Sorcery Against Ceaser (and Scroll of Thoth byt Ricjard L. Tierney ; Review by S.E.

RICHARD L. TIERNEY’S SORCERY AGAINST CAESER; REVIEW AND TOUR GUIDE OF SIMON OF GITTA’S SICA & SORCERY!

 Original Post: Sunday, April 10, 2022  SELindberg on Black Gate

Sorcery Against Caesar: The Complete Simon of Gitta Short Stories (cover art by Steven Gilberts) Pickman’s Press, 2020, 405pages.

Greg Mele recently paid tribute to Richard L. Tierney at Black Gate. That memorial post covers the author’s life and bibliography very well, so check that out; Tierney co-authored books with David C. Smith will be echoed here. The Goodreads S&S group is hosting a two-month group read of his work presently (March-April 2022), which spurred me to read Scroll of Thoth; Simon Magus and the Great Old Ones.

That book lingered way too long on my shelf. It was packaged as horror influenced by history, with a mage protagonist; however, having read it now, I argue that it is more Fantasy than Horror or Historical Fiction. If assigning genre categories floats your boat, then Sword & Sorcery is more accurate.

As the post title indicates with “Sica and Sorcery,” Simon often fights with a Thracian long-dagger/short-sword called a sica, and evil sorcery abounds. With cover art by H. E. Fassel (below), Scroll of Thoth has all twelve Tierney-written, short stories tracking Simon of Gitta with comprehensive essays from Robert M Price for each; he covers both the actual history drawn from, as well as the Lovecraftian and Howardian (REH) mythos call-outs. The collection was published by Chaosium in 1997 and inspired (or augmented) their Call of Cthulhu role-playing game; in 2009, the Cthulhu Invictus campaign (6^th ed) released, and that, in turn, spawned a 2015 collection of similar “Sica and Sorcery” (Tierney did not contribute, but Robert M. Price did).

With Sorcery Against Caesar: The Complete Simon of Gitta Short Stories (cover art above by Steven Gilberts, Pickman’s Press 2020), readers are treated to all 12 stories and essays in Scroll of Thoth (with an abridged version of the introduction), plus 4 more tales that are pastiche or co-authored tales (also with contextual essays). Pickman’s Press also released a novel-length Simon of Gitta adventure penned by Tierney called Drums of Chaos (originally published in 2008, available now with cover art by Zach McCain, published 2021), which would have been too big to include with the short stories. In short, both Sorcery Against Caesar and Drums of Chaos are available in print and electronic form. This review covers the short stories, but Drums of Chaos is included in the tour guide below.  According to the essays by Price, even more Simon of Gitta stories were planned but, unfortunately, are left in limbo.

Sorcery Against Caesar: The Complete Simon of Gitta Short Stories, official blurb:

A REBEL AGAINST ROME.

Simon of Gitta, an escaped slave turned magician, roves the Roman Empire battling dark magic and demons, all the while pursued by Caesar’s soldiers. Join Simon as he flees across the ancient world evading cultists and Legionaries, outwitting sorcerers and Centurions, and fighting gladiators and gods, even the deities of the Cthulhu Mythos. Yet all these foes cannot prepare him for his greatest challenge: the pursuit of his lost soul-mate Helen, a love so deep even death can’t stand in its way for long.

Who is Simon of Gitta?

For the non-history and non-religious folk, Simon is actually a biblical character. The Christian Bible’s Acts of the Apostle presents him as a Samaritan magus. Tierney presents Simon similarly, a mage hailing from Tyre (modern-day Lebanon), but has his heroic origins emerge from being an enslaved gladiator. Essentially, Tierney rebranded Simon as genuinely as Karl Edward Wagner did the biblical Cain (with his Kane tales); in fact, Tierney emphasized this by having the characters meet in the “The Blade of the Slayer” story.

Having excelled at fighting, Tierney’s Simon is skilled at the sica and hand-to-hand combat. The first tale “The Sword of Spartacus” has him escaping the pits and starting his studies as a mage. Frankly, he casts few spells himself.  He does ally with many other active mages (his mentors), and he applies his knowledge of the arts frequently (low-level actions like casting illusions and enhancing disguises, letting his companions do the heavy spellcasting). Even though a mage describes his character well, he is much more of a rogue gladiator/fighter. Simon’s companions are more sorcery-focused and include the mages Dositheus and Menophar, and even a raven named Carbo.

“…I studied the arts of the mages at Persepolis, but before that I was trained as a gladiator — sold into the profession by the Romans, who slew my parents in Samaria because they could not pay the taxes imposed on them by a corrupt regime. I escaped, after two years of fighting for my life — of spilling blood for the Roman mob —!”  The character Simon explains

Simon is completely fascinated with two goals: (1) seeking revenge against Rome, and (2) seeking out his love named Helen. The villains are usually Roman Emperors like Tiberius, Claudius, and Gaius (aka Caligula), or they are subordinates or Senators seeking more power. The antagonists are constantly summoning eldritch gods with grand rituals that are completely over the top, and wonderful (we are talking’ coliseums full of sacrifices’ and ‘mating rituals with Star Gods’!). As Simon ventures, he learns his True Spirit has existed beyond/before his current life and that he is always paired with the same female companion who also pervades time; this approach reminded me of Michael Moorcock’s Eternal Champion with a love interest. Even though each short story is stand-alone, these two themes persist across all.

Style

Sorcery Against Caesar really is a splendid mashup of history from Ancient Roman times, with lore from Judaism, Zoroastrianism, polytheistic Etruscan & Egyptian religions, and more… all equally weighted with Lovecraftian Mythos, Robert E, Howard’s Hyborian Age history, and even lore from David C. Smith’s Attluma cycle. For most readers, there will be instances in which determining which gods are based on historical deities or fictional ones will be difficult (for me it started right away with the summoning of Tuchulcha in the first story; that daemon is based on Etruscan myths, not a Lovecraftian Elder). Like Lovecraft, Tierney reinforces a pseudo-real mythos by referencing faux books like the Necronomicon with reverence; here we have the Sapientia Magorum written by Ostanes, the titular Scroll of Thoth, and the Tomb Texts of Ani.

For the Howard fans, you will enjoy entire stories that build on Conan’s first story “The Phoenix on the Sword.” Both the Ring of Set mentioned therein as well as the Phoenix on the Sword get full stories; also for the Kull of Atlantis fans, delight in the “The Dragons of Mons Fractus” tale that features Pontius Pilate exhibiting Vlad the Impaler vibes along with Valusian serpent people. “The Scroll of Thoth” reinforces the Pain Lords from the Red Sonja Books (co-authored by Tierney and David C. Smith).

Even though there is a ton of sorcery, most of it is redirected toward evil Emperors, Simon usually is not the sorcerer. He is a fighter who hangs out with friendly sorcerers while taking down the evil ones. The fight scenes and action reminded me of Howard’s action-packed Sword & Sorcery. Anyway, don’t expect dry history or old-style, meandering pre-pulp gothic horror. Expect (a) bloody melee, (b) fantastical sorcery, and (c) links to Howardian and other fictional mythos. Excerpts below the Tour Guide reinforce these.

Roman-inspired adventure by Chaosium and related Call of Cthulhu content

 

Table of Contents (and Chronological Tour Guide of Simon’s Tales)

* content in Sorcery Against Ceaser (i.e., not in Scroll of Thoth). All stories by Richard L. Tierney unless noted.

1. “Sword of the Avatar” Introduction (by Robert M. Price); the unabridged version is in The Scroll of Thoth.
2. “The Sword of Spartacus” first published in Swords Against Darkness #3 (Zebra Books, 1978).
3. “The Fire of Mazda” first published in Orion’s Child #1 (May-June 1984).
4. “The Seed of the Star-God” first published in Crypt of Cthulhu #24 (Lammas 1984).
5. “The Blade of the Slayer first published in Pulse-Pounding Adventure Stories #1 (December 1986).
6. * “The Throne of Achamoth” by Richard L. Tierney & Robert M. Price, first published in Weirdbook #21 (Autumn 1985).

Drums of Chaos is a separate novel-length, Simon of Gitta adventure by Tierney (originally published in 2008, available now via Pickman’s Press 2021, 415pages) that occurs chronologically after “The Throne of Achamoth.” Here’s the blurb (cover below):

CAN A HANDFUL OF HEROES STOP AN APOCALYPSE CENTURIES IN THE MAKING?

Escaped gladiator-slave Simon of Gitta returns to Judea — during the ministry of Jesus of Nazareth — on a mission to avenge the deaths of his parents, seeking revenge in blood against the Roman officials who committed the murders and sold Simon into slavery.  But as Simon travels the Holy Lands with his mentor Dositheus and their students Menander and llione, they gradually become entangled in a complex occult plot designed to call down a monstrous alien entity to herald a new aeon on Earth. The mysterious time traveler John Taggart (from Tierney’s The Winds of Zarr) also becomes involved with Simon as their separate quests converge toward a common goal of saving all life on Earth from extinction.

But can a handful of travelers really thwart a covert scheme backed by the power of the Roman Empire? As the apocalyptic supernatural events slowly unfold, Simon and his allies are in a race against time to prevent the devastation of the world. Using mystery cults and early Christian Gnosticism as his vehicle, with meticulously researched Roman history and Biblical scholarship, this is author Richard Tierney’s magnum opus: an epic Lovecraftian alternate history dark fantasy novel that features Tierney’s most famous characters, Simon of Gitta and John Taggart. This novel will appeal to fans of historical fantasy and sword & sorcery fiction in the vein of Robert E. Howard, and the elements of cosmic horror and the Cthulhu Mythos will satisfy many fans of H.P. Lovecraft.

7. * “The Emerald Tablet” by Robert M. Price; first published in Strange Sorcery #24, Rainfall Books (August 2017).
8. “The Soul of Kephri” first published in Space & Time #66 (Summer 1984).
9. “The Ring of Set” first published in Swords Against Darkness #1 (Zebra Books, 1977).
10. “The Worm of Urakhu” first published in Weirdbook #23 (December 1988).
11. “The Curse of the Crocodile” first published in Crypt of Cthulhu #47 (Roodmas 1987).
12. “The Treasure of Horemkhu” first published in Pulse-Pounding Adventure Stories #2 (December 1987).
13. * “The Secret of Nephren-Ka” by Robert Price, published first in The Mighty Warriors (Ulthar Press, 2018).
14. “The Scroll of Thoth” first published in Swords Against Darkness #2 (Zebra Books, 1977).
15. “The Dragons of Mons Fractus” first published in Weirdbook #19 (Spring 1984).
16. * “The Wedding of Sheila-Na-Gog” by Richard L. Tierney & Glenn Rahman, first published in Crypt of Cthulhu #29 (Candlemas 1985).
17.  “The Pillars of Melkarth Vengeance Quest” first published in Space & Time #78 (Summer 1990).
18. * “Vengeance Quest” poem, originally published in The Cimmerian #7 (October 2004).

More Simon of Gitta from Tierney?

Robert M. Price writes in the essay for “The Pillars of Melkarth” this context hinting at an unpublished, but already written, novel, and several other tales that likely were never finished:

Readers may notice a large time lapse between the events of “The Pillars of Melkarth” (spring equinox, A.D. 50) and those of the previous story set in A.D. 42. This is because those years were taken up with the events of the novels Path of the Dragon (forthcoming from Pickman’s Press) in A.D. 42 and The Gardens of Lucullus (Sidecar Preservation Society, 2001) in A.D. 48. Other stories were planned during this time period as well. Richard Tierney intended some German adventures in A.D. 46 – 47, as well as entertaining another collaboration with Glenn Rahman on a pair of novels set on the western Roman frontier, one centered on the Claudian invasion of Britain, the other involving the Picts in Scotland. Sadly, none of these stories were ever written — yet.

Drums of Chaos (cover art by Zach McCain) Pickman’s Press, 2021

 

Excerpts. Expect:

A) Lots of “Sick” Sica Melee

Simon roared and struck out; his fist cracked sharply against the face of the nearest guard, who flopped to the cobbles without a cry. Quick as a panther he crouched and whirled, barely in time to avoid a murderous blow from a second guard’s staff; his sharp-bladed sica, already in hand, shore through the guard’s neck as Simon completed his whirl, and the man went down with a dying gurgle.

and…

The door was only large enough for two abreast and Simon met the first two with steel, expertly parrying, slashing, stabbing. One collapsed mortally wounded from a sword-thrust in the guts; the other leaped back, suddenly fearful, but was pushed forward again by the surging mob — to die instantly on the point of the sica. Simon howled with mad rage, swinging and thrusting; a bludgeon glanced heavily off his left shoulder and a knife-point nicked his flank, but three more of his enemies went down with blood gushing. A pike ripped his tunic and gashed the side of his ribcage; he roared and smote in return, cleaving a snarling face with his sword. Fierce exultation suddenly filled him; if he must die, this was how he preferred it, fighting and slaying Romans to the very end —

 

B) Unraveling Emperor Plans to Meddle with Cosmic Sorcery

“I think I know what you learned. Tiberius’ purge of his enemies is no secret, and Carbo recently brought me another message from Senator Junius, who has been recalled from exile in Lesbos to house arrest in Rome. The senator told me about Prodikos and his daughters, and I have learned much more here in Ephesos.”

Simon stopped eating. “What have you learned of Prodikos?”

“Much, Simon, but mainly that in this city renowned for its sorcerers, he is the most powerful and feared of them all.”

A serving-girl entered with an amphora of wine, and Dositheus ceased speaking. When she had gone Simon filled his goblet. “Go on,” he said.

“Prodikos had several children by various slave women, but all were sons save Helen and Ilione. These sons he long ago sold into slavery, but his daughters he kept — for an evil purpose, as it turns out. Simon, it is no mere incestuous lust that drives Prodikos. He means to force Ilione to join with him in a monstrous ritual that shall release forces this world has not seen since it emerged from the last great darkness of the All-Night.”…

… “The rite of the Impregnation and the Slaying — an act of sympathetic magic that shall cause the seed of the Star-god to unite with the Great Mother, thereby generating a horrendous spawn that will overwhelm this world.”

Simon gripped his goblet tensely. His scalp tingled as he recalled reading of just such a black ritual in the Sapientia Magorum of the ancient Persian magus Ostanes. “Gods of Hades! How could the girl’s own father even think of such perverse madness —?”

Dositheus drew a deep breath. ‘‘He may no longer be her true father, Simon. Have you not read of Sakkuth, King of Night, and his evil Master?”

Simon felt the tingling extend down his spine. Sakkuth the King, servitor of Kaiwan the Star-god — both evil beings cursed by the ancient prophets yet still furtively worshipped by sorcerers in his own native Samaria…

“The wizards of Acheron and Stygia and even older civilization cycles knew them by other names,” Dositheus went on. “To the nations of primal Attluma they were Kossuth and Assatur. It is said that every thousand years Sakkuth attempts to destroy civilization, and that he succeeds unless powerful magic is used to stop him. It was he who plunged the world into the All-Night after the Atlantean and Hyborian cataclysms. And to initiate such times, his master Kaiwan, who dwells amid the stars near the Eye of Taurus, sends to earth his seed to unite with the Great Mother, thereby enabling her to spawn the Thousand Abominations that will overwhelm the world.”

 

C) An Abundance of R.E. Howard Hyborian Age References

Instantly the sword hilt in his hands shrilled with a supernatural energy, and a blade of golden light sprang forth — a blade that must, Simon somehow knew, be equal in length to the sword blade when it was first wielded ages ago by the Aquilonian King!

“The Phoenix!” gasped Nephere, falling to his knees. “The soul of civilization — the hope of mankind…”

The great bird — if bird it was — had wheeled about and was now settling down, flapping its wide and glittering pinions, coming to rest atop the ancient pyramidal stone behind the flaming altar. It perched there and folded its wings, gazing down upon the flames where — so Nephere had said — its parent had just been cremated.

Simon could only stare in awe. He suddenly realized that he had never known true beauty before. He had seen vast mountain landscapes that had taken his breath away, and many fire-emblazoned sunsets, and had known a number of beautiful women — even one that had shared with him and the fallen gods his own soul-nature. But never, until now, had he felt the presence of the very Soul of Beauty.

Yet, despite the mood that was upon him, despite the lingering chords of celestial music in his heart, he could still see actual, objective features of the being. It was about the size and shape of a large eagle, and this fact had doubtless formed the basis of the legends that had surrounded it. But it was no bird, Simon knew — nor any creature of earth or its environs. Those scales or feathers, gleaming like a thousand luminous gems, only slightly resembled the scales or feathers of earthly creatures; that gently curved bill, glowing like translucent pearl, only resembled something between the beaks of ibis and eagle; the golden spray of filaments about its head and throat only resembled the inferior crowns and gorgets of earthly kings and queens. And the great eyes, round and limpid and swirling with obscure colors, bright with transcendent life and supermundane intelligence — these resembled nothing he had ever seen…

 

 

Richard L. Tierney

Richard L. Tierney (1936 – 2022) was a poet, author, and editor of adventure fiction, mainly in the realm of dark fantasy. Since his mid-teens, he had been both a fan and scholar of H.P. Lovecraft, Robert E. Howard, Clark Ashton Smith, and other great names from the pulp fiction era. In 2010, he was nominated for the Science Fiction Poetry Association’s Grandmaster Award. In 1961, Tierney earned a degree in Entomology (Iowa State College) and served for many years with the U.S. Forest Service in several of the western states and Alaska. A haunter of archaeological ruins by instinct, he had traveled widely, especially in Mexico, Central, and South America. Many of the ideas and images that he employed in his stories were inspired by his extensive travels. His major works include Collected Poems (1981, Arkham House), The House of the Toad (1993, Fedogan and Bremer), Sorcery Against Caesar: The Complete Simon of Gitta Short Stories (Pickman’s Press, 2020), The Drums of Chaos (2008, Mythos Books, 2021 Pickman’s Press), and Savage Menace and Other Poems of Horror (2010, reprint 2021, P’rea Press).

 

FROLIC ON THE AMARANTHYN BY CHASE A. FOLMAR

 Posted on Black Gate : 

NEW TREASURES: FROLIC ON THE AMARANTHYN BY CHASE A. FOLMAR

 Monday, March 28, 2022  SELindberg 

Frolic on the Amaranthyn (Sable Star Press,4/6/2022). Cover art by Goran Gligović

Frolic on the Amaranthyn will be published by Sable Star Press on April 6th, 2022. It is 130 pages, priced at$7.99 paperback and $2.99 in digital formats (available soon from Amazon, Barnes & Noble, and others).  Cover art by Goran Gligović. This post announces the release and previews excerpts.

Chase A. Folmar has been demonstrating his command of Weird Fiction, Sword & Sorcery (S&S), and the English language in various short fiction entries (primarily via Whetstone: Amateur Magazine of Sword & Sorcery & Witchhouse: Amateur Magazine of Cosmic Horror online magazines). This novella, Frolic on the Amaranthyn, seems to be his print debut. If you are not familiar with his previous work, you may misconstrue the contents from the title as being a fantasy romance (which it is not; and, you can check out his stories in Whetstone #1 #2 #4 or Witchhouse #1).

If you are familiar with his works there, you will need to read Frolic on the Amaranthyn. Chase A. Folmar (CAF) style is very reminiscent of Clark Ashton Smith (CAS). Clark Ashton Smith was a contemporary of the Father of S&S, Robert E. Howard, and Father of Cosmic Horror, Howard Phillips Lovecraft (most of CAS’s fiction is online, as well as his nonfiction like his essay on Atmosphere in Weird Fiction). In short, do not expect fantasy romance; expect an engaging, literary adventure.

Official Book Summary:

Channeling the artistic stylings of weird fantasists such as Clark Ashton Smith and Jack Vance, Chase A. Folmar utilizes lush prose and archaic vernacular to craft a wholly otherworldly setting for readers to explore in this, his debut novella. We follow within the duo Uralant and Emrasarie, brigands who employ their respective talents of swordsmanship and seduction in the pursuit of precious coin. After the spoils of an orchestrated heist are lost to them just as success seemed assured, the pair’s misfortune only increases when, stranded in a strange city neither are familiar with, it is revealed that their target had also been pursued by a sorcerer of the worst and most dreaded kind, and that all his attention has now been directed towards them. In order to escape the severity of his vengeance, they are forced to comply with his fanatic whims and take part in a theft that will hopefully strike clear the debt he has placed upon them. But that same theft will lead them towards a dark secret behind the city’s beautiful façade, a secret tied to a mysterious ark that travels down the waters of the Amaranthyn River on certain nights, and upon which takes place what is known only as the Frolic.

Style & Excerpts

“My own conscious ideal has been to delude the reader into accepting an impossibility, or series of impossibilities, by means of a sort of verbal black magic, in the achievement of which I make use of prose-rhythm, metaphor, simile, tone-color, counter-point, and other stylistic resources, like a sort of incantation. You attain a black magic, perhaps unconsciously, in your pursuit of corroborative detail and verisimilitude.” — 1930 letter to Lovecraft, by Clark Ashton Smith

Within Frolic on the Amaranthyn dialogue is sparse and the narrative is filled with obscure, abundant vocabulary. It is surprisingly easy to read. As per the teaser quote above, CAF follows CAS’s approach by stringing together words & feelings as if casting a strange spell, a cadence, that will enthrall you. So, he’s sort of a thaumaturgist. He’s on the radar now to corner about his thoughts on Beauty in Weird Fiction (that’s a series of interviews we run here on Black Gate (link to interviews).

Frankly, the title and blurb do not convey the intentional weirdness you will experience. The literary prose-poetry will appeal to weird fiction fans, and the vivid melee will appeal to Sword & Sorcery readers. Check out these excerpts:

Poetic Prose

…and soon did Emrasarie find herself surrounded by a flock of revelers similar to those she had earlier left. They had paraded up the same hill as she, and now fell playfully to the grass about her, as if flower petals cast aside by an infatuate pondering the affection carried their way by the one whom they so ardently desired.

Emrasarie had not the strength, nor indeed the will, to retreat this time. She simply watched as arms fumbled lazily through the air, legs entwined with one another, and faces alight with the unearthly fire overhead coalesced like streams of wax dripping from a weary candle. The other face, so prevalent in her mind’s eye only a moment ago, had completely disappeared. With it went the name it carried, and the affection she had felt towards it. Nothing remained in the void of its absence. Nothing but beauty seeking to smother her in its embrace. Beauty so much more preferable to all that was ugly, coarse, and unforgiving in the world beyond…

Weird Melee

…Uralant spied several that had veered aside and were instead making towards Emrasarie. Leaping with furious bounds, he hurled himself across the distance separating them, and thrust like a battering ram his sword at the nearest threat. Its length plunged clear through the enemy’s torso, releasing a heavy spume of embers from its back as it crumpled from the blow and collapsed.

Quickly pulling his weapon free, Uralant noted a thick, glistening fluid of purest black now coated its tapered edges, bearing a gaseous stench that lingered even as he leapt clear from a subsequent attack. More talons cut through the air in a whirlwind of steel, and as Uralant dodged about and kept the slashing monstrosity at bay, he realized no other sounds came from any of these approaching demons. No roars or shrieks of fury, no grunted breaths from exertion, no muttered curses or vows of vengeance for its fallen companion; just the tearing of its hands through empty space, and red eyes glaring at him, bright as the blood they were so desperate to spill.

Spying an opening, Uralant took the chance and swung high. He felt the shattering of steel beneath steel, and the subsequent tear as a rigid neck was severed through. When the head finally fell and crashed near his feet, the eye set within it dimmed to a vacant black, and did not ignite again…

 

Expect More Folmar

Without spoiling, it is clear that Uralant and Emrasarie will have more adventures to chronicle. The epilogue works in a mysterious, angelic sorceress that begs for more attention as do the fates of some rare, papyrus magic scrolls.

Chase A. Folmar Bio:

Chase A. Folmar is a writer of speculative fiction, especially in the vein of weird fantasy and horror. He is one of the associate editors of Witch House: Amateur Magazine of Cosmic Horror, and a member of the Science Fiction and Fantasy Writers of Hampton Roads writing group. A graduate of English Literature from the University of North Carolina at Asheville, Chase has pursued his writing ambitions ever since, having been published in several online magazines and amateur zines. Inspiration for his writing comes from all across the literary spectrum, as well as the music he listens to and art he invariably stumbles upon. He currently lives in Virginia with his wife and their ever-growing horde of rescued pets.

www.chaseafolmar.com; Twitter: @stranger_lands; CAF on Instagram

HOCKING's CONAN PASTICHE: Emerald Lotus AND "Black Starlight"; Review by SE

Simulcast on Black Gate

Ken Kelly cover art for Conan and the Emerald Lotus

John C. Hocking's Conan Pastiche: Conan and the Emerald Lotus by John C. Hocking emerged from Tor in 1995 (Ciruelo Cabral cover artist) and reprinted in 1999 (Ken Kelly cover); paperbacks are insanely expensive now (i.e. >$500 on Amazon). Fast forward to 2019, and Hocking released a 12-part serialized novella "Black Starlight" that spanned the recent Conan the Barbarian comic (Jason Aaron)--a direct sequel to "Emerald Lotus" that tracks Conan's adventures as he returns from Stygia. An indirect sequel novel by Hocking called Conan and the Living Plague was pulled from a 2019 publication at the last minute. Its future is unknown (by certain graces, the author did provide me a copy of the manuscript...and we plan to discuss/share some in an interview planned for 2022). Setting the Stage with the cover blurb: (BTW, an astute Goodreads S&S Group member pointed out that there are actually 3 wizards, and this official blurb blends the identity of "Shakar the Keshanian" and "Ethram-Fal") One wizard is bad. Two are a disaster...And a deadly disaster, too. For Conan, after refusing to help the evil wizard Ethram-Fal, has been cursed with a spell that is slowly, inexorably squeezing the life from his mighty frame. The only person who can banish the spell--besides Ethram-Fal, of course--is the sorceress Zelandra: a raven-haired beauty who practices only white magic...or so she says. Zelandra has offered to lift the spell from the Cimmerian, if only he will do her one small service: steal the deadly Emerald Lotus from the clutches of Ethram-Fal in his impregnable desert fortress. No good can come of this, Conan thinks to himself. Once sorcery gets mixed up in it, the whole job goes to hell Unfortunately, he's right. The Prologue: This catalyzes the adventure, defines the conflict, and sets the expectation for substantial horror elements (which the reader gets!). In fact, the titular lotus is both (a) a resource for casting sorcery and (b) a living inhuman-floral creature. Drugs and sorcery are equated, and they are also connected to a vegetable-entity-demon, so the conflict(s) feel very rich, fun, & unique. Sorcerers are addicts! A moist crackling filled the still air. The corpse jerked and trembled as though endowed with tormented life. Ethram-Fal caught his breath as fist-sized swellings erupted all but instantaneously from the dead flesh of his ap-prentice. The body was grotesquely distorted in a score of places, with such swift violence that the limbs convulsed and the yellow robes ripped open. Green blossoms the size of a man's open hand burst from the corpse, leaping forth in such profusion that the body was almost hidden from view. Iridescent and six-petaled, the blooms pushed free of enclosing flesh, bobbing and shaking as if in a strong wind. In a moment they were still, and a sharp, musky odor, redolent of both nectar and corruption, rose slowly to fill the chamber. The Style/Scope: Hocking certainly captured the spirit of REH's fast-paced adventure, and presented the Hyperborean canon/landscape well. Conan's remarkable travel and experiences set him apart from other mercenaries. As he gets embroiled in an adventure, he'll travel across Shem, the river Styx, and into Stygia. There are some greater conflicts teased with Shamtare and King Sumuabi that are introduced but not fleshed out (more on that later). REH's Conan was essentially all short stories, but novels require longer relationships and here Conan finds himself allied with a team. Conan and the mute Khitan Heng Shih are the two men, and each is loosely paired with a strong-willed woman. The lady on the Ken Kelly cover seems a hybrid of Zelandra (the sorceress with raven hair) with her dagger-wielding attendant Neesa. Conan's warrior skills and knowledge of Stygia are needed to guide them to the ruins of Cetriss. Conan's scouting powers are great with preternatural, and predatorial, eyesight, sense of smell, and instincts: S&S in Style: ….Where the stream of bubbles had emerged from the pool's floor, a thick shaft of shining green, like the trunk of a tree, now thrust itself into view. It shook, jerked, and stretched itself taller than a man, lashing the water to froth. A cluster of pale, bloated, petal-like growths covered the thing's crown. Its body was a densely wrinkled green cylinder, crisscrossed with pulsing veins. A pair of ridged tentacles burst from each side of its midsection, lashing the air. A thick mass of roiling roots formed its base, heaving at the pool's floor, lifting the grotesque thing up out of the water, moving it toward the shore and the stunned human intruders. A whiplike tentacle whistled toward Conan, snapping itself around his right calf. It pulled forward with incredible strength, jerking his leg up, upending the barbarian's body, so that for a moment he was suspended head down. The Cimmerian's sword leapt into his hands, making a flashing arc that slashed through the hard, ridged arm and dropped him to the sand. Heng Shih's hands caught Zelandra's waist and tossed her forcefully back. She stumbled out of range even as a tentacle curled around her bodyguard's torso. The emerald arm constricted, sinking sharply into Heng Shih's abdomen, drawing him in toward the hideous thing. Conan sprang cat-like up off the ground, ducking beneath one flailing tentacle as another struck him across neck and chest like a slavemaster's whip. He twisted away, stumbling in the sand, a line of dripping crimson bright on his bronzed throat. The unnatural plant proceeded to pull itself out of the pool on its tangled carpet of roots while bone-white thorns began sprouting from the net of wrinkles on its swaying trunk. Wicked, needle-sharp spikes pushed into view, jutting the length of a man's hand. The unladen tentacles lengthened, whipping wildly about- as the one gripping Heng Shih pulled steadily, tirelessly at him. The Cimmerian lunged to his friend's aid. A questing tentacle writhed about the barbarian's left arm, biting into muscle and spoiling a stroke meant to free Heng Shih. The tentacle he had severed snaked clumsily between Conan's legs, seeking an ankle. The Khitan's boots plowed twin furrows in the sandy soil as he was drawn irresistibly toward the thing…. Some of the initial setting begged to be addressed again (i.e., the fate of Conan's mercenary buddy Shamtare and King Sumuabi's need for raising armies), but these are minor threads and happen to be seeds developed in The Living Plague. Although the climax was consistent and action-packed, Conan could have played an even larger role in the resolution. 2019 Conan the Barbarian Comics "Black Starlight" is the serialized extension of Emerald Lotus. The 12-part episodes published across the 2019 Conan the Barbarian comics picks up directly after the conflict; to clarify, the comics are separate, disconnected story penned by Jason Aaron. With precious little lotus surviving, Stygian liches are desperately trying to steal what little Zelandra has procured. As the party makes its way back to Shem, a fight over it leads the party to an abandoned manor, and a demonic battle. Expect more Hocking pastiche, which always involves a bit of weird-horror: "No matter." Nubar shrugged the white robes off his shoulders. The barbarian almost lunged, but the hooked blade was back at Zelandra's throat in an instant, and the thing that wore the form of Lord Nubar favored him with a slow and mocking smile. He let the robe fall to his belted waist. His upper body was pale, and the hair on his breast was shot with gray, but he stood straight and there was strength in his shoulders. With a faint sigh he lifted his arms for a moment, giving Conan a glimpse of long, crimson openings high along his ribs on either side, as open as wounds but not bleeding. Conan saw two horizontal slashes like wide, red-lipped mouths, and each was full of fitfully moving slugs, tiny facsimiles of the winged leeches he and his comrades had faced again and again this hellish night. Living Plague: Expect coverage on this in an upcoming interview. In short, having read the manuscript, it was designed as an indirect sequel to Emerald. As per the title and blurb, there is a new creature/villain to battle, but Conan's compatriot Shamtare and the location of Akkharia are explored in very satisfying ways. The long-awaited follow-up to 'Conan And The Emerald Lotus', Hocking once again proves to be amongst the best of the Conan pastiche writers. Sent to recover treasure from a plague-wracked city, not only must Conan avoid its deranged survivors, but battle a deadly disease given humanoid shape. To save himself - and perhaps the world - he allies with a scheming sorcerer to traverse a demon-haunted abyss in a desperate bid to destroy the Living Plague. More Hocking BTW, Hocking has been cranking out "King's Blade" stories featuring his hero Benhus; these appear in Tales from the Magician's Skull. Highly recommended. He also had a series of short stories on Brand the Viking. The first “Vali’s Wound” in Daniel Blackston’s anthology Lords of Swords (Pitch-Black, 2004), the second “The Face in the Sea” appeared in Black Gate (2009), and the third “The Bonestealer’s Mirror” in Black Gate (2010). He also has a few essays out, including "Conan: REH, Conan and Me" in Jason M. Waltz's (Rogue Blade Foundation champion) Robert E. Howard Changed My Life. Here's an excerpt of his 2019 essay that reflects on pastiche: ...I wrote Conan and the Emerald Lotus (1995) for a number of reasons, but foremost among them was a desire to produce my own tribute to Robert E. Howard, Conan, and the Cimmerian’s saga, canonical and otherwise. Naïvely, it never occurred to me the book might be seen as anything but a tribute. It was an attempt, for better or worse, to reflect and celebrate the aspects of the original tales I had most enjoyed and, more often than not, found absent or muted in much modern fantasy adventure. The book received a mixed response, of course. It appears impossible to find a Conan pastiche that is uniformly appreciated or uniformly scorned. Looking back on Conan and the Emerald Lotus now, 25 years after it was written, I can neither be satisfied with nor dismissive of the book. It is, naturally, down to the individual reader to determine any degree of success the book might have as a novel, a pastiche or just the provider of a few hours of entertainment. However, I do like to think its status as a tribute, as a sincere effort to frame and broadcast my admiration of Robert E. Howard and his immortal Cimmerian, would be apparent to anyone with even a passing knowledge of the prose originals. The book is so saturated with references, connections, tributes and call-outs to REH, the Conan pastiche I most admired, and Howard’s fellow Weird Tales authors that were they to be stripped out of the novel the book would be half its size and nearly incomprehensible. In this way the book is not simply a reaction to Howard and Conan but an expression, decades in the making, of the reaction I initially felt upon encountering “The People of the Black Circle” and the world of reading it threw open for my exploration...

The Spine of Night - Movie Review

The Spine of the Night

5.0 out of 5 stars - A magical blend of nostalgic S&S and Heavy Metal with fresh takes on adventure.

"Do not mistake ritual for truth.
Do not mistake the desire for power with the desire for knowledge"
--so says Tzod (voiced by Lucy Lawless)

Many of us old folk will adore the formatting and production: rotoscoped classics like Bakshi's Lord of the RIngs and Bakshi/Frazetta's Fire and Ice movie paved the way for this. Classic barbarism vs civilization themes are explored but expanded from historical Sword & Sorcery limits. Violence and nudity are shown in gritty detail. Lucy Lawless voices Tzod, who leads the presentation as a sorceress heroine. Unlike Tegra from Fire and Ice, her body is less young/model-like more mature/motherly; her courage and strength rival that of Conan. So we get treated to S&S but with a strong, older woman with sorcery skills as our protagonist. The story and setting are epic and span centuries. This is well done, intellectually warfare and art. Try it out, the Bloom is contagious. Here are some thoughts on it:

• The Bloom is knowledge and power.
• Should the Bloom empower nature, or mankind?
• Who owns it, really?
• Should anyone guard it against humanity? Disperse it, via scholar or the ruling hierarchy of sorcerers?
• What would you do with the Bloom?

Watch it now online, from many venues .... including Amazon Prime (own the HD version for $10)

Oh, get the Spine of Night merchandise too. I am thinking each family member will get an eye-shirt for the Holidays!

"Spine of Night" with Creators Morgan King and Phil Gelatt, Rogues in the House (link) 

First off, it is amazing that the roto-scoped masterpiece Spine of Night was made, and then cooler yet that a bunch of rogues cornered the creators to discuss all sorts of story & movie elements (from barbarism to the role of fertility gods and the bodily shapes of heroines). Check out the link above, or find the 11-12-2021 Rogues in the House Podcast episode on your favorite podcasting venue.

2021 Dec Update!  Family Xmas T-shirts!

Tales from the Magician's Skull #6 - Review by SE

Tales from the Magician's Skull #6 by Howard Andrew Jones

S.E. rating: 5 of 5 stars

Tales from the Magician's Skull #6 (Cover Illustration: Doug Kovacs) ramps up an already impressive line-up. Editor and author Howard Andrew Jones and publisher Joseph Goodman must be possessed by this Skull character, which is fine by me. 

BTW, there is a Kickstarter ready to launch this week to fund issues #7 and beyond. Sign up here to be notified.

Listen here to what the Skull has them creating:

Like the first five issues, the print copy of #6 is an ~8.5x11 inch masterpiece printed on high-quality, textured paper. Fully illustrated again, of course. PDFs have always been available too, but this issue is also available in ePub from the publisher (Amazon and DriveThruRPG also offer versions). Also, this issue continues the great tradition of enabling readers to play RPG versions of the stories with statistics for items/characters provided by Terry Olsen.

And rise from your chair, mortal dogs (that's Skull speak), #6 has an officially licensed pastiche of Fritz Leiber's Fafhred and the Gray Mouser tales, brought to you by veteran writer Nathan Long. His story has the famous duo attempting to steal books from a secretive clan of sorcerers; honestly, it felt just like "Leiber," with an entertaining, weird adventure that works in humor to break the tension.

Hocking, Enge, and Malan continue to extend their series that have been anchors to the magazine to date. All the contributions are episodic (i.e. stand-alone). However, Hocking has a knack to impart more character progression with his Benhus than traditional, episodic action heroes of the pulps. His style is to ramp up slowly over a few pages, and then roll it into epic madness. Hocking delivers again as he had before. And Enge Morlock's character is a wonderful, troubled man; I feel empathetic and attached to him as he struggles with inner and real demons--great stuff. And Malan's Parno and Dhulyn make an entertaining pair of mercenaries.

Mele offers up his "Azatlan" milieu, which is akin to Robert E. Howard's Hyborian World (a harmonized blending of anachronistic European/North-African/West-Asian cultures), but with a focus on South/Meso-American flare. Necromantic rituals feel fresh here. This complements Howard's champion Hanuvar who goes undercover in the Dervan Empire (which radiates a Romanesque feel). Varied stories, characters, and lands make this a splendid issue.

TABLE OF CONTENTS with official snippets.
1) CALICASK'S WOMAN by John Hocking (A TALE OF THE KING’S BLADE): “I can’t hold them back for long,” gasped the apprentice. His face had gone pallid and sweat dripped from his chin. “Stand by the opening and try to take them one at a time. Perhaps we can… where are you going?!”

2) THE FEATHERED SHROUD by Howard Andrew Jones (A TALE OF HANUVAR)
The water behind the soldier erupted, and Hanuvar lunged past him to jam the pitchfork at a shovel-shaped reptilian head. The tines bit deep, and the dark water reddened.

3) GUILTY CREATURES by Nathan Long. A TALE OF FAFHRD AND THE GRAY MOUSER
"In the circle, Mouser stared cross-eyed at the tip of Kalphin’s blade, knowing death was coming to him at last."

4) SHADOWS OF A FORGOTTEN QUEEN by Greg Mele. A TALE OF AZATLAN
"I’ve seen a maiden’s veins opened as she is led through the fields, watering the new crops with her life’s blood in honor of Majawl, Our Lady of Maize, and lit my own father’s funeral pyre. But what manner of man owned books made of human flesh?"

5) COLD IN BLOOD by James Enge. A STORY OF MORLOCK AMBROSIUS
"She moved with a lithe, muscular dancer’s grace as she walked around him to enter the room. Her hair was a waterfall of starless night. Her eyes were the stars, shining with tears. Morlock had seen a more beautiful woman, but not recently."

6) ISLE OF FOG by Violette Malan. A DHULYN AND PARNO ADVENTURE.
"Dhulyn judged from the way his mouth moved now that he was screaming. That was easy to fix, she thought, as she brought her sword up and sent the head bouncing and rolling across the tiled floor."

ARTICLES
A PROFILE OF FRITZ LEIBER by Michael Curtis
Leiber replied, “I feel more certain than ever [that this field] should be called the sword-and-sorcery story.” And thus a sub-genre, while not quite newly born, received a name for the first time…

THE MONSTER PIT by Terry Olson
Enter the monster pit! Down here in the pit, we provide tabletop RPG fans with playable DCC RPG game statistics for the creatures in this issue of Tales From The Magician’s Skull.

THE SKULL SPEAKS by the Skull Himself
He asks us to prepare to celebrate Sword & Sorcery on October 23rd, 2021, a day slated to begin an annual Day of Might celebration. 

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The Heroes of Echo Gate (Mad Shadows Book Three) - Review by SE

Review posted on Black Gate: FUN, FRESH FANTASY: MAD SHADOWS: THE HEROES OF ECHO GATE BY JOE BONADONNA

Mad Shadows III: The Heroes of Echo Gate (Pulp Hero Press, February 2021). Cover artist uncredited

Joe Bonadonna’s third installment of his Mad Shadows, Dorgo the Dowser series, The Heroes of Echo Gate, was announced this Feb 2021 at Black Gate. We covered Dorgo’s world and Bonadonnoa’s cinematic narrative, which we’ll touch upon again during this review. Also on Black Gate, the author of the internationally acclaimed IX Series, Andrew Paul Weston, reviewed all three books of the Mad Shadow series. This post reinforces those articles and highlights this fresh fantasy adventure’s (a) Epic Scope, (b) Cinematic Style, and (c) Faith theme.

The Heroes of Echo Gate is fun, fresh fantasy. Dorgo and his fellowship of Harryhausen-like creatures defend a magical portal from a horde of demons. Epic!

As the cover implies, we have our beloved weird-fiction investigator & mercenary Dorgo (the guy front and center on the cover with the dowsing rod and sword) defending the titular portal with a band of friends (most of whom could have stared in a Ray Harryhausen movie. For the young readers take note that Harryhausen was the “Frank Frazetta” of cinema who gave life to the fantastical creatures before computer graphics were invented. There are three acts that follow the classic purposes: setup, rising tension, and an epic battle. The climax consumes a full third of the book and resonates with all the grandeur of defending Tolkien’s Helm’s Deep. The city of Soolaflan, on the island of Thavarar, is the fortress and it is situated around Echo Gate. Demons from across time want access to it. The portals across the world of Tanyime (and even across time and space) echo those from C. J. Cherryh’s Morgaine Cycle and even Raymond E. Feist’s Riftwar Saga.

(a) Epic Scope

Read the first two books to appreciate the players and the role of the Wandering Swords group: Book One: Mad Shadows by Joe Bonadonna and Book Two: Dorgo the Dowser and the Order of the Serpent. The first two are episodic weird-mystery with Dorgo taking the spotlight. The adventures are more “Crime & Sorcery” than “Sword & Sorcery.” Dorgo is not an official constable or justice keeper, but he is a hired layman with investigative skills and a magical dowsing rod. Bonadonna brands his Dorgo tales “Gothic Noir” which is fitting. Despite the weirdness of Valdar city and the threatening necromancy that abounds, we know Dorgo will survive and resolve any case as surely as Fritz Leiber’s Fafhrd and the Gray Mouser did.

Heroes of Echo Gate is simply more epic than the first two. First, the structure abandons the episodic set of stories for one epic tale. Secondly, the point of view (although maintaining a focus on Dorgo) pans back to feature a party of 6-8 heroes.  Also, at 318pages, it is larger than the first two (at 270 and 233 pages). With these changes, combined with the prevalence of non-human creatures and some engagement of royalty, Heroes of Echo Gate fits a high-fantasy mold.

(b) Cinematic Style & A Fellowship of Harryhausen Creatures

Joe Bonadonna weaves in Easter Eggs to his many relationships/bibliography. Two obvious ones I caught were: (1) the “Rogue Blades” mercenary group, a call out to Jason M. Waltz’s Rogue Blades Foundation publishing (Bonadonna has a contribution with David C. Smith in RBF’s Scott Oden Presents: The Lost Empire of Sol); (2), a description of weird terrain that contained Waters of Darkness (the title of a book Bonadonna co-wrote with David C. Smith).

Bonadonna has written articles for Black Gate wherein he describes how cinema informed his style.  Prior/in-addition-to writing, he was a rock guitarist, songwriter, and even a board member of the Chicago Screenwriter’s Network. So he composes as if he is writing for the camera, and his mind has been influenced by the masters. This reads like a homage to classic fantasy films. Dorgo’s group comprises creatures right out of the 1958 7th Voyage of Sinbad and the 1963 Jason and the Argonauts. This time, many of the Harryhausen-like beings are heroes rather than villainous monsters; for instance, the cyclops Quedemas (with his hilariously named warhammer “Daisy”) and his compatriot Saburo the minotaur serve as warriors with Dorgo. Incidentally, those two are like brothers and their comradery is emotionally engaging. Plenty of animated skeletons, evil harpies, and some Talos-like automatons are also present.

The Heroes of Echo Gate begs to be put into stop-motion, cinematic form.

Screen shots from Ray Harryhausen films

(c) Conflict: Faith

Like lots of fantasy, there are themes of spirituality or faith being explored. There is nothing heavy-handed here. Expect just the right amount of thought-provoking tidbits one may expect when protagonists are battling angelic/demonic powers. As much as the monsters are drawn from Mount Olympus and cinema, the angels reflect various Christian manifestations (i.e., nuns). Everyone, good or evil, seems to play with Odyllic power, the same magic that empowers Dorgo and his dowsing rod.  At root of the conflict is the corruptibility of those without faith in gods versus those who are faithful.  Also at play is the faith in companionship/brotherhood (outside of religion).

The Heroes of Echo Gate expands the scope and influence of Dorgo the Dowser. Check out his adventures in the Mad Shadows series:

Joe Bonadonna

Joe Bonadonna is the author of the heroic fantasies Mad Shadows-Book 1: The Weird Tales of Dorgo the Dowser (winner of the 2017 Golden Book Readers’ Choice Award for Fantasy); Mad Shadows-Book 2: Dorgo the Dowser and the Order of the Serpent; Mad Shadows-Book 3: The Heroes of Echo Gate; the space operas Three Against The Stars and The MechMen of Canis-9; and the sword & sorcery adventure, Waters of Darkness (in collaboration with David C. Smith.) With co-writer Erika M Szabo, he wrote Three Ghosts in a Black Pumpkin (winner of the 2017 Golden Books Judge’s Choice Award for Children’s Fantasy), and The Power of the Sapphire Wand. He also has stories appearing in: Azieran—Artifacts and Relics; GRIOTS 2: Sisters of the Spear; Heroika: Dragon Eaters; Poets in Hell; Doctors in Hell; Pirates in Hell; Lovers in Hell; Mystics in Hell; Sinbad: The New Voyages, Volume 4; Unbreakable Ink; Sha’Daa Toys (in collaboration with Shebat Legion), and The Lost Empire of Sol (with David C. Smith.) In addition to his fiction, he has written a number of articles and book reviews for Black Gate online magazine.

Visit his Amazon Author’s page or his Facebook author’s page, called Bonadonna’s Bookshelf.

 

Queen of the Martian Catacombs - Review by SE

Queen of the Martian Catacombs by Leigh Brackett

S.E. rating: 5 of 5 stars

Many Sword & Sorcery readers also adore Leigh Brackett. To date, I had only read The Sword of Rhiannon which I enjoyed. As part of a group read in the GR S&S group I'm reading more.

Brackett was a prolific writer, notable known for writing part of Star Wars: The Empire Strikes Back (Episode V). In the Queen of the Martian Catacombs, written in 1949 (~30 yrs prior Star War) you can see some overtones. "Eric John Stark" is the hunky rogue, a mercenary for hire with a heart---clearly a Han Solo figure. Women adore him, in this case, a princess causing rebellion Berild (Leia?).

The romance is heavy-handed, but the action and scenery are expertly paced. There is a ton of information provided with just the right amount of words. Even though Stark is the awesome hero you'll still feel that he is in peril, and will even feel for the characters he forms relationships with.

At ~25K words, this is more of a novella than a novel. It is available online via the Gutenberg project, but I enjoyed the paperback; the edition I read was illustrated well.

To boot, there are splendid descriptions that are stunning (bold font is mine).

Excerpt 1:

But Berild had gone a few steps farther. With a hoarse cry, she bent over what had seemed merely a slab of stone fallen from the cliff, and Stark saw that it was a carven pillar, half buried. Now he was able to make out the mounded shape of a ruin, of which only the foundations and a few broken columns were left.

For a long while Berild stood by the pillar, her eyes closed. Stark got the uncanny feeling that she was visualizing the place as it had been, though the wall must have been dust a thousand years ago. Presently she moved. He followed her, and it was strange to see her, on the naked sand, treading the arbitrary patterns of vanished corridors.

Excerpt 2)

Stark saw it rising against the morning sky--a city of gold and marble, high on an island of rose-red coral laid bare by the vanished sea. Sinharat, the Ever-Living.

Yet it had died. As he came closer to it, plodding slowly through the sand, he saw that the place was no more than a beautiful corpse, the lovely towers broken, the roofless palaces open to the sky. Whatever life Kynon and his armies might have foisted upon Sinharat was no more than the fleeting passage of ants across the perfect bones of the dead.

This is great stuff! I'm on to Black Amazon of Mars next.

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 A Sorcerer of Atlantis by John Shirley

S.E. rating: 4 of 5 stars

Entertaining Pulp Adventure by Veteran Author

A Sorcerer of Atlantis: with A Prince in the Kingdom of Ghosts has two key parts: (1) A three-chapter novel called "A Sorcerer in Atlantis" that has been released in doses over the years, and (b) the lost-world trip : "A Prince in the Kingdom of Ghosts", which despite its second billing, I enjoyed more.

First let's cover the author. To do that, I'll borrow from Douglas Draa who edited the 2020 release of Weirdbook #42: Special John Shirley Issue (~11 stories, including bits of those in this collection). Here's how Draa introduced John Shirley (who has written with several pen names):

“Seriously, Mr. Shirley is the recipient of multiple Bram Stoker and Locus Awards. He has won the International Horror Guild Award twice (along with 6 nominations). He has written two albums for Blue Oyster Cult, the original draft for The Crow, and been nominated for an Emmy for his work on the Teenage Mutant Ninja Turtles series. Oh! And he’s also scripted for Star Trek: Deep Space Nine!” – Douglass Draa Intro to WeirdBook #42

A Sorcerer of Atlantis

 Publication History. This three-chapter novel has been published piecemeal. If you are looking for more Snoori and Brimm stories, they will probably be coming, but understand that the previous incarnations are essentially duplicated.

1) Jul 4, 2017, Swords Against Darkness, edited by Paula Guran
    I. The Swords of Her Heart (by John Balestra)

1+2) Feb 26, 2020, Weirdbook #42: Special John Shirley Issue contains an entry called "Swords of Atlantis" which is really:
    I. The Swords of Her Heart
    II. Swords for the King

1+2+3) Jun 15, 2021, A Sorcerer of Atlantis: with A Prince in the Kingdom of Ghosts. With few changes, like the renaming of the Poseidon priest 'Mestor' to 'Nestor', we get a new chapter plus the previous two:
    I. The Swords of Her Heart
    II. Swords for the King
    III. The Destiny of Atlantis

Without spoiling, the ending hints at another adventure set in Latina, Roma. That makes sense, since that would build on the strengths of this light-hearted read (focused on Atlantis to this point). The core milieu builds on tensions between Greek and Roman myths/history, namely between the sea-god Poseidon and the fire-appreciating Vulcanus. The call-outs to Roman and Greek gods are usually interesting (minotaurs, necropolises, volcano tubes under Atlantis) but are sometimes heavy-handed (Romulus and Remus make an unnecessary cameo).

The key strength is the fun environments, battle, and varied creatures. My favorites were the "Uncertain" demon trapped inside the Cold Heart of Jupiter and the demon "Zirrish." Expect lots of crypt walking and speaking with ghosts. That said, A Sorcerer of Atlantis is more comedic than immersive. The protagonist is Brimm the Savant, who is not only a suave barbarian but a competent magician. He’s both warrior (with his piercer sword) and mage so he can summon demons to do his bidding (like kill his enemies) if he can remember the spells. There is plenty of grand fights, but you’ll never feel like Brimm is actually in danger. Snoori is his foil, a compatriot who has a knack for escalating trouble. Romance is over-the-top melodromatic, with two royal women Selinn and Maitha fawning over Brimm. The first chapter reads like Fritz Leiber's Lankhmar series, with a fun duo fighting Lovecraftian horrors with swords & magic. The later chapters introduce a bunch of characters and enlarged the party such that it assumes more of an epic fantasy feel (classic S&S focuses on one hero).

Conflict? Brimm and Snoori are ostensibly after gold or honor (or something to pass the time). Thanks to Snoori's brilliant ideas, and Brimm going along with them, they are really causing troubles and then trying to fix them. Yep, most of their actions are damage control. Ultimately, Brimm's journey is really a coming-of-age story of a wanderlust dude who learns that he desires to protect others (Atlantis). It all starts with Cleito, and her presence and power extend through all three chapters.

And there, in an old palace [in Atlantis], awaits the beauteous Cleito, a princess who has offered ten bushels of gold to any ten men who will become the Swords of her Heart: the champions who will destroy a minor demon.” - Chapter 1

A Prince in the Kingdom of Ghosts:

This entry is not Sword & Sorcery, but it is pulpy adventure that likely will satisfy the same readers. The light-hearted tone of Shirley pervades this story too. The protagonist Kerrin lives in contemporary times as a gem cutter, but is suddenly drug to a different world, one that promises to reveal the mystery of his father's sudden death (which happened when Kerrin was a teen). Kerrin's plight is more interesting than Brimm, and the weird descriptions a tad weirder (and more impactful) than the Atlantis adventure (which had decent settings actually). Anyway, here's two excerpts of the experience:

1) Kerrin looked over his shoulder at the palace... The gardens encircling the palace were varicolored, with enormous purple blossoms and vines with butter yellow blooms; then came a stand of trees with jade-like foliage. Along the edges of the avenue were nodding, diaphanous growths, some fifty feet high; translucent and drooping, their branches subtly moved of their own volition like the arms of sleepy Hawaiian dancers, slowly shifting gigantic translucent leaves. Light from the sparkling moon refracted by the broad lens-like leaves shattered into primary colors that fluxed with secretive dynamism. It made Kerrin think of an effect from light striking an inclusion deep within a polished diamond. As the phaeton trundled along, the light from the growths served as streetlamps, illuminating the road and an exquisitely serene pond of orange night-blooming waterlilies and golden lotuses, coming up on their left. The bordering lilies were artfully counterbalanced by swans, now easing toward their nests in the reeds. A small herd of deer cropped grass along the farther shore of the pond. Kerrin felt called, summoned by the light softly pulsing in the limpid water; by the living serenity of the place. He wanted to leave the phaeton and go to the pond, to sit in contemplation of it.

2) Illuminated by shafts of red light coming through the translucent stone at the peak of Bald Mountain was a squirming aggregation of ghosts. Specters in various stages of incarnation struggled like hundreds of white moths caught in transparent glue. They were fixed in a kind aspic of decaying caro spiritus—the source of the rancid odor underlying the smell of dead bats. Nearly three hundred spirits seemed entombed at Kerrin’s feet, in a putrefied melding of souls. Their faces were contorted with anguish, lined with misery, pinched by fear; their mouths were open in endless outcry. There were spirit countenances that had been Caucasian, African, Asian, Latino, Middle Eastern, all united by a cruel compression, a crushing constraint within their bonds. Kerrin could make out rag-ends of arms and legs, but not a complete body in the lot. Most of the fragmented ghosts were groaning, wailing, calling out in various languages for assistance.

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Worlds Beyond Worlds - Review by SE

 Also on EXPLORE THE BEAUTIFUL DARKNESS: WORLDS BEYOND WORLDS BY JOHNR. FULTZ (Aug 2021 Black Gate)

Worlds Beyond Worlds: The Short Fiction of John R. Fultz by John R. Fultz
My rating: 5 of 5 stars

Volume I: Transcending the Illusions of Modernity and Reason.: The first thing you must understand is that the One True World is not a figment of your imagination, and it does not lie in some faraway dimension. To help you understand the relationship between the True World and the False, you must envision the True World lying beneath the False, as a man can lay hidden beneath a blanket, or a woman’s true face can be hidden by an exquisite mask. (Fultz, “The Thirteen Texts of Arthyria” )

YOU WANT SOME OF THIS? The Brian LeBlanc cover of Worlds Beyond Worlds: The Short Fiction of John R. Fultz shows the revenant Chivaine displaying the trophy head of his enemy. As a reader, do you want to follow him? Challenge him? The tile and cover set up expectations well, so you can expect planetary landscapes, witches, twisted creatures, and villainous heroes. Worlds Beyond Worlds is exactly what it says, a collection that takes the reader/protagonists into other worlds which are beyond even stranger ones. You are invited to explore the beautiful darkness.

The mere fact Fultz can publish eleven tales across ten markets in just a few years is a testament to his skill. BTW, John R. Fultz is equally skilled in the novel form as he is in short stories; looking for a dose of weird adventure? Then consider The Shaper Trilogy or Tall Eagle series (listed below). He has a knack for blending genres/settings which reflects his desire to take the reader to new places, really weird new places full of disturbing surroundings and high-stakes adventure.  Heck, there is even a Sword & Sorcery tale that harmonizes demon killing with the ambiance of Kung Fu (dedicated to David Carradine's iconic role in the TV show). Anyway, if you crave unique fiction that conveys a wild experience, and are excited to immerse yourself in the cover's world, then the answer is: YES, YOU DO WANT THIS.

Learn more about John R. Fultz by perusing the author's website and by reading the 2017 interview where I cornered him on the topic "Beauty in Weird Fiction". You'll learn about the author's muses and illustration skills (which inform his visual style).

TABLE OF CONTENTS:
1. “Chivaine” originally appeared in Weirdbook #31 (2015).
2. “Yael of the Strings” originally appeared in Shattered Shields (2014).
3. “Ten Thousand Drops of Holy Blood” originally appeared in Skelos #3 (2017).
4. “Strange Days in Old Yandrissa” originally appeared in Orbit Short Fiction (2013).
5. “The Gnomes of Carrick County” originally appeared in Space & Time #116 (2010).
6. “The Thirteen Texts of Arthyria” originally appeared in Way of the Wizard (2010).
7. “Daughter of the Elk Goddess” originally appeared in Hyperborea (August 2014).
8. “The Penitence of the Blade” originally appeared in The Audient Void #2 (2016).
9. “Where the White Lotus Grows” originally appeared in Monk Punk (2011).
10. “Oorg” originally appeared in The Audient Void #5 (2018).
11. “Tears of the Elohim” originally appeared in Forbidden Futures #3 (2018).

WILD CHARACTERS: The protagonists are as varied as the milieus. “Chivaine” opens with an undead knight. “Yael” offers a reluctant bard turned hero on a battlefield with mega-insects; later stories feature the perspectives of a sentient sword (“Ten Thousand Drops of Holy Blood”), and we even get a bibliophile (“Thirteen Texts”) and a moon-born elder god (“Oorg”)! And there is more. You will travel the Land of the Scorpions, Valley of Sacred Bones, Eiglophian Mountains, the doomed city of Yandrissa, and through the underworld of the New World. Here is a taste:

"In the Land of Scorpions the warlock Vallicus kept a fortress of volcanic stone. Its ramparts rose above a realm of poisoned waters and crumbling ruins. Vallicus, like his citadel, was a relic of the elder ages. He had ruled a decadent kingdom in the time before the Hundred Gods tamed the world. How he longed for those ancient days of blood and slaughter. I was born into flames, falling out of the void. A womb of stone hurtling ever downward, until the thunder of impact fractured my shell. I lay among the glittering shards, formless and thoughtless, until Vallicus came for me. Weaving spells against the heat and flame, he carried me from the steaming crater. A silvery seed he would nurture and grow with sorcery. A nameless mineral to which he gave a form, a name, and a purpose." (“Ten Thousand Drops of Holy Blood”)

"There came a day when the rusted moon cracked open like an egg, and the giant Oorg fell screaming to earth. A pale and fetal meteor, his body slammed into the green ocean. Tidal waves and tsunamis swept the shattered continents, drowning empires and flooding the world. The world had flooded before, but there had never been a burden like Oorg for the earth to endure. He rose up from the steaming mud of the drained seabed, gleaming like a mountain white as snow. The light of his eyes was the glow of double suns, scouring the air with heat, scorching the low-hanging clouds to ash. The world roiled with cataclysms about his gargantuan feet, and he roared like an uncaged beast.

On the other side of the world Oorg explored the nature of his surroundings, howling at the red sky with his great maw, possessing no language to express whatever mundane or alien thoughts might be swimming in his vast brain. He knew hunger, and confusion, and cold. Inside the moon’s womb he had been warm and oblivious, dreaming of unguessed realities. Here he was titanic, pain-struck, and alone. He howled his pain like a hungry wolf and stomped across the ruined lands, his great arms tearing up islands and hurling them at nothing. " ("Oorg")

STYLE: Fultz's approach is reminiscent of Clark Ashton Smith's weirdness blended with Robert E. Howard's action. Expect bloody, weird bloody melee:

The men of Sharoc marched toward the overwhelming ranks of Ghothians. Diving griffons harried the rows of colossal arachnids. Knights drove their lances into the bulbous monsters. The spider-beasts squirted silvery ropes of webbing into the sky, bringing knights and griffons tumbling to earth. The Ghothian pikemen closed about the fallen ones, stabbing them to death in seconds.

The marching armies grew closer and closer. They would meet in the valley’s exact center. The spider-banners of Ghoth rippled in the autumn wind, and the yellow banners of Lion and Hawk streamed forth to meet them. At a certain distance the archers on either side took to ground. Volleys flew into the sky, each a black rain of barbed death. The footmen paused, sank to their knees, and raised their shields for shelter. When the arrows had fallen, the footmen rose and marched again. Another volley shot into the sky, and the footmen paused again and raised their shields. A soldier next to Yael took an arrow in the eye and died instantly.

Again and again the arrows fell, until the two armies came together in a rush of shouting, charging pikemen. Then all sense of ranks and order was lost, and the slaughter truly began. The wicked pikes of the Ghothians impaled their foes, ripped sideways to spill guts from bellies. Others hooked men into immobile positions of lasting pain. In such cases the Ghothians pulled forth their scimitars and took the heads of wounded men.

Yael might have dropped his pike and ran from the fray like a coward, but the press of men behind him made this impossible. So he marched into the forest of barbed and glittering blades aimed at his gut and face. The Ghothian pikes were grotesquely made, barbed and hooked to inflict maximum carnage. The screams grew louder. Dying men wailed and clutched at their spilled intestines on the ground as others trampled them into the mud.
…
Time had slowed so that each moment was an eternity. The roar of battle was like the roar of the ocean in Yael’s ears. Droplets of red blood spilled through the air like tiny jewels, splattered across the muddy ground. Dead boys lay all about him, their skulls and hearts and bellies split open, spilling the red secrets of existence into the black dirt. The whiteness of an ancient bone poked through the mud, a remnant of some historic battle. How many bones, how many skulls, filled the earth beneath this valley? The soil was rich with decayed humanity. (“Yael of the Strings” )

NOVELS by John R. Fultz/b>

The Shaper Trilogy
Seven Sorcerers
Seven Princes
Seven Kings


Tall Eagle Series
The Son of Tall Eagle
The Testament of Tall Eagle


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