I am assuming that the following stories in the series follow through and make this feel more complete, but as a standalone novel, and even as a sequel, it feels incomplete.

Excerpts (a.k.a., Fake News headlines):
The most reliable information about the late empire is not reliable at all. It, too, is consensus guesswork woven from untrustworthy fragmentary records and hand-me-down oral histories.

We’re into something unlike anything we’ve ever seen. We don’t know what it is. That’s why we keep talking and talking. I can’t even express it. It’s something that we can’t handle the way we usually do. We can’t trick it. We can’t crush it by being the nastiest killers on the field. It’s all inside. Insidious.

Nobody knows what’s going on. Anything that we think we know is almost certainly not…

"…You don’t know anything more than I do. And now I’m beginning to think that maybe even the Taken is without a clue.” Our mistress was known for playing lives-long games that only she could fathom.

The Captain deployed his ingenuous smile, neither denying nor confirming, just suggesting that he knew something that would remain a mystery to everyone else.

Nothing was what it looked like. Nothing stayed the same. Nothing went the way that it should.

Somebody keeps making us forget stuff

I had no idea what this ferocious campaign was all about. Well, yes, there were Rebels and Resurrectionists in need of butchering out here. Hints from the wife and kids suggested a possible connection to the Port of Shadows business, but … I could not help suspecting that something more was afoot.

From the Old Man down to the Third and local kid Gurdlief Speak, folks keep asking me for news they need to make sense of a time that no surviving memories make sensible.

the Black Company must have been smacked with a widespread, savage, and utterly, angrily deliberate memory assault.

None of the Senjak sisters were described accurately. None of them were identified by their correct names.

The most reliable information about the late empire is not reliable at all. It, too, is consensus guesswork woven from untrustworthy fragmentary records and hand-me-down oral histories.

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Weapon of Flesh - Review by SE

Weapon of Flesh by Chris A. Jackson
SE rating: 5 of 5 stars

Weapon of Flesh: Accessible, Well-designed Dark Fantasy: The back-cover blurb is concise and has no spoilers, and captures the book well (copied/pasted below).

This book is saturated with oppression, violence, and murder but none of that is gratuitous. Like his assassin characters, author Chris A. Jackson balances several tight-rope acts: (a) have the protagonist, Lad, commit evil acts while being innocent at heart; (b) present the coming of age of three characters with burgeoning romance without being cheesy; (c) dole out humor (mostly through Lad's dialogue) while shedding blood; (d) present mature themes of identity and life-purpose with an easy-to-read style (suitable for YA or adult audiences).

Each chapter blends into the next with a carefully scripted, enjoyable plot with just the right amount of tension. All the main characters (Lad, Mya, Wiggin) grow while establishing strong character motivations. There are five more in the series and this is solid introduction. Before I jump into #2 Weapon of Blood, I will read Chris A. Jackson's Deathmask since I already have the paperback and  I'm a sucker for necromancers.

Most (if not all) are illustrated by Noah Stacey:


Weapon of Flesh Series
#1 Weapon of Flesh 2005
#2 Weapon of Blood 2013
#3 Weapon of Vengeance 2014
#4 Weapon of Fear 2015 *
#5 Weapon of Pain 2016 *
#6 Weapon of Mercy 2017 *
(* with Anne L. McMillen-Jackson)

Back Cover Blurb to Weapon of Flesh:
"Forged from flesh… and magic. Made to kill… but not to feel.

He was made for one purpose: To be the most efficient killer, the most lethal assassin the world had ever seen. But something has gone wrong with the plan.

The Master is gone… The weapon is free… And in a dangerous world, a weapon does what a weapon is made to do. Or does he?

Without even a name, the weapon chooses one: Lad. And so the weapon begins to become a person… All he has been told is that his destiny awaits him, so he seeks it out, though he knows not what that destiny is.

But the one who paid for the weapon to be forged awaits his prize…impatiently. The Grandfather of Assassins has invested nearly two decades and a fortune in his perfect weapon, and when it does not arrive on time, he begins to search. His hunters are seeking Lad, and Lad is seeking his destiny.

There is only one problem: No one thought a weapon of flesh would fall in love."



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Witch of the Sands - Review by SE

The Witch of the Sands by Peter Fugazzotto
SE rating: 4 of 5 stars

Peter Fugazzotto's The Witch of the Sands is a solid novella. Very much like Glen Cook's The Black Company, this features a band of hired warriors (Hounds) set on quests/errands that once aligned with Shield's personal goal (kill all warriors and witches since they, namely the Warlock King, killed his father).

Here the Celtic/Viking-like Hounds deal with a Roman-like leader named Cassius (a nod to the "lost" IX legion) to (a) murder a magic-less chieftain (reasons unknown) and then (b) seek out the titular witch of the sands. The author handles the group well, assigning simple but effective names: Shield, Harad, Hawk, Patch, the Brothers Bull, Night (my favorite stealthy fighter),etc.. It's a fun squad with decently involved backstory and tension. Fugazzotto's martial art experience influences the fights, with just the right amount of descriptive positioning and movement.

Plenty of sorcery and undead horror here, and the final battle is compelling--delivering a mix of betrayal, music-based magic, and bloody melee.

Without spoiling, not all is answered about Cassius's intentions. I would have have enjoyed a clearer tie-in between missions. I suspect that may be answered in subsequent installments. The characters and writing style serve as a solid introduction to the Hounds of the North. Shield carries his team and the story... and the readers. You'll undoubtedly follow to book 2, Black River.

An obvious must-read for Grimdark readers and fans of Glen Cook.

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The Beauty by Aliya Whiteley - Review by SE

What is beautiful? Repulsive? Are you attracted to it? Are you beautiful, or unloved? These question resonate as one reads "The Beauty."

SE rating: 5 stars

[update, was honored to interview the author recently for my series on Beauty in Weird Fiction (link)]

Aliya Whiteley's THE BEAUTY offers a compact dose of weird fiction, body horror specifically, in which humanity is evolving into mushrooms. Expect a mashup of  William Golding's 1954 Lord of the Flies and P. D. James's 1992 novel The Children of Men: a cluster of men survive in a dystopian future where all the women are dead (no hope for reproduction). The Beauty is saturated with philosophy on "what is beautiful?" and "what is humanity?".

Bob Milne's Beauty in Ruins Book Reviews  led me to this wonderful story. This edition has two parts, the first half is the titular story, and the other half is a bonus shorty story called "Peace, Pipe." 

Some may think 100 pages is too short, but for a weird fiction shorter is often better. Each sentence of "The Beauty" is packed with meaning. Don't expect any fluffy filler. This style is not suited for mega-tome page epic-fiction! Instead, it begs to be read aloud, like a poem... as the protagonist would tell a story. The best way to communicate the style is with Excerpts (see below). No worries, I left out any mushroom/human romance.

Elizabeth the Mushroom
 - Form Software's Dark Souls 3

Don't let the intellectual narrative fool you, there is plenty of action. Each section ramps up the tension dramatically as Nate and the other men are confronted with fungal manifestations of women, and they struggle with repulsion and attraction. With the future of humanity on the line, and the desire to reproduce, there is much at stake. Jealously and murder ensue. Incidentally, my son and I are playing Dark Souls 1 (remastered) and Dark Souls 3, and the vision of the Parent/Child Mushrooms from Darktoot Garden and Ash Lake were evoked. Imagine if you were encouraged to start a family with those! 

In summary, The Beauty offered everything I expected and desired: a mysterious adventure, evocative prose, and unique storytelling. It is deep, but thrilling. 

PEACE, PIPE, is a bonus story that is 50% of this book.  An alien diplomat chronicles its exploits (having accidentally started a war on Demeter) while quarantined and communicating to a pipe (which speaks as water flows through it, and evokes the sounds of a flushing toilet). Again, the themes  of storytelling and communication are foundations, as well as an invitation to the reader to change perspectives on different cultures. No body horror in this one. 

Excerpts from "The Beauty":

"There are signs, I don't care what William says. There are signs of change, of regeneration, and I saw the first mushrooms in the graveyard on the morning after I ripped up the photograph of my mother's face and threw the pieces over the cliff, into the fat swallowing folds of the sea..."

My name is Nathan, just twenty-three and given to the curation of stories.I listen, retain, then polish and release them over the fire at night, when the others hush and lean forward in their desire to hear of the past. They crave romance, particularly when autumn sets in and cold nights await them, and so I speak of Alice, and Bethany, and Sarah, and Val, and other dead women who all once had lustrous hair and never a bad word on their plump limps...Language is changing, like the earth, like the sea. We live in a lonely, fateful flux, outnumbered and outgrown."

"When [William] told me of his journey, that was how he finished it--he fitted there. I find this to the strangest of expressions--how does one fit in with other people, all edges erased, making a seamless life from the sharp corners of discontent? I don't find anything that fits in such a way.  Certainly not in nature. Nothing real is meant to tessellate like a triangle, top-bottom bottom-top. The sheep will never munch the grass in straight lines."

"[Doctor Ben] told me diseases were like people. They fight and fight and throw themselves around to escape the walls of tighter and tighter boxes."

"They were found in the graveyard, springing from the decaying bodies of the women deep in the ground, and they were found in the woods, spreading themselves like a rug over the wet earth. The Beauty were small at first but they grew and took the best qualities of the dead. They sucked up through the soil all the softness, serenity, hope, and happiness of womankind. They made themselves into a new form, a new north, shaped from the clay of the world and designed only to bring pleasure to man.

But the Beauty knew form the many experiences of the women that had gone before, that men did not always love what was good for them. Men could attack, hurt, main and murder the things that came too fast, too suddenly, like love...."

The Audient Void #5 - review by SE

The Audient Void No. 5 by Obadiah Baird
S.E. rating: 5 of 5 stars

“Nyarlathotep, the crawling chaos ... I am the last ... I will tell the audient void.” -- HPL 1920, and inspirational quote for the Audient Void journal

Horror and weird-fiction aficionados will love this print magazine. What is an "Audient Void"? Well the official byline is: "The Audient Void is a periodical devoted to publishing Weird Fiction and Dark Fantasy as well as poetry and select works of non-fiction." Audient is akin to audience and infers that there is a sentient void (nondescript shadow entity) that listens from beyond our normal senses. As readers consuming this horror anthology, are we in the Void listening? Or watching from outside?

This 5th entry is 60 pages, and is saturated with H.P. Lovecraft and Clark Ashton Smith influences, and the contents reflect an appropriate heavy dose of poetry. Gustav Dore illustrations are complemented by contemporary art by Brad Hicks. The crew behind most of the works have some nice mojo. One can learn more about the Audient Void from their website and a splendid interview on the Grim Tidings Podcast. Here is the summary of that podcast:

In this episode we take a special look at dark poetry. Host Rob Matheny recently attended the Hippocampus Press Happy Hour, a special event debuting the publisher's newest poetry collections as part of the HP Lovecraft Film Festival in Portland, Oregon. During the event Rob had a chance to interview four writers who specialize in dark poetry: Ashley Dioses, K.A. Opperman, Adam Bolivar, and D.L. Myers - also known as The Crimson Circle. Rob also interviewed Obadiah Baird and Dan Sauer of The Audient Void, a small Oregon-based zine featuring the works of The Crimson Circle among others. This episode highlights the growing dark poetry community, including short readings from each poet.

I'm a big fan of John R. Fultz, his name and Darrell Schweitzer brought me to this magazine and I was not disappointed. I also frequent the Grim Tidings podcast and recommend that as well.

CONTENT:
Stories:
"Oorg" by John R. Fultz ; Dunsanian/ Clark Ashton Smith tale (Horror Sci-Fi)
"Old Lovecraftians In The Park" by David Barker ; Creepy old man ogling girls in the park is the focus, he gets inspired by nostalgia and an old friend’s writings of the genius-loci of the park… he matures in a weird way.
"Love In The Time Of Dracula" by John R. Fultz ; Dystopian Vampire Apocalypse, with a compelling romance
"Why Should We Worship Dagon" by Darrell Schweitzer; Funny call to join the ranks of Dagon worshipers. This reminds me of his actual words when I talked to Darrell at the WFC 2016.


Poetry:
"The Poisoner" by Chelsea Arrington
"Beyond The Veil" by D.L. Meyers; a poetic short story that echoed ambiance from CAS’s “Weaver in the Vault” …at least my memory of it
"Vampire's Kiss" by Ashley Dioses; best ever application of the word “vivisepulture”
"The Fall Of The Pumpkin King" by K.A. Opperman
"The Lay Of Dumah" by Adam Bolivar; more of a poetic short story than a poem… this was one of my favorites; a weird romance with “Lazarus Craven nursed a secret passion for the grave…”
"On The Creation Of Shoggoths" by Charles Lovecraft
"A Tourist In Hell" by John Shirley
"The Divorce" by Marge Simon
"Jack The Balladeer" by Adam Bolivar

Features:
"From The Void" by Obadiah Baird
"Ye Olde Lemurian" by David Barker; a pen pal tribute to Duane W. Rimel--himself a HPL pen pal. This documents letter writing with the obscure weird fiction writer

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Unsheathed - review by SE

Unsheathed: An Epic Fantasy Collection by Stuart Thaman
S.E. rating: 4 of 5 stars

Unsheathed: An Epic Fantasy Collection is high quality Sword & Sorcery by nine contemporary authors. The anthology is varied in tone and style, and will delight new fans (who may like lit-RPG fare) as well as aged veterans looking for weird pulp. I picked this up as part of a S&S Groupread on Goodreads which had the theme of "New vs 'N'" (N being the infamous Appendix N list from Gary Gygax.

All were fun, but two of these resonated with me. The first was by Charles Allen Gramlich, whose writing lured me to this collection (having read his Harvest of War and Bitter Steel: Tales and Poems of Epic Fantasy and others). The second was by Jay Erickson whose Lydia/Gwendolyn Locke stood out in design & delivery.

Contents
1. Hanging at Crosbhothar Austin Worley: “Corpses hung from the ancient maple like leaves” is a great opener. The story follows the female Arlise, Watcher of the Order, who trails the corrupted Eoghan and his sorceress lover Katrin. A few abrupt saved-by-the-last-minute incidents and rpg-rapid-healing keeps this decent tale from a 5-star.

2. Retribution by Night Chad Vincent: This 4-star tale introduces Captain Brennan who is caught in an outpost drama between the oppressed, local named Aodhan ( a nature lover, and demon lover too?) who is hounded by surly knights, like Sergeant Armstrong. Not sure who to root for in this gray tale, though Brennan is ostensibly on the knights side. Nice undead battles here. Would have enjoyed experiencing Aodhan's past to appreciate his motivations.

3. Where All the Souls are Hollow by Charles Allen Gramlich: a 5 star Sword-n-Planet with the technology being more implicit than explicit. We join Krieg (German for "War") as his adventures mid-mission. Krieg’s purpose is slowly revealed as he battles automatons, sinister alien forces, and evil "children." A beautiful blend of horror and adventure; pacing is spot on.

4. Switch Blade by Scott Simerlein: I am not into humorous stories, but this hilarious farce was well placed in the collection. It was slightly confusing, but was meant to be. 4 star.

5. King’s Road by G. Dean Manuel: This melodrama unfolds faster than the characters can deliver their lines; it felt like a fan fiction tribute of LOTR's Rohan Gondor play between a prince-son usurping his worn-king-father’s rule. 3 star

6. The Artefact by Ross Baxter: lit-RPG readers would like this one. Three heroes with desires to collect as many types of loot (books/knowledge, a weapon, and something mechanical/crafty like a timepiece) adventure in ruins. It feels like part of larger universe, but for a short story the story arc was not contained enough to be a clear stand alone adventure. The character Jud stood out. 3+ star.

7. Under Locke and Key by Jay Erickson: a 5 star tale with female leads and blood magic. Gwendolyne is an enslaved adolescent girl, whose parents died by the Red Tears plague. The same sickness affects the countryside and criminals wishing to profit off of orphaned girls and a possible cure. The flow of the tale was very smooth and engaging.

8. Ransom for a Prince by Liam Hogan: this is saturated with fighting, and was more real/historical than fantasy. Expect lots of medieval duels with a female lead. The premise is a reason for the author to show off the art of sword play, which is described well. 4+.

9. Only an Elf by Stuart Thaman : There is a lot going on here in this 4-star tale of slavery. Overall the plot is very engaging, but the bloody climax seemed inconsistent with the lead up. Certain scenes between the female elf slave Enessana and her master, the blacksmith dwarf Kimiko, worked separately, but did not flow with other events. Perhaps too much was packed within a short span of pages, throwing the pacing off. This would expand into a great novel.

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Necroscope - Review by S.E.

Necroscope by Brian Lumley
SE. rating: 5 of 5 stars

Weird ESPionage from the master of mashing up horror and adventure:

Brian Lumley's Necroscope is not heroic fiction, which I typically focus on. It is very entertaining and has connections to Weird Sword & Sorcery adventure which led me to read it:

1) Heroes of Dreams & Khash series: I discovered Lumley’s writing via his Weird Sword & Sorcery. Vintage dark fantasy spawned in the early 1900’s from the work of pen-pals R.E. Howard and H.P. Lovecraft; though it seems rare to find quality Conan-Mythos mash-ups. Lumely has done so a few times. First, his Hero of Dreams series is an overt mashup of Lovecraft’s Dreamcycle and Leiber’s Fafred and Gray Mouser series. Lumley’s Tarra Khash series (a.k.a. Tales of Primal Land) was written in a similar vein (i.e. fun Sword & Sorcery adventure in a Weird-Fiction, Cthulhu-esque world).

2) Blood Omen Legacy of Kain: A huge fan of the Horror S&S Game Series “Blood Omen: Legacy of Kain”, I was delighted to learn that Lumely’s writing influenced Denis Dyack’s vision of Nosgoth. Denis Dyack, creator of Silicon Knights, made the original Blood Omen: Legacy of Kain game (various incarnations from 1996 thru 2009). As a Kain fan I did not know the influence from Lumely until I saw an interview on Youtube (The Quantum Tunnel 2016 called Blood Omen Legacy Of Kain Deep Dive 1) in which Dyack reveals that the classic horror/action-rpg game was influenced by Lumey’s Necroscope series. Given the Visceral, Vampire, Lovecraftian, and Time Travel elements, this makes sense; however, the book has a contemporary setting versus the medieval one in the game.

As a fan of Khash, Heroes of Dreams, and Legacy of Kain… I just had to check out Necroscope. So what is it really?

Necroscope is “ESPionage” fiction (a word coined in this book), blending paranormal horror with spy adventure. It kicks off a series of 18 books (published 1986 to 2013). This first entry is entertaining and sets an expansive foundation for a wild ride. People with supernatural powers (predicting the future, speaking to the dead, etc.) are being enlisted into government agencies.

The book is ostensibly about the battle between the United Kingdom vs. the Russian governments special forces, but the conflict is really about Harry Keogh (speaker to the dead) vs. Boris Dragosani (who approximates a vampire). Each is associated with a government, but each is motivated by personal goals which take center stage. The reader learns about supernatural powers as these two do. After they master their respective powers, they go to battle in a most bizarre way chock-full of undead things and over the top time travel.

Expect lots of changing perspective and lots of story threads that will gel about half way through. Artwork is unexpectedly sprinkled throughout the book (even the Kindle version). The geometry puzzles and Moebius Strips shown relate the story and make for fun, relevant, diversions. This is very digestible horror for non-horror fans. A very fast read, recommended to just about everyone who likes dark adventure.


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The Literate Thief - Review By SE

Literate Thief by Walter Rhein
S.E. rating: 5 of 5 stars

Highly recommended dystopian reading; intellectual heroic fantasy that unfolds fast furious .

"Never let a lesser person hold dominion over your sense of worth. If you doubt your own logic, you become vulnerable to oppression, violation, and control"- scholar Adam Lockhart


Carl Sagan's The Demon-Haunted World: Science as a Candle in the Dark inspired this Slaves of Erafor series (a dark muse for sure). When and how should passive intellectuals fight back against blind oppression? It is a timely philosophical question for many, especially in a day in which faux news is eroding our confidence in society's collective intelligence. At what point is violent revolution warranted? Rhein offers an entertaining adventure that invites us to consider such dilemmas. Don't worry, it reads as fun escapism--not a manifesto.

This is a stunning sequel to the The Reader of Acheron, which introduced us to Kikkan (an educated brute, a freed slave--he's the pipe-wielding dude on the cover) and the duo of Cole & Quillion (nuanced mercenaries). The three men go on a mission, inspired by a rare scholar named Lockhart: find a teacher, a literate thief, in Edentown. They are continuously dogged by an oppressive, illiterate government. Acheron was ambitious and rewarding, introducing us to a future in which reading is prohibited; Thief is even better.

Stylistically, the Literate Thief is very realistic (no mythological monsters or contraptions exist) but it does "feel like" Steampunk Fantasy. Its tone is more Grim than Hopeful, but that reflects the daunting conflict our heroes face. Its faces several humans against (a) organized authoritarian government, (b) a drugged, apathetic populace, and (c) an impoverished ruined city-scape. There are several instances you will hope that they can escape into the infested, haunted subway for relative safety from the dangers above.

Walter Rhein mixed up just the right number of opposing & cooperative players and places. As much as the Literate Thief fleshes out the World of Erafor, it opens up new vistas into weird science (futuristic alchemy & drug use) while exposing more mysteries. One the one hand, the geography crystallized: places like: San Borja, San Aryan, Brinewater, and Edentown all became distinctive characters unto themselves; on the other hand, characters like Quillion, Cole, and Kikkan demonstrate wild heroics while revealing more about themselves... and new people (i.e., the antagonists Orion and Janus, and the roving library-scholar) offer up an atlas full of new stories. There is a thief of course: Simyon, a friend of the seductive archer Valeria; they make a great pair. But is Simyon the titular Thief?

Drugs play a prominent role. First there is Bliss, that is voluntary, and involuntary, imbibed by the abundant, lower classes; these addicts become so consumed they resemble mindless, cannibalistic demons. There is also an unnamed steroid-like substance the governing brutes consume, which may be harvested from the humans they torment.

The Slaves of Erafor is an unfinished series, so don't expect all mysteries to be explained. I haven't felt the giddy need to read the next book (in progress) since I was a teenager devouring series like Raymond E. Feist's Riftwar or Margaret Weis's Dragonlance.

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Challenge! Discovery reviewed by S.E.

Challenge! Discovery by Jason M. Waltz
S.E. rating: 4 of 5 stars

Rogue Blades Entertainment has a great track record for delivering anthologies (Return of the Sword, Writing Fantasy Heroes,Rage of the Behemoth, and more). Challenge! Discovery is the 2017 edition, which posed a challenge: look at the cover, and write a story about it. The illustration features a scantily clad female warrior and a panther emerge from jungle ruins.

The concept is cool, but the entries range in quality, and I disagree with the judges. Apparently the last two won 1st and 2nd place by the judges, but if I were to rate by (a) inspiration from cover and (b) storytelling (good pacing, show not tell, etc.) then I would have chosen 2 of the below:
- "Inner Nature" by JOHN KILIAN
- "Someplace Cool and Dark" by FREDERIC S. DURBIN
- "Witch with Bronze Teeth brushed" by KEITH J. TAYLOR

1) "Witch with Bronze Teeth brushed" by KEITH J. TAYLOR: 5-star blend of military Warhammer-esque battle and zombie horror

2) "Fire Eye Gem" by Richard Berrigan: 3-star; too corny for me; features a do-good Kimmeriorian barbarian named ‘Jack’?. ugh

3) "Inner Nature" by JOHN KILIAN 5-star, started ok and but ramped-up very satisfyingly

4) "The Ash-Wood of Celestial Flame" by GABE DYBING; nice fairy tale elements

5) "Someplace Cool and Dark" by FREDERIC S. DURBIN: 5-star, it is first person, weird funny and dark.... and I heard this exact story before! It took me a while to figure it out, but I heard him read this at the World Fantasy Convention 2016. A bonus essay on the writing of this story is added and is as engaging as the story

6)"World inside the Walls" by Frederick Tor : 3-star. Nice inspiration from the cover, but delivery style was dry narrative

7) "In the Ruins of the Panther People" by DANIEL R. ROBICHAUD: 4-star. Started slow and has cheesy romance lines, but ends with a huge bang, science-sorcery Meat Stamp! Loved the Meat Stamp!

8) "The Serpent’s Root by DAVID J. WEST, young adult pacing, but fun. 3.5; not obviously connected the cover as the other stories.

9) "A Fire in Shandria" by FREDERIC S. DURBIN; 4-star. Decent Amazon warrior story with a dragon (not sure why there was a dragon and not a panther)

10) "Cat’s in the Cradle NICHOLAS OZMENT (awarded 2nd place): 3-star Inspired by the cover for sure, but for a short story most of its pages are dedicated to non pertinent content. Pacing off.

11) "Attaberia" by HENRY RAM - (awarded 1st place): 4-star. Viking story with nice concept; starts as a 5 and ends as 3 (there is a disconnect between the tension & remoteness of a mysterious island and the inhabitants).

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Chronicles of Hate - Vol 2 - review by S.E.

Chronicles of Hate, Volume 2 by Adrian Smith
S.E. rating: 4 of 5 stars

This is a sequel to Chronicles of Hate, which I reviewed earlier.

In short, this follows suit. New readers should start with Vol .1. Also, readers need to be comfortable "reading" visual images sans words. Of course, they must also like gritty, mature drawings of scantily clad women and undead warriors.

This sequel has the same style as the first: very dark & contrasty monochrome drawings, very small word count (~ 1 word per page). Adrian Smith leaves visual clues that identify the various clans. These can be subtle, but they are there. For instance, those aligned with the Mother Earth crew wear crescent moon ornaments. Many of the bad-guy clans are harder to distinguish, except for the Tyrant.

The story progresses very well and delivers on our hero "Worm" attempting to revive Mother Earth. Prior purchasing, I was worried that the story may not develop enough. But this was satisfying.

The culture of thee world develops more. It is more clear that each clan has a leader and a champion. Adrian Smith's illustrations are generally splendid. If you ever looked into any Warhammer/Games Workshop art (which Adrian has made many) and wished you could immerse yourself in a similar world (this is not part of Warhammer's TM Olde World), this is your chance.

Currently, there is a Kickstarter Campaign (by CMON with Adrian Smith) to realize this HATE-full world into a competitive board game. Pitched as an exclusive KS order, it may be difficult to get later (this runs thru mid-Feb 2018). This did inspire me to get Vol.2 and back the KS. The world of HATE evolves!

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Death at the Blue Elephant - Review by SE

Death at the Blue Elephant by Janeen Webb
S.E. rating: 5 of 5 stars

My favorite unscripted moment from the 2016 Word Fantasy Convention occurred as Janeen Webb recited on a panel, from memory, the beginning to E R Eddison's Mistress of Mistresses. Her voice and tenor were beautiful and it sounded like a blend of poetry and song. Her point being that many of these works are more easily understood, and enjoyed, if read aloud. I knew then that I had to track down more of her work, leading me here.

Death at the Blue Elephant is her 2014 collection of eighteen, fantasy-adventure stories: thirteen published previously in various publications and the remaining five are new. Table of Contents listed below; the notes indicate the tales span most every type of tale imaginable: from Lewis Carroll-like fairytales, to contemporary horror (the titular story), to Lovecraftian Mythos, Arthurian legends, historical fantasy, Faustain deals, and Phillip-Dick-like Sci-Fi.

She writes for mature readers, usually sprinkling in a dose of eroticism. Tales often take turns that are darker or happier than expected, so readers will always be on edge. My favorites were the Lovecraftian, contemporary mystery of “Lady of the Swamp,” the sci-fi thriller-romance “Niagara Falling” which blurred reality and fantasy like a Phillip Dick story, the weird fiction "Fire-Eater's Tale" that is emotionally charged with revenge-fear-and-performance anxiety, and the weirdly-inspiring-yet-sad “Blake’s Angel” which appealed to the artist in me (for the record, I would never cage an Angel).

As her bio below details, Janeen Webb is an accomplished writer and editor (once winner of World Fantasy award among others). Death at the Blue Elephant shows that she can spin a good tale from about just about anything.

Content
1. “Velvet Green.” *new* -- Lewis Carroll-like with call-outs to Dunsany's Queen of Elfland

2. “Manifest Destiny.” First published in Baggage (Eneit Press, NSW, 2010) -- A pioneering adventure horror, not like Howard’s Conan in substance, but the barbarian-may-be-more-civil-than-settler theme abounds

3. “Death at the Blue Elephant” First published in Enter… , (HarperCollins Flamingo, Sydney, 1997) and HQ Magazine, November/December, 1997 -- Contemporary Erotic Horror

4. “Red City.” First published in Synergy SF: New Science Fiction (Five Star Press, Maine, USA, 2004) -- Sci-Fi Mystery Historical fantasy– Elizabeth Peters like?

5. “Paradise Design’d” First published in Dreaming Again (HarperCollins, Sydney, 2008, and Harper EOS, New York, 2008) -- Angels playing design in the Garden of Eden

6. “The Lion Hunt.” First published in Conqueror Fantastic (DAW Books, New York, 2004) -- Greco-Roman Historical Fantasy

7. “Incident On Woolfe Street”. First published in HQ Magazine #68, Jan/Feb 2000 (HarperCollins, Sydney, 2000) -- Horrific retelling of little red riding hood.

8. “The Lady of the Swamp” *new* Forthcoming reprint in Cthulhu Deep Down Under, edited by Steve Proposch, Christopher Sequiera and Bryce Stevens -- Splendid, contemporary Lovecraftian Mythos.

9. “A Faust Films Production”. First published in Little Red Riding Hood in New York (DAW Books, USA, 2004) -- Contemporary Faustian tale, obviously

10. “Gawain and the Selkie’s Daughter.” First published in The Road to Camelot (Random House, Sydney, 2002) -- Classic Arthurian legend

11. “Niagara Falling” with Jack Dann, First published Black Mist and Other Japanese Futures (DAW Books, New York, 1997) -- Phillip Dick -ish

12. “The Fire-Eater’s Tale” with Jack Dann. First published in Strange Attractions (Shadowlands Press, USA, 2000.) -- Weird fiction ; very good.

13. “Skull Beach” *new* -- another original tale with Faustian undertones

14. “Tigershow” First published in Agog: Terrific Tales (Agog Press, Wollongong, 2003). -- PTSD tragic horror

15. “Hell Is Where the Heart Is” First published in Next (CSFG Publishing, Canberra, 2014). --Horror–Romance following transplanted organs

16. “Full Moon in Virgo”. *new* -- Ghost-Romance story

17. “Blake’s Angel” First published in Gathering the Bones (HarperCollins, Sydney and London, 2003 and Tor Books, New York, 2003) -- Weird Artistic Horror

18. “The Sculptor’s Wife” *new* -- Modern Arthurian Legend

About Janeen Webb
Janeen Webb is a multiple award-winning author, editor, and critic who has written or edited ten books and over a hundred essays and stories. She is a recipient of the World Fantasy Award, the Peter MacNamara SF Achievement Award, the Australian Aurealis Award, and is a three-time winner of the Ditmar Award. Her award-winning short fiction has appeared in a wide range of magazines and anthologies, as well as a number of Best of the Year collections. Her longer fiction includes a series of novels for young adult readers, The Sinbad Chronicles, (HarperCollins, Australia). She is also co-editor, with Jack Dann, of the influential Australian anthology Dreaming Down-Under. Janeen has also co-authored several non-fiction works with Andrew Enstice. These include Aliens and Savages; The Fantastic Self; and an annotated new edition of Mackay’s 1895 scientific romance, The Yellow Wave. Janeen is internationally recognised for her critical work in speculative fiction. Her criticism has appeared in most of major journals and standard reference works, as well as in several collections of scholarly articles published in Australia, the USA, and Europe. She was co-editor of Australian Science Fiction Review, and reviews editor for Eidolon. She holds a PhD in literature from the University of Newcastle. Janeen divides her time between Melbourne and a small farm overlooking the sea near Wilson’s Promontory, Australia.

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The Bone Sword- review by SE

The Bone Sword by Walter Rhein
S.E. rating: 4 of 5 stars

I'm a big Walter Rhein fan, having read and reviewed his autobiographical Reckless Traveler (highly recommended story of his South American travels), and his fiction Reader of Acheron (also highly recommended, this one being more of dystopian, urban fantasy focused on a culture in which reading is prohibited). Actually, the sequel to The Reader of Acheron is slated for a 2018 release and I was anxious to read more Rhein. So, I grabbed The Bone Sword to tie me over.

The Bone Sword is classic fantasy with a coming of age story of a brother and sister (Noah and Jasmine). Their savior is the outcast warrior: Malik. This tale is simpler with less philosophical undertones than the Reader or Reckless Traveler. The "bad guys" are undeniably evil (Father Ivory in particular, though one may argue he was 50%crazy). The "good guys" are the young children with brewing, magical potential, and their fellow oppressed villagers. The only "gray" character is Malik, but despite his ability to murder and fight, he is closely aligned with the good guys and brings hope to the battle of Miscony.

The first chapter I feared was going to be cliche or overly simplistic, but Rhein quickly introduced meaningful backstory and context. A few chapters in, and I became genuinely attached to the main party. Rhein sprinkles in several very memorable scenes to ramp up the drama. A slight over reliance on rapid healing dampens several stunning sequences that had taken my breath away.

The Bone Sword is a step above a lot of fantasy. It is only #1 of a promised cycle, which is great news. For now, I eagerly await "Acheron #2/The Slaves of Erafor #2" which should emerged soon.

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Power of the Sapphire Wand - Review by SE

The Power of the Sapphire Wand by Erika M Szabo

My rating: 5 of 5 stars

A great starter novel for kids 4-12

The Power of the Sapphire Wand continues the Creepy Hollow Adventures (the first being Three Ghosts in a Black Pumpkin: Creepy Hollow Adventures 1). It is crafted by the duo of Erika M Szabo, an established children's book author, and Joe Bonadonna, established in the Heroic Fantasy and Science Fiction arena. I know Bonadonna's work more than Szabo's; even though he has written more adult fiction, he has always expressed empathy and interest in children's perspectives (partly inspired by a direct connection to the 1958 Our Lady of the Angels School fire).

The paperback The Power of the Sapphire Wand clocks in at 244 pages, but it reads fast with wide spacing and large font. Jack and Nikki are key young protagonists who come of age ~13yrs old, learning new Gifts and making friends as they adventure in "Creepy Hollow" (a parallel world, Narnia-esque). They leave earth to save family members and fantastical creatures from Evila, a cruel witch. All the fantasy creatures are derived from common myths/stories, and the "Creepy" world is appropriately fantastical yet very accessible.

Humor abounds, with three stooge-like goons (Poo, Goo, and Boo) and Dragon Rocks (a.k.a. scat, or poop) playing essential roles. Plenty of righteous motivations drive Jack and Nikki: they protect the weak and confront evil directly. It is fun to see them grow. Some of the bad guys are just too bad to save, but others are open to redemption.

In short, Szabo and Bonadonna make a great pair. Their Creepy Hollow Adventures is a perfect starting point for young children making the leap from "kids books" to "novels."


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Hell Hounds - Review by S.E.

Hell Hounds by Andrew P. Weston
S.E. rating: 5 of 5 stars

Entertaining, Genre-Bending, Satirical Madness:
Hell Hounds is a mashup of genres: Fantasy, Satirical Horror, Historical Fiction, and some Mystery Noir thrown in. Imagine a parallel universe to our reality on earth where the dead “un-live” for an eternity. If they die there, they feel the pain but then reawaken…. sometimes creatively transformed by The Undertaker (i.e., perhaps he’ll remove your testicles and use them handles on a zipper that wraps around your neck!). Goofy, satirical puns laden the map (Paris is Perish, the Eiffel Tower now the Awful Tower, etc.]. Want to read fresh fiction, read Andrew P. Weston’s Daemon Grim series (check out the guide below to begin).

Daemon Grim is the Reaper, Satan’s personal enforcer and chief bounty hunter. He commands the titular Hell Hounds, a band of agents (Nimrod – the rebellious, biblical king, Charlotte Corday – murderess of Marat, Yamato Takeru—a ninjutsu master of the Yamato dynasty, and more ). They ultimately all serve Satan, Father of Lies, who needs them to control Hell from the conniving dead and meddling angels; but Satan is also punishing his servants for their sins, so no one is on good terms.

Underlying tension spans many groups: Satan, Grim & his Hell Hounds, the duo Frederic Chopin and Nikola Telsa (an ingenious duo learning to control the physics & time in Hell), an insane Angel stripped of his Wings (Grislington), and seven angelic Sibitti who are auditing the souls in Hell. At first the combinations of intentions and conflict is downright farcical. Eventually several themes converge, usually about Grim. The last 20% is a blast of a climax which clarifies the chaos. Along the way, Mr. Weston will occasionally slip into dosing out exposition-through-dialogue, which didn’t bother me. Usually this occurs at times the reader will desire a boost in clarity about the abstract conflicts.

There are two primary games occurring. One is the continuing, cat-and-mouse battle between Grim and Chopin/Tesla, who love to leave scavenger-hunt notes at crime scenes. The second is Grim vs. the angels (and perhaps himself &/or Satan); there is a mystery in this series which is slowly being revealed: who “was” Grim before becoming Satan’s strongest champion?

Where to Start:
Hell Hounds is wacky and fun, but is not the beginning. The Heroes in Hell is primarily a series of anthologies; this novel focuses on Grim but has story arcs connected to HIH. Given the breadth of abstract interactions, I recommend initial readers begin with either:
1) Doctors in Hell (HIH #18): Daemon Grim is introduced in this collection, and even though it is #18 in the series, it is a perfect entryway for HIH newcomers.
2) Or…. Hell Bound (Grim novel #1): Daemon Grim’s first novel, occurring chronologically after Doctors, but before Hell Hounds.
3) Or for those who’ve done that, note Grim also appears in Pirates in Hell (“Pieces of Hate”)

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House on the Borderland - Review by SE

The William Hope Hodgson Megapack: 35 Classic Works by William Hope Hodgson
S.E rating: 4 of 5 stars

“What does it all mean?” – narrator of House on the Borderland by William Hope Hodgson

I bought Wildside Press's The William Hope Hodgson Megapack: 35 Classic Works primarily to read one of his most well cited works: The House on the Borderland. In the US, the Kindle version is only $0.99, and conveniently organizes 35 of William Hope Hodgson ‘s work with introductions from Darrell Schweitzer and Howard Phillips Lovecraft. Being a Megapack, it may take a while to read the whole thing, so I check in now to review. The collection is a great value.

The House on the Borderland (1908) was written by William Hope Hodgson (1877-1918) who influenced many weird fiction writers. In the introduction, we have NOTES ON HODGSON, by H.P. Lovecraft which is telling:

”Of rather uneven stylistic quality, but vast occasional power in its suggestion of lurking worlds and beings behind the ordinary surface of life, is the work of William Hope Hodgson, known today far less than it deserves to be.

.... The House on the Borderland (1908)—perhaps the greatest of all Mr. Hodgson’s works—tells of a lonely and evilly regarded house in Ireland which forms a focus for hideous otherworld forces and sustains a siege by blasphemous hybrid anomalies from a hidden abyss below. The wanderings of the Narrator’s spirit through limitless light-years of cosmic space and Kalpas of eternity, and its witnessing of the solar system’s final destruction, constitute something almost unique in standard literature. And everywhere there is manifest the author’s power to suggest vague, ambushed horrors in natural scenery. But for a few touches of commonplace sentimentality this book would be a classic of the first water.”

H.P. Lovecraft’s The Dream-Quest of Unknown Kadath seems similar to the strange quest presented in House on the Borderland. Sidebar, I am a huge fan of HPL’s Pickman’s Model and have been motivated to read the Dream-Quest novel since it has Pickman and his ghouls appear again, but the journey is so extended and unfocused, I have failed three times to finish that tale.

WHH’s House on the Borderland is very similar in style, but I could finish this one! The story is more plot-centric than character-driven; the meandering journey can easily lose the reader, at times becoming repetitive. However, it’s unique strength is its epic tale and flowery language interlaced with mystery & terror. The scope is truly epic. The tale concerns two adventurous hikers who go to remote Ireland, discover a enormous pit and ruined house. In the ruins, they find the titular manuscript: The House on the Borderland. The remaining story switches narration to the writer's perspective. The recluse narrator encounters lots of terror: his haunted house, the swine-things stalking him in the gardens, evils floating up from the Pit, disease corrupting his body, and being extracted from his body to lose one’s anchor in reality…. and have one’s soul float across the cosmos into heavenly and hellish worlds.

Characterization is weak & distant, but read this for the Journey: The main narrator is nameless, and his relationship with his sister is bizarre. At times when she should be involved, Mary is marginalized or disregarded to the point I thought she may be a ghost. Several instances have the narrator securing himself in a locked room with no concern about Mary who is left elsewhere prone to attack. WHH seems to be aware of this and writes: “She is old, like myself; yet how little we have to do with one another. Is it because we have nothing in common; or only that, being old, we care less for society, than quietness?” But this does not make up for her floating in and out of the story so oddly.

There is also the “dear One”, a nameless love interest of the narrator. She mysteriously appears in the middle of the story (which is weird because the House is very remote) but her prime story is literally left out as “unreadable fragments”? WTH? Why? It seemed as easy out for WHH to avoid real storytelling than it did for driving any story line. I any event, this approach deflates the cool/weirdness of the narrator searching and finding remnants of his "dear One’s" soul. It was confusing, and I was convinced for a while that she may have been Mary.

Pepper, the dog, is a splendid character and plays a larger role than Mary. And there is “Tip,” Mary’s cat which is abruptly introduced and then disregarded. Why Tip got a name and the dear One did not, I have no idea. Names are important, but in this story, the characters are simply less important than the places.

The names of the strange geography resonant like a Jack Vance novel: Plain of Silence; The Sea of Sleep; The Pit; House in the Arena; and Green Sun. Reading this will be more pleasurable if you focus on the trippy geography than the characters. The language is captivating; excerpt below. At times, WHH seems to be blatantly ironic, like when he uses the word “Presently?” in the middle of a timeless adventure. Really? Like most weird fiction writers of the early 20th century, they peppered their prose with the transitional word “Presently.” WHH did so ironically throughout the trippy, disembodied adventures across time & outerspace.

"What does it all mean?" : I don't know. Nevertheless, the journey is very weird and very fun. A must read for weird fiction aficionados.

Excerpt:

It might have been a million years later, that I perceived, beyond possibility of doubt, that the fiery sheet that lit the world, was indeed darkening.
Another vast space went by, and the whole enormous flame had sunk to a deep, copper color. Gradually, it darkened, from copper to copper-red, and from this, at times, to a deep, heavy, purplish tint, with, in it, a strange loom of blood.

… Gradually, as time fled, I began to feel the chill of a great winter. Then, I remembered that, with the sun dying, the cold must be, necessarily, extraordinarily intense. Slowly, slowly, as the aeons slipped into eternity, the earth sank into a heavier and redder gloom. The dull flame in the firmament took on a deeper tint, very somber and turbid.

… Overhead, the river of flame swayed slower, and even slower; until, at last, it swung to the North and South in great, ponderous beats, that lasted through seconds. A long space went by, and now each sway of the great belt lasted nigh a minute; so that, after a great while, I ceased to distinguish it as a visible movement; and the streaming fire ran in a steady river of dull flame, across the deadly-looking sky.

…An indefinite period passed, and it seemed that the arc of fire became less sharply defined. It appeared to me to grow more attenuated, and I thought blackish streaks showed, occasionally. Presently, as I watched, the smooth onward-flow ceased; and I was able to perceive that there came a momentary, but regular, darkening of the world.”

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Berserker - 1977 Grimdark with a dose of testosterone

Shadow Of The Wolf by Chris Carlsen
S.E. rating: 4 of 5 stars

Viking Age: The Sword and Sorcery group on Goodreads had a Viking Age theme, for fans of books like The Broken Sword by Poul Anderson or Scott Oden's newly released A Gathering of Ravens ...or C. Dean Andersson's Bloodsong! — Hel X 3. I went after 1970’s Berserker series.

Availability: The Berserker series was originally published in 1977-79 under pseudonym Chris Carlsen (real name Robert Holdstock). Since 2014, it has been available as an omnibus paperback edition under Holdstock: Berserker SF Gateway Omnibus: The Shadow of the Wolf, The Bull Chief, The Horned Warrior. Melvyn Grant was the cover artist for the originals, which represent the books well with Sword and Sorcery flare ala Frazetta..

1. Shadow Of The Wolf 1977
2. The Bull Chief 1977
3. The Horned Warrior 1979

1977 Grimdark!: This reads fast and drips testosterone. Monstrous possession ala lycanthropy is prominent, but here it is Odin’s ursine Berserker spirit in the spotlight. Like Jeckyl-n-hide, Harald Swiftax is cursed to relent his body to a bear-entity that is less chivalrous than himself. The Berserker in him is bestial, without empathy, and blood thirsty. This is Harald’s story, from being cursed to struggling to break it. The book is geared toward all the good and bad of stereotypical masculinity. It features mostly men (save for one screaming-hot witch who bares all); it has plenty of gore-rich melee, one overtly gratuitous, drawn-out sex scene, and a few lesser rape scenes.

The milieu is filled with supernatural forces from Nordic gods, Celtic witches, and even Lovecraftian Old Ones. Overall, entertaining. It’s like riding a wolf or bear at a rodeo (animal choices intentional). Pacing alternates from easy-going/trope-filled village pillaging to high octane savagery and horror. Several story lines had the potential to be over-the-top epic, but were left hanging or deflated. One or two moments seemed either contrived [(i.e., Harald’s tense-confrontation with other Berserker’s in Urlsgarde, followed instantly with him not caring and getting drunk)] or inconsistent [ [ (Harald and Diedre’s “relationship” seemed to diminish Elena’s impact…and given that Diedre needed an immortal… then she should have mated with a Berserker form)].

That said, there is still some great story telling employed. Most of the mysteries are resolved. The title “Shadow of the wolf” eventually makes sense. It is part of a trilogy; some mysteries remain (i.e., exactly why was Swiftax or his family targeted by Odin’s curse?)

Death Dealer Sigurd Gotthelm is a great secondary character who wears a cursed horned helmet and is reminiscent of Frazetta's Death Dealer (though arguably more interesting than the James Silke's presentation of the Death Dealer in Prisoner of the Horned Helmet 1998’s Gath of Baal). Frazetta painted the original in 1973, so perhaps that was in inspiration for Gotthelm. I hope there is more of him in the subsequent books. I have no idea where the next two installments will take me, but I own the next one and am jumping in.

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