Sunday, December 6, 2020

Imaro: The Trail of Bohu - Review by SE

 

The Trail of Bohu by Charles R. Saunders
My rating: 4 of 5 stars

Spurred by a Sword & Sorcery groupread honoring this year's passing of Charles R. Saunders, I continued the Imaro Series with The Trail of Bohu. A guide to the series and book availability will be posted on Blackgate.com shortly [link coming].

This third novel is a setup for last: The Naama War. The Trail of Bohu has considerably less action than Imaro and The Quest for Cush: Imaro II (the prior being comprised of short stories and this being the first full-length novel). So far, Saunders has been building up two big plots: (1) Imaro's mysterious, ancestral origin, and (2) the burgeoning war between the united Northern tribes/nations (Cloud Strider and Cushite aligned) and the evil Naamans (Erriten, Mashataan sorceries). Here Saunders delivers mostly on the former, and quite comprehensively; the latter, reserved for the final book.

When he does deliver action, he doesn't hold back. Creatures are wonderfully dark:
"Even in the half-light of dusk, the animate corpses were hideous to behold. Though they were all naked, the bloating of their bodies had advanced to the point that their sex was difficult to determine. Their faces were travesties of humanity: noses split apart, teeth jutting beyond peeling lips; eyes that were nothing more than gelatinous orbs that glimmered with a tinge of green luminescence. Machawai green... The walkingdead gouged at throats, faces, eyes. They attempted no defense against the steel that hacked and slashed at their bodies..."
Saunders provides plenty of Nyumbani (i.e. Africa) lore, culture, and creatures, including mountable rhinoceros and zebras. Glossaries in the back of each book are appreciated, but not necessary. There is one distinct moment which made me snicker, recalling Samuel Jackson's renowned cursing. When questioned by Rabir about what Imaro will do when he catches the titular Bohu, Imaro says: "I will kill the mama-mfuka." I am no linguist to know the etymology of that insult, but it sounded the most contemporary of every Nyumbani term.

My favorite location is the "The Placed of Carved Trees", a mystical grove that Imaro seeks guidance:
"Each of its trees was carved into a gigantic sculpture that was grotesque in form and enigmatic in meaning. At first glance, the sculpted tree-trunks appeared distorted, and even monstrous. Many of the carvings took the shape of bulbous masses of bodies separated by thin, cylindrical stalks that might have been legs. Faces hung from those bodies--faces with misarranged features and distended mouths with protruding teeth, sometimes smiling, sometimes screaming..."
All in all a great stage for an all-out war for the continent of Nyumbani!

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